Wednesday, December 20, 2017

Review: 1987: WHEN THE DAY COMES Offers Timely and Powerful History Lesson


By Pierce Conran

Save the Green Planet director Jang Joon-hwan mobilizes dozens of familiar faces, including The Chaser and The Yellow Sea stars Kim Yun-seok and Ha Jung-woo, for a weighty and powerful dramatization of the birth of Korean democracy. Following a slew of other politically-minded films, the sprawling protest drama 1987: When the Day Comes caps off what has been a tumultuous year for Korea that began with millions on the streets and resulted in the scandalous downfall of a polarizing head of state.

Sunday, December 17, 2017

Review: ALONG WITH THE GODS: THE TWO WORLDS, Ambitious Fantasy Epic Indulges in Cheesy Backdrops and Melodrama


By Pierce Conran

Riding in on a wave of curiosity and anticipation, popular webcomic adaptation Along with the Gods: The Two Worlds, the opener of Korea's first simultaneously filmed two-part series, represents one of the biggest gambles in Korean film history. No Korean film has ever relied on so much VFX work and at a cost of roughly $36 million, failure would spell certain doom for the people behind it.

Saturday, December 16, 2017

Review: STEEL RAIN, Bombastic Action-Drama Ponders Nuclear Armageddon


By Pierce Conran

The first of a trio of major end-of-year releases in Korea this winter, Steel Rain is the third North Korea-themed action-thriller of 2017 (following Confidential Assignment and V.I.P.) and easily its most bombastic. From The Attorney helmer Yang Woo-suk, who adapts his own webtoon of the same name, the threat of nuclear armageddon on the Korean peninsula has never been so great in a film that is as ambitious as it is disjointed. Leads Jung Woo-sung and Kwak Do-kwon reunite just over a year after Asura: The City of Madness.

Thursday, December 14, 2017

Top 15 Korean Films of 2017


By Pierce Conran

Following what turned out to be one of the all-time best years of Korean cinema, 2017 had its work cut out for it, and, sure enough, it fell well short of 2016’s benchmark. Yet what could have been a placeholder year was saved by an array of important titles that signalled a changing current in the industry, particularly the mainstream.

Busan 2017 Review: ECOLOGY IN CONCRETE Explores the Heart of Modern Seoul


By Pierce Conran


Following her Talking Architect films, director Jeong Jae-eun once again explores the complicated systems behind Seoul's urban planning, a field which encompasses both fascinating sociological insights and frustrating political obstacles. In Jeong's hands, this exploration of the growth of Seoul's residential planning is enthralling yet the journey is at times difficult through its detailed mid-section, especially for those not familiar with the city's unique architectural landscape.

Tuesday, December 12, 2017

Busan 2017 Review: OLD LOVE Mourns Life's Missed Opportunities


By Pierce Conran

20 years after his debut Motel Cactus, Park Ki-yong returns with his 8th feature Old Joy, a contemplative work that proves to be director's strongest since his early days as one of the pioneers of the nascent Korea indie filmmaking scene.

Monday, December 11, 2017

Busan 2017 Review: ROMANS 8:37, a Difficult Theological Tale


By Pierce Conran


Writer-director Shin Yeon-shick returns to Busan for the fifth time with Romans 8:37, a thoughtful if not exactly thought-provoking theological tale of faith, suffering and coverups. Focusing exclusively on the complicated inner workings and relationships of a Korean church, this lengthy film will prove challenging for some viewers, particularly those outside the faith.