The 2012 Korean Cinema Blogathon

The Korean Cinema Blogathon will be back for its much anticipated 2nd edition from March 5-11.  This year the home base for the event will be last year's co-host cineAWESOME! while New Korean Cinema will be mirroring all of the links on its site.

In order to maximize the exposure of the already very popular Blogathon, a few sites have been brought in to the mix to act as hosts to all of the event's links.  Modern Korean Cinema is very proud to count itself among this group, along with Hangul Celluloid, KOFFIA, and VCinema.

Last year's Blogathon was the reason that MKC really got going, so I'm extremely excited to see it roll around again especially as this edition promises to be even better than the first!

Make sure to drop in come March 5th and don't be shy about submitting your own review, top 10, or article, this is what the Korean Cinema Blogathon is all about!  It's a fantastic way to share thoughts, discover great sites, and meet new people.

Check out the original press release after the jump for more information:

Following last years successful Korean Blogathon (thanks to everyone who joined us!) New Korean Cinema and cineAWESOME! will be hosting the event again this year from 5th to the 11th March.

What’s the Korean Blogathon?

It’s a way to try to encourage as many people – including YOU! – to share and discover opinions and ideas about Korean cinema. It’s open to anyone – wherever you are around the world and whichever language you speak.

For one week we try to encourage as many people as possible to get involved writing about Korean cinema. Anything you want. Over the course of the seven days this kicks up some really interesting posts – and, most importantly, people are able to read what you’ve written and discover films and ideas that they’ve never come across before, maybe learn a little about Korean film history, or maybe even discover websites and blogs they were previously unaware of.

Ideas for blog posts might include reviews, top tens, opinions on favorite directors / actors / genres, whatever you want – it just needs to be related to Korean cinema in some way. Last year we had fifty blogs participate, generating one hundred and fifty posts!

Check out the links for last years event here. This year the event will be hosted by cineAWESOME! and mirrored at New Korean Cinema.

All you need to do to join us is to write a post – or as many posts as you want over the seven days – on your blog or website during the week of 5th to the 11th of March then send an e-mail to [email protected] with your link to and we’ll post a link to you from the site. You can also post your own links on our Facebook page or we will do it for you, and we’ll Tweet links to your posts throughout the week: the Twitter tag for the week will be #koreablog.

If you want to use one of our ‘Korean Blogathon 2012’ banners they can be downloaded from here

Korean Box Office Update (02/10-02/12, 2012)

Nameless Gangster Takes Another Victory Lap

	Title	Release Date	Market Share	Weekend	Total	Screens
1	Nameless Gangster	2/2/12	40.80%	828,585	2,484,742	712
2	Dancing Queen	1/18/12	13.10%	282,560	3,200,481	426
3	Unbowed	1/18/12	12.00%	256,866	3,096,123	378
4	Legends of Valhalla: Thor	2/9/12	9.50%	198,414	208,842	382
5	Tarbosaurus 3D	1/26/12	6.80%	116,742	803,255	263
6	Papa	2/1/12	4.70%	107,868	478,378	314
7	Star Wars: The Phantom Menace	6/26/99	4.10%	59,278	69,038	200
8	War Horse	2/9/12	2.40%	53,558	64,780	226
9	Tinker Tailor Soldier Spy	2/9/12	2.10%	44,042	55,784	186
10	Happy Feet 2	2/2/12	1.60%	35,368	159,957	202

This past weekend was another exceptionally strong frame for local films as combined they took nearly 80% of the market share, up from 50% a year ago.  Total admissions came in at just over two million which was a 25% increase on last year's comparable weekend.

Once again leading the charge was Nameless Gangster which barely dropped from its gigantic opening to record a 828,585 weekend which already puts it within inches of the 2.5 million mark.   While it will likely lose a significant amount of business next weekend it's already a big success and will surely cross a few more landmarks during its run.

Dancing Queen moved up to number 2 this weekend with 282,560 which represented a tiny 15% drop.   It is now well over the three million mark and could cross four before finishing its impressive run.  It's going quite steady for the moment and should still remain competitive throughout the rest of the month.

Unbowed dropped to number 3 with a 40% drop that left it with 256,866.  It has now also crossed the three million admissions mark and could vie for the next milestone but this could prove to be a difficult obstacle to overcome.   The film has had an extraordinary run but with so much else crowding the theaters interested does seem to have waned so it will probably begin to wind up its run shortly.

Foreign animation Legends of Valhalla: Thor opened with a decent 198,414 but is unlikely to stay this high on the chart for long.  Considering how many children's films have opened recently this seems like a good start.

Tarbosaurus 3D lost about half its business this weekend as it garnered another 116,742 admissions but it has now crossed the one million mark.  This seems like a decent total for this kind of a film but I have no idea how much it cost or what its break-even point may be.  In any case it has been a difficult period for animation lately with so many crowding the marquee.

Papa dropped a spot to number 6 in its sophomore weekend as it halved its take to 107,868.  Not an impressive run but with so many quality offerings on offer its easy to see why a film with a slight and slightly perplexing premise could get lost in the mix.   One million admissions is probably not on the cards.

Star Wars Episode 1: The Phantom Menace occupied the number 7 spot as it came out on rerelease with 59,278.  At number 8 was Spielberg's new offering War Horse which sold 53,558 tickets.   Meanwhile, the phenomenal Tinker, Tailor, Soldier, Spy failed to attract many viewers as it attracted 44,042 viewers for number 9.   Last Happy Feet 2 dropped like a stone after an abismal opening as it wound up with a paltry 35,368 admissions.

All eyes will be on the Ha Yu directed and Song Kang-ho starring Howling as it opens wide next weekend.   Reviews have been excellent and anticipation is high but I wonder how the strong performance of the top three local films will affect its opening bow.

Source: kobis.or.kr


The Korean Box Office Update is a weekly feature which provides detailed analysis of film box office sales over the Friday to Sunday period in Korea. It appears every Sunday evening or Monday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News and the Weekly Review Round-up. Reviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Weekly Review Round-up (02/02-0210, 2012)

A pair of reviews for the hotly anticipated thriller Howling this week which will be opening on the 16th in Korea.  Many more reviews of past and current films also on offer from a wide range of sources.

CURRENT KOREAN RELEASES

Howling

(The Korea Herald, February 8, 2012)

(Yonhap News Agency, February 9, 2012)

Nameless Gangster

(Seonyeong's Private Place, February 4, 2012)

RECENT FILMS

Always

(Hanguk Yeonghwa, February 7, 2012)

Blind

(YAM Mag, February 9, 2012)

Couples

(Beyond Hollywood, February 6, 2012)

Detective K: Secret of the Virtuous Widow

(Init_Scenes, February 3, 2012)

Haunters

(Init_Scenes, February 5, 2012)

Head

(Seen in Jeonju, February 3, 2012)

Pain

(Beyond Hollywood, February 7, 2012)

(Tollywood Movie Review, February 9, 2012)

Quick

(Beyond Hollywood, February 8, 2012)

(FilmsBlitz, February 8, 2012)

Silenced

(Hanguk Yeonghwa, February 8, 2012)

(Korean Candy, February 9, 2012)

S.I.U.

(Hanguk Yeonghwa, February 9, 2012)

The Client

(hancinema.net, February 4, 2012)

(Modern Korean Cinema, February 7, 2012)

The Front Line

(Chicago Sun-Times, February 4, 2012)

(Cinema Paradiso Blog, February 6, 2012)

(That Film Guy, February 4, 2012)

War of the Arrows

(The One One Four, February 8, 2012)

PAST FILMS

200 Pounds Beauty, 2006

(Hanguk Yeonghwa, February 5, 2012)

D-Wars, 2007

(Korean Grindhouse, February 4, 2012)

My Dear Enemy, 2008

(New Korean Cinema, February 9, 2012)

Portrait of a Beauty, 2008

(Hangul Celluloid, February 8, 2012)

The Chaser, 2008

(Initi_Scenes, February 7, 2012)

Thirst, 2009

(The Daily Athanaeum, February 7, 2012)

The Weekly Review Round-up is a weekly feature which brings together all available reviews of Korean films in the English language (and sometimes French) that have recently appeared on the internet. It is by no means a comprehensive feature and additions are welcome (email pierceconran [at] gmail [dot] com). It appears every Friday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News, and the Korean Box Office Update. Reviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Korean Cinema News (02/02-02/08, 2012)

The big news this week is the announcement of this year's Korean Blogathon which is being presented by cineAWESOME! and New Korean Cinema and will this year be hosted on Modern Korean Cinema and a number of other sites, visit the press release below for more information.

2012 KOREAN BLOGATHON

Join Us For ‘Korean Blogathon 2012′
Last year New Korean Cinema played host to the Korean Blogathon – a week which was used to try to shine the spotlight on Korean films and the people who are writing about them online.  The response blew us away – over the seven days many great articles emerged from some brilliant writers and this created some interesting discussions about many varied aspects of Korean film and filmmakers.  It was such a great event that we promised the Blogathon would return…. so here we go!  (New Korean Cinema, February 7, 2012)

KOREAN CINEMA NEWS

Seven Korean Films Invited to 2012 Berlinale
Seven Korean films have been invited to this year’s Berlinale, scheduled for Feb. 9-19.  Among the seven, director Kang Ju-gyu’s 28 billion won war blockbuster My Way and Jeon Kyu-hwan’s drama Varanasi have been invited to the festival’s non-competition “Panorama” section.  (The Korea Herald, February 1, 2012)

More Images From Yim Pil-sung and Kim Ji-woon's The Doomsday Book
Just last week we heard the good news that the omnibus sci-fi project The Doomsday Book was back on its feet after a long hiatus.  The cast includes Kim Gyu-ri, Kim Kang-woo, Ryoo Seung-beom, Cho Youn-hee, Kim Seo-hyung, and Song Sae-byeok.  The film will hit Korean cinemas this Spring and will also screen at EFM in Berlin next week.  (Twitch, February 2, 2012)

'Jang Keun Suk effect!' You’re My Pet Earns 2.4 Million Dollars
Jang Keun Suk showed off his box office power on the Japanese silver screen.  You’re My Pet, which was released in Japan on January 21, earned 2,424,009 dollars by January 29.  The movie ranked ninth in box office receipts in the second week.  (korea.com, February 2, 2012)

Korean Film in 2012
The Korean film industry has a lot to offer for the year of 2012. Korean films have been gathering more attention around the world and in the domestic market, as Korean films gain attention and Korean actors and producers take part in more international collaborations.  According to the Ministry of Culture, Sports and Tourism, the market share for Korean films was 51.9%, up from 46.5 in 2010 and marking the first time in modern history that Korean moviegoing audiences showed a marked preference for domestic movies.  As well, film exports increased by 14% in 2011.  (IT Times, February 3, 2012)

Oscar Hopeful Octavia Spencer Joins Sci-Fi Drama Snow Piercer

The cast of Korean director Bong Joon-ho's (The Host) first English-language movie, the post-apocalyptic drama Snow Piercer, was already impressive, but it just got even better.  Captain America: The First Avenger star Chris Evans was the first to sign on, but he was soon joined by two-time Academy Award-nominated actor John Hurt (Tinker, Tailor, Soldier, Spy) and Academy Award-winner Tilda Swinton (Michael Clayton).  Now, the cast has gained another Oscar contender as THR reports Octavia Spencer (The Help) has also joined the cast.  (reelz.com, February 5, 2012)

Finecut Acquires Hong Sang-soo's Another Country
The South Korean sales company will be screening a promo reel at the upcoming European Film Market.  South Korean company Finecut is handling international sales on Hong Sang-soo’s new film Another Country, starring the award-winning actress Isabelle Huppert. The film was shot in summer last year and is now in post-production.  (Screen Daily, February 6, 2012)

Leafie Launches 108 Media
Toronto-based 108 Media is launching at the Berlin market by acquiring English-language rights to Korean animated title Leafie: A Hen Into the Wild.  Company will focus on worldwide sales and Canadian distribution of films, TV, gaming and mobile content.  Funded by private equity, 108 Media is headed by Abhishek Rastogi, former managing director of Cinesavvy.  (Variety, February 6, 2012)

KOFIC to Support 33 Korean-Foreign Joint Productions in 2012
The Korean Film Council will be supporting 33 Korean-foreign joint production films this year, as well as small-sale production houses and distributors, its officials announced in a press meeting in Myeong-dong, Seoul, Tuesday.  The council kicked off the 2 billion won project for the 33 joint productions on Tuesday by announcing its official call for submissions.  (The Korea Herald, February 7, 2012)

Romantic Heaven Picks Up award at 30th Fajr International Film Festival
The 30th Fajr International Film Festival in Iran bequeathed its best screenplay award went to South Korean film Romantic Heaven by director/writer Jang Jin. (Tehran Times, February 7, 2012)

Film Unbowed Creates Nationwide Stir on Fair Trial
The Korean film Unbowed has now become the center of attention in Korea, drawing more than 2.5 million viewers since it opened in mid-January.  The film succeeded in reaching out to millions of viewers, as the film focuses on unfair and biased legal procedures.  Although this movie is based on a true story, it has created a stir nationwide on whether or not the plot has been exaggerated or even modified from the actual facts.  (Arirang TV, February 7, 2012)

INTERVIEWS

Lee Myeong-se – “Better and Sweeter”
Award winning films, Nowhere To Hide (1999), Duelist (2005) and M (2007) are amongst those directed by Lee Myeong-se.  In between directing (& writing) these action, fantasy & thriller-noir titles he’s given the world further tales made up of dramas, love stories and comedies.   However, it’s not only the genre-busting he seems to do well it’s also in his filming techniques.   Rarely does a scene pass without some brilliant imagery.   With all this in mind, it’s my reckoning that this down-to-earth and funny guy is more than capable of pulling off his forthcoming feature.   We cover that film and others in our interview together.  Well done, ‘Mister Lee’!  (Mini Mini Movie Review, February 2, 2012)

Back From Near Extinction, Dinosaurs Tromp Through New Film
Dinosaurs once roamed through Korean film, but none were very fierce.  All of the reptiles were shoddy creatures shot with miniature action figures, resulting in unnatural performances and awkward movements.  The lack of technology also allowed these gigantic characters just one facial expression: an angry face with a mouth wide open to reveal a set of threatening, peg-like teeth.  Then, in the late 90’s, dinosaur films did a disappearing act and it looked like they were on their way to extinction.  (Joong Ang Daily, February 3, 2012)

Interview With Director Lee Kwang-kuk
Formerly an assistant director to Hong Sang-soo, Lee Kwang-kuk has struck off on his own to make his feature debut with Romance Joe.  After a world premiere at the Busan International Film Festival, Romance Joe made its international premiere in the Tiger Awards Competition at the recently wrapped International Film Festival Rotterdam.  Lee spoke with Jean Noh ahead of and at the festival about his work.  (KoBiZ, February 6, 2012)

TRAILERS

Doomsday Book


Miss Conspirator


Romance Joe

POSTERS

Eighteen and Nineteen

The Taste of Money

Train

BOX OFFICE

Nameless Gangster Leads the Charge as Local Films Clean Out the Competition

(Modern Korean Cinema, February 5, 2011)

Box Office Analysis, Jan. 18 - 31

Two Korean films emerged as major hits in 2012's Lunar New Year holiday season – Dancing Queen and Unbowed.  The success of Dancing Queen, which sold 2.26 million tickets in its first two weeks on release, was not entirely unexpected.  (KoBiZ, February 3, 2012)

Korean Movies Outshining Int’l Films at the Box Office

Korean movies are outshining their international counterparts at domestic box offices, according to statistics released recently by the Korean Film Commission, as the top-five most-watched movies at the moment are all homegrown.  (Joong Ang Daily, February 7, 2012)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-up. Reviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

The Client (박희순, Eui-roi-in) 2011

There are few things more satisfying than a well-performed and thoughtfully structured courtroom drama.  I for one have pleasantly idled away many a Sunday afternoon whisked away into the heady wood-paneled halls of justice.  The beauty of legal dramas or thrillers is that by way of their conceit they are already confined, for the most part, to one location and as viewers we accept this fact.  More than most genres, with courtroom films we largely know what we’re getting ourselves into.

So what makes these films so popular when they are so constrained by their design?  Their narratives typically do not require the presence of too many characters and often eschew subplots which may otherwise seem contrived.  This makes them quite lean and generally pretty easy to follow and be drawn in by.  For the most part the stories will be determined by the answer to one question: will the case be won or lost?  But the most engaging thing about courtroom dramas is the bitter contest of right vs. wrong.  We are compelled to deliberate over the evidence and arguments presented by both sides (though we are often led by the filmmaker’s guiding hand) which in effect means that our viewing experience sees us living vicariously through the jury represented on screen.  Some of the genre’s best examples are fully aware of this fact and use it to their advantage, such as the slippery and claustrophobic moralizing of Twelve Angry Men (1956).

Perhaps the most important element of any solid and engaging legal thriller is the strength of its characters and by extension the importance of their casting.  Who could ever forget Jimmy Stewart in Anatomy of a Murder (1959), Gregory Peck in To Kill a Mockingbird (1962), or Paul Newman in The Verdict (1982).  Though I’m sure not all will agree, but there’s also much to be said for Tom Cruise’s endearing performance in A Few Good Men (1992).  In considering the recent Korean courtroom drama The Client, the first thing that pops to mind is the charismatic performance of Ha Jeong-woo, who is surely on his way to becoming one of the peninsula’s leading stars.  Though judging by the massive opening of his new film Nameless Gangster this past weekend, he already seems quite close to that distinction.

The premise to The Client is quite simple:  a man returns to his apartment early one morning to find it overrun by police investigating a murder, the victim being his wife.  As all the evidence, albeit circumstantial, points to him, he his immediately hauled away for questioning.  Despite the seeming open-and-shut nature of the case, attorney Kang (Ha Jeong-woo) takes on the defendant Han (Jang Hyeok) as his client.  Kang is a gregarious lawyer, confident in his abilities, and he will do battle with his rival prosecutor Ahn (Park Hee-soon) in the court while also dealing with his client, who seems to be holding something back.

The film sets up a classic did he or didn’t he scenario but rather than linger on this question, it lets it eat away at the edges of the frame as it chooses instead to focus its attention on the contentious and grudgingly respectful battle between the tremendous presence of Kang and the imposing steeliness of Ahn.  In his second outing, Director Sohn Young-sung adroitly handles the pacing, which is taut and even at 123 minutes never lags.  He also exhibits some panache in the mise-en-scene department though modestly holds back as he wisely gives way to the considerable talents of his first-rate cast.

It hardly needed any more confirmation, but The Client should easily qualify Ha Jeong-woo as a major star with the kind of mix of natural charm and good looks that is reminiscent of some of the silver screen’s coolest icons like Paul Newman, or perhaps he’s Korea’s equivalent to Hollywood’s icon-of-the-moment Ryan Gosling.  Either way we’ll be in no short supply of his talents for the foreseeable future as he stars in two film released this month, Nameless Gangster and Love Fiction, and then Ryoo Seung-wan’s big budget spy thriller The Berlin File which is about to start shooting on location in Europe.

Park Hee-soon is somewhat of an anomalous presence in the Korean star system.  He’s handsome and often cast as the leading man but he might be the most intense actor in the country.  He doesn’t display any sense of humor, which adds a rather unsettling but effective tone to his performance as a larger-than life soccer coach in A Barefoot Dream (2010), but it can also be a drag on proceedings that are already bereft of much spirit like last year’s promising but ultimately shallow and turgid The Showdown (2011).  However, he does excel at playing saturnine characters and when employed effectively he can be a formidable presence, such as in Hansel in Gretel (2007).  Sohn is one of those deft hands who knows how to wield his strengths and as prosecutor Park he is an excellent foil to Ha’s outgoing litigator.

The Client is not without its faults.  While more than serviceable, the plot is merely adequate, constantly to-ing and fro-ing with the odd curveball thrown in for good measure.  At the end of the day it offers nothing new in the exhausted setting of the legal thriller.  Nevertheless, it is a satisfying way to divert oneself during the course of a lazy Sunday.

Following the critical and commercial success of The Client and more recently Unbowed, it’s a safe bet to say that Korea will soon greenlight some more high-profile courtroom dramas and if the quality of this effort is anything to go by, these would be a most welcome addition to the ever-versatile Korean film industry’s production slate.

★★★★☆

Reviews and features on Korean film appear regularly on Modern Korean Cinema.  For film news, external reviews, and box office analysis, take a look at the Korean Box Office Update, Korean Cinema News and the Weekly Review Round-up, which appear weekly on Monday, Wednesday, and Friday mornings (GMT+1).

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Korean Box Office Update (02/03-02/05, 2012)

Nameless Gangster Leads the Charge as Local Films Clean Out the Competition

	Title	Release Date	Market Share	Weekend	Total	Screens
1	Nameless Gangster	2/2/12	38.90%	917,379	1,092,987	701
2	Unbowed	1/18/12	16.40%	406,646	2,642,340	454
3	Dancing Queen	1/18/12	12.80%	322,688	2,734,699	436
4	Tarbosaurus 3D	1/26/12	11.20%	219,930	662,139	320
5	Papa	2/1/12	7.90%	213,946	292,295	414
6	Happy Feet 2	2/2/12	4.40%	99,405	109,141	312
7	Puss in Boots	1/12/12	3.50%	83,013	2,005,691	247
8	Journey 2: The Mysterious Island	1/19/12	1.40%	36,000	1,119,487	174
9	I Don't Know How She Does It	2/2/12	1.30%	30,324	39,845	165
10	Mission Impossible: Ghost Protocol	12/15/11	0.70%	17,438	7,538,551	89

Local films dominated the marketplace this weekend as they took the top 5 spots and an 88% market share, effectively wiping out Hollywood's mark on Korean theaters over the time frame.  Total admissions stood at 2.36 million, a very healthy figure for this time of year.  The chief element of success was a strong variety of enticing projects which have mostly benefited from positive reactions.

Leading the charge was the hotly anticipated Nameless Gangster which did not disappoint, both with its positive notices and supercharged 917,379 opening weekend.  It's no small feat coming so close to the million mark at this time of year but even more encouraging in light of the strong competition from Lunar New Year's leading releases.  It will probably remain strong next weekend, likely taking the crown again but will face stiff competition thereafter following the debut of Howling.

Unbowed slowed a little over 40% in its third weekend, winding up with 406,646 which put it past 2.5 millin admissions.  Dancing Queen was next with 322,688, a 45% drop, it also crossed the 2.5 million mark.  Dancing Queen is still in the lead but Unbowed is likely to pull ahead before too long.  3 million is a guarantee for both but it will be interesting to see if they go further, especially Unbowed.

Tarbosaurus 3D dropped about a third and succeeded in lording over the numerous other children's offerings with its 219,930 take. It looks set to cross the one million mark before long, another feather in Korean animation's cap.

Papa also opened this weekend but was overwhelmed by immense local competition, finding itself lost amongst event pictures.  It pulled in 213,946 viewers in its opening bow and is not likely to improve on that in coming weeks.  Seeing how the slate was shaping up at the beginning of the year, the distributors probably should have considered pushing its release back to a less crowded weekend.

The next three entries in the chart were Hollywood kids movies Happy Feet 2 (99,405), Puss in Boots (83,013), and Journey 2: Mysterious Island (36,000).  Sarah Jessica Parker vehicle I Don't Know How She Does It was a non-starter with 30,324 while Mission Impossible 4 is now winding up its extraordinary run, amassing an additional 17,438.  Its 7,538,551 total is enormous but Transformers 3's chart-topping figure is now soundly out of reach.

The local industry is on a bit of a roll and I am now very curious to see how things will shake up over the next few weekends.  Howling pushed its release date back a week, a wise choice given Nameless Gangster's strong performance especially given the film's similar appeal.  So quick on its heels it might also have overloaded the marketplace, it is now being released February 16.  Tinker, Tailor, Soldier, Spy and The War Horse are opening next weekend but neither stands a chance of knocking Nameless Gangster from its perch.  Korean doc Two Lines will also be bowing in limited release.

Source: kobis.or.kr


The Korean Box Office Update is a weekly feature which provides detailed analysis of film box office sales over the Friday to Sunday period in Korea. It appears every Sunday evening or Monday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News and the Weekly Review Round-up. Reviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Weekly Review Round-up (01/28-02/03, 2012)

A couple of reviews of current films, including the hotly anticipated Nameless Gangster and lots of reviews for past films this week, including a trio concerning Lee Myeong-se's gorgeous Duelist (2005), which was screened in London with a Q&A from Lee himself as part of the KCCUK's 12 Korean Directors program of 2012.

CURRENT KOREAN RELEASES

Dancing Queen

(hancinema.net, January 28, 2012)

Nameless Gangster

(enewsworld.com, January 27, 2012)

RECENT FILMS

Children...

(Korean Candy, February 1, 2012)

Couples

(Hanguk Yeonghwa, January 28, 2012)

Death Bell: Bloody Camp

(Twitch, February 2, 2012)

Hanji

(Hanguk Yeonghwa, February 2, 2012)

Hindsight

(Modern Korean Cinema, January 30, 2012)

Marrying the Mafia IV

(Hanguk Yeonghwa, February 1, 2012)

Punch

(Film Business Asia, February 2, 2012)

Sector 7

(Film School Rejects, January 27, 2012)

The Front Line

(Hangul Celluloid, January 31, 2012)

(Korean Class Massive, January 30, 2012)

The Man From Nowhere

(Musings From a Twinkie, January 30, 2012)

The Yellow Sea

(Init_Scenes, February 1, 2012)

War of the Arrows

(Tai's Film Duet, January 28, 2012)

You're My Pet

(Otherwhere, February 2, 2012)

PAST FILMS

DMZ, 1965

(Rainy Day Movies, February 1, 2012)

Duelist, 2005

(Hanguk Yeonghwa, January 31, 2012)

(Korean Class Massive, January 27, 2012)

(Otherwhere, January 29, 2012)

I'm a Cyborg But That's Okay, 2006

(About Heroes, February 2, 2012)

(Thoughts From a Steel Monter, January 31, 2012)

Lost and Found, 2008

(Drama Beans, January 28, 2012)

My Tutor Friend, 2003

(Korean Candy, January 27, 2012)

The Housemaid, 1960

(Hanguk Yeonghwa, January 30, 2012)

The King and the Clown, 2005

(Korean Candy, February 1, 2012)

Volunteer, 1941

(Seen in Jeonju, January 25, 2012)

With a Girl From Black Soil, 2007

(Seen in Jeonju, January 19, 2012)

The Weekly Review Round-up is a weekly feature which brings together all available reviews of Korean films in the English language (and sometimes French) that have recently appeared on the internet. It is by no means a comprehensive feature and additions are welcome (email pierceconran [at] gmail [dot] com). It appears every Friday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News, and the Korean Box Office Update. Reviews and features on Korean film also appear regularly on the site. 

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Top 10 Korean Films of 2011

All in all 2011 was a bit of a disappointing year for Korean cinema, at least as far as commercial cinema was concerned.  On the other hand, independent films continued to build on their success of the last few years.  However, I'm not overly worried about the state of the industry because at the end of the day it doesn't produce a huge amount of films and is more susceptible to the ebbs and flows of projects than a larger filmmaking centre like Hollywood.  In any case, 2012 looks to be a much stronger year for Korean film.

For a while I was getting very worried about what my top 10 for the year would like, a month ago I'd only seen four of the films listed here.  Thankfully a number of more recent releases became available and things suddenly started to look a lot better.  That being said, I've seen about 45 films from last year but there's a lot that I haven't had a chance to see yet so this list will likely look quite different six month down the line, and if I feel so inclined perhaps I'll change it!

In the below links are my top 10 Korean films for 2011, followed by honourable mentions and my bottom 5.  The only criteria I go by to consider a film from 2011 is if it was released in Korea during that calendar year.

Intro - 10 9 8 7 6 5 4 3 2 1 - Best of the Rest

Top 10 Lists

Year  2020 - 2019 - 2018 - 2017 - 2016
2015 - 2014 - 2013 - 2012 - 2011 - 2010

2010s (Top 50) - All Time (Top 25)

Genre

Gangster - Horror - Revenge