PiFan 2012: Over My Dead Body (시체가 돌아왔다, Sichega Dolawassda) 2012

Part of MKC's coverage of the 16th Puchon International Film Festival.

Comedy is a curious beast even at the best of times. Across the world’s national film industries, thrillers, horrors, romances and action films share many common elements, while comedy tends to be fall in line with indigenously codes. I’ve said it before but it bears mentioning again: for foreign viewers, Korean comedies are a tricky proposition. Dialogue-based humor is often lost in translation and societal quirks, idiomatic expressions, customs and cultural references further complicate our relationship with these works.

My knowledge of Korean is steadily rising (and had a big bump during PiFan) so I’m starting to see things that I may have missed out on before and Over My Dead Body, which was presented in the World Fantastic Cinema section is proof of this but still doesn’t convince me that comedy is a forte of Korean cinema. It’s another of the many high-concept, mid-budget and low-brow comedy-thrillers that the industry has been churning out for some time. Having exploited certain generic combos, like the gangster-romance comedies (Marrying the Mafia and My Wife Is a Gangster), to the point of depletion, comedy writers have gotten into a habit of concocting increasingly outrageous premises in the hopes of eliciting laughs through the sheer absurdity of their narratives.

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KBO: The Thieves Steals First Place in Grand Fashion (07/27-07/29, 2012)

The Thieves Steals First Place in Grand Fashion

Apologies for this abbreviated Box Office Report, all updates were suspended while MKC covered the 16th PiFan.

	Title	Release Date	Market Share	Weekend	Total	Screens
1	The Thieves	7/25/12	55.30%	2,004,178	2,866,802	1,073
2	The Dark Knight Rises (us)	7/19/12	25.30%	891,004	4,256,255	807
3	Ice Age 4 (us)	7/25/12	10.60%	359,122	470,762	501
4	Horror Stories	7/25/12	2.60%	91,890	141,071	274
5	Deranged	7/5/12	2.00%	75,898	4,411,340	261
6	Detective Conan (jp)	7/19/12	1.70%	72,203	329,882	211
7	Doraeman (jp)	7/25/12	1.10%	45,187	58,340	180
8	The Amazing Spiderman (us)	6/28/12	0.30%	9,572	4,840,651	45
9	Midnight in Paris (us)	7/5/12	0.20%	8,143	293,979	38
10	SeoTaiji Record of the 8th	7/27/12	0.20%	5,326	5,326	1

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Weekly Review Round-up (07/21-07/27, 2012)

Lots of PiFan reviews this week!

FUTURE FILMS

90 Minutes

(Modern Korean Cinema, July 23, 2012)

(Twitch, July 23, 2012)

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Korean Cinema News (07/19-07/25, 2012)

An abbreviated KCN as I am was away covering this year's PiFan.

KOREAN CINEMA NEWS

Korean Film Invited to Venice’s Independent Section
Director Jeon Kyu-hwan’s feature-length film The Weight has been included in the line-up of the Venice Film Festival’s autonomous sidebar section, the movie’s distributor Fine Cut said. Jeon, whose previous works include Berlinale-featured Varanasi and Dance Town, has become the first Korean director to be invited to the Venice Days competition program. The sidebar is widely considered to be the equivalent of Cannes Director’s Fortnight. (The Korea Herald, July 25, 2012)

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PiFan 2012: Horror Stories (무서운 이야기, Nooseowoon Iyagi) 2012

Part of MKC's coverage of the 16th Puchon International Film Festival.

Omnibus horrors seem to be all the rage at this year's PiFan, with the inclusion of the much-ballyhooed V/H/S and the Indonesian ghost offering Hi5teria (not to be confused with period British vibrator comedy Histeria, which is also in competition). But the one with the highest profile this year was the Korean Horror Stories, which served as the event's opening film.

A group of talented filmmakers, most of whom are prominent genre filmmakers, were assembled for this production which many hoped would breath some life back into Korean horror cinema. Of late, K-horrors have been increasingly disappointing and the consensus is that there hasn't been a good example since the excellent Possessed (2009). Hopes were high for last year's trio of summer Korean horror offerings (the traditional season for the genre) but White: the Melody of the Curse, The Cat and Ghastly all failed to impress despite their potential.

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PiFan 2012: 90 Minutes (90분, 90-boon) 2012

Part of MKC's coverage of the 16th Puchon International Film Festival.

It’s a rare thing to sit down to a film and know just from the opening shot how bad it’s going to be. Sadly this was the case for me at the world premiere of 90 Minutes, a new low-budget Korean revenge thriller. Whether it was the poor framing, choppy editing or thin premise I couldn’t say.

A good-looking commercials director is living in the fast lane and every door seems to open for him until one day when, following a late afternoon tryst with a high-class hooker, he finds himself blackmailed by this femme fatale who has recorded their rendez-vous. He must now follow her commands for 90 minutes if he wants to escape with his life and career intact.

It’s a simple plot that in the right hands and with a bit of creativity might have yielded an interesting, if modest thriller. In director Park Sun-wook ‘s hands however, it becomes an unwieldy and illogical mess. The film’s first mistake is that it takes a full 40 minutes to get things going. The excessive exposition introduces us to a plethora of unlikeable characters, none of whom change throughout the narrative.

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KBO: The Dark Knight Rises to First (07/20-07/22, 2012)

	Title	Release Date	Market Share	Weekend	Total	Screens
1	The Dark Knight Rises (us)	7/19/12	65.30%	1,992,182	2,434,011	1,210
2	Deranged	7/5/12	15.70%	495,156	4,172,904	534
3	Detective Conan (jp)	7/19/12	5.40%	190,413	204,496	350
4	The Amazing Spiderman (us)	6/28/12	6.30%	189,839	4,779,673	357
5	The 5-Million Dollar Man	7/19/12	2.00%	63,943	79,794	328
6	Two Moons	7/12/12	1.80%	59,429	398,617	238
7	A Letter to Momo (jp)	7/5/12	0.90%	30,825	294,196	109
8	Midnight in Paris (us)	7/5/12	0.90%	25,588	268,136	92
9	Madagascar 3 (us)	6/6/12	0.40%	11,434	1,621,890	52
10	Dangerously Excited	7/12/12	0.20%	7,429	214,080	95

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