Friday, November 29, 2013
Review: The Delightful and Subtle Nobody's Daughter Haewon Proof of Narrative Genius
By Patryk Czekaj
Hong Sangsoo is an undisputed master of low budget, dialogue-driven, ambiguously satirical films that reveal the truth about human relationships in a most sincere and emphatic way. Due to the alluring but mostly down-to-earth ambiance on the surface, those pictures might look ordinary for first-time viewers. Yet, after subsequent viewings it becomes evident that the pleasure of discovering the genius behind Hong’s creations is a fascinating adventure in itself. Due to an impressive number of distinguishing characteristics, most notably maze-like storylines, uncertain timelines, specifically planned repetitions and well-developed characters, Hong has gained critical acclaim as one of the most imaginative and unconventional Korean art-house directors.
Monday, November 25, 2013
Korean Box Office: Friend 2 Wins Again as Hunger Games Fails to Catch Fire
Friday, November 22, 2013
Review: This Very Ordinary Couple Aims to Show You What's What
Grand romance, as depicted on screen, written on the page or sung into a microphone, is the stuff of dreams. We crave it and feel it vicariously through surrogate works. It happens in life too but scarcely as magnificently as we imagine it in our minds. Romcoms spoil us in a way, they invite us to expect something that doesn't exist, at least in a form as ideal as that which is represented in these films.
Wednesday, November 20, 2013
Review: The Slick, Manipulative and Disappointing Secretly Greatly
Tuesday, November 19, 2013
Busan 2013 Review: The Fake Is a Bleak and Devastating Experience
Part of MKC's coverage of the 18th Busan International Film Festival.
Terrible things happen all the time but it's easy to ignore what goes on around us. Sometimes, we even fail to see what's right in front of us. Independent films, at least those with a realistic bent, frequently attempt to educate us by plainly us showing the realities of the world we live in but they don't always move us the way filmmakers would like them to. Sometimes it's the fault of poor storytelling, mise-en-scene or acting, but more often than not, the fault lies with us. Among the reasons that we avoid what is plain to see is the diluted effect of these narratives, after decades of similarly minded cinema.
Monday, November 18, 2013
Review: Pieta - What Does It Matter as Long as a Boy Loves His Mother?
By John A. Riley
A cavalcade of joyless masturbation, even more joyless coition, animal entrails splattered across the tiled floor of a bathroom, mutilation and misogynistic violence. And that’s just the first ten minutes of Kim Ki-duk’s 2012 film Pieta. Set in a grimy industrial area of Seoul, it deals with Kang-do, a brutal debt collector who meets a woman claiming to be the mother who abandoned him in childhood. Together they begin a deadpan, incestuous parody of domestic life together. This newfound love melts Kang-do’s heart, exposing his deeply-hidden vulnerability and leading to a visceral and tragic conclusion.
Korean Box Office: Gangster Sequel Friend 2 Posts Solid Debut
Compared with last year, business has been a little down but Korean films are as strong as ever as they commanded a 70% share over the past weekend with seven of the top ten films. 2.11 million tickets were sold over the frame, down from last year's 2.62 million, when A Werewolf Boy, the last Twilight film and Confession of Murder were vying for the top.
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