Coming Attractions: THE SILENCED Is Not Keeping Quiet Anymore

By Rex Baylon

What the hell is it about boarding schools that make it such prime real estate for horror films? I doubt Lee Hae-young is keen on trying to answer that question, but his new picture The Silence, reaching theaters this June, seems to be in no short supply of the requisite scares that this unique sub-genre is well-known for. Starring Park Bo-young, of A Werewolf Boy (2012) fame, as a young girl named Joo-ran who is transferred to an all girls boarding school that is suffering an epidemic of vanishing students. Why are they vanishing? Are they being kidnapped by some demonic force? Or just the typical human villains? I guess you'll have to wait a few more weeks to find out.

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Cannes 2015 Review: MADONNA - A Riveting Tale of Sorrow and Redemption

By Pierce Conran

Following her accomplished sophomore film, the absorbing high school revenge tale Pluto (2012), Shin Su-won returns in glorious fashion with the searing Madonna. Meticulous, layered and yet seemingly effortless, this rewarding tale of mingled sorrow and redemption should go a long way towards establishing its director as a major talent on the global scene.

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New Korean Films: Disobeying Civil Servants (2015 Week 19)

The Chronicles of Evil

(악의 연대기)

By Fabien Schneider

Detective Choi has been decorated with a president’s mention, one of the most prestigious awards that a police officer could have. But on the way back from a celebratory party with his coworkers, he gets physical with a taxi driver and eventually kills him by accident. Thinking of his newly-found prestige, he decides to hide the body and cover the crime. But on the next day, the very same body is found hanging from a crane in front of Choi’s police station. He now has to investigate his own crime, while trying to know who is trying to make him fall.

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Cannes 2015 Review: THE SHAMELESS Delivers Hardboiled Melodrama with Top Drawer Performances

By Pierce Conran

"Learn the rules like a pro, so you can break them like an artist"

Pablo Picasso

Today's Korea, whether looking at its entertainment, fashion or culinary scenes, is a society awash with fusion. Nowhere is this more true than in its cinema, as since the late 90s Korean filmmakers have never shied away from playing with genre. Many artists and artisans would do well to take note of the above quote by Picasso (though I imagine he wasn't the first to say it) before dishing out cookie crust shrimp and potato pizzas or dumping a motley crew of genre fare into a blender and calling it a script. However, while these hybrid experiments have frequently backfired, a surprising amount have been successful, including modern classics like Bong Joon-ho's The Host (2006) and Jang Joon-hwan's Save the Green Planet (2003).

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Review: TAEGUKGI: THE BROTHERHOOD OF WAR is a Heartbreaking Tale from the Korean War

By Chris Horn

You would be hard-pressed to find a more compelling and difficult to portray subject than war. Having successfully proven himself with his 1999 action film Shiri, director Kang Je-gyu once more took a look at the breakout of violence between North and South Korea in Taegukgi: The Brotherhood of War. While comparisons to Saving Private Ryan (1998) are inevitable, Taegukgi cuts to the heart of a different kind of war with less clearly defined lines and much more personal stakes for its characters.

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New Korean Films: The Taste of Love and The Love of Taste (2015 Week 18)

Love Clinic

(연애의 맛)

By Fabien Schneider

Two doctors are opening their cabinet on the same floor. One of them is Kil Shin-seol, an urologist who knows everything about men’s sexuality, while the other is Wang Sung-ki, an obstetrician who knows more about female sexual attributes than their minds. But both of them have barely even had relationships, thanks to their own behaviors and fears. As they become fond of each other, they also start to treat each other as their own patients.

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New Korean Films: The Last Stand Against the Avengers (2015 Week 17)

Coin Locker Girl

(차이나타운)

By Fabien Schneider

A baby girl named Il-young has been left in the locker number 10 of a subway station. She’s taken in by a woman who rules Chinatown thanks to her many adopted many children. With the years passing Il-young becomes one of the most efficient members of the gang. One day, she meets the son of one of her mom’s clients, a friendly and charming young man. She suddenly gets curious about this new world outside of the gloomy atmosphere of Chinatown. It’s at this moment that her mom gives her one last mission.

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