20 years after his debut Motel Cactus, Park Ki-yong returns with his 8th feature Old Joy, a contemplative work that proves to be director's strongest since his early days as one of the pioneers of the nascent Korea indie filmmaking scene.
Tuesday, December 12, 2017
Busan 2017 Review: OLD LOVE Mourns Life's Missed Opportunities
20 years after his debut Motel Cactus, Park Ki-yong returns with his 8th feature Old Joy, a contemplative work that proves to be director's strongest since his early days as one of the pioneers of the nascent Korea indie filmmaking scene.
Monday, December 11, 2017
Busan 2017 Review: ROMANS 8:37, a Difficult Theological Tale
By Pierce Conran
Writer-director Shin Yeon-shick returns to Busan for the fifth time with Romans 8:37, a thoughtful if not exactly thought-provoking theological tale of faith, suffering and coverups. Focusing exclusively on the complicated inner workings and relationships of a Korean church, this lengthy film will prove challenging for some viewers, particularly those outside the faith.
Busan 2017 Review: BUTTERFLY SLEEP Flutters Gracefully Over a Well-Worn Path
By Pierce Conran
It's been a full 12 years since director Jeong Jae-eun helmed a narrative feature and the Japan-set Butterfly Sleep is a welcome return, if not a patch on her 2001 debut Take Care of My Cat, still her best work.
Saturday, December 9, 2017
Busan 2017 Review: PARK HWA-YOUNG Lashes Out with Foul and Excessive Misery
By Pierce Conran
Among the dozens of local indie films that wind up at the Busan International Film Festival every year, a number tend to be dark social dramas that explore the worst aspects of society. Often set in winter (likely due to the festival's spring submission dates), they can make for heavy viewing but can also be extremely rewarding.
Friday, December 8, 2017
Review: HEART BLACKENED, Well-Acted SILENT WITNESS Remake Emits Cool Pulse
By Pierce Conran
Chinese court thriller Silent Witness gets a sober and effective Korean update with Heart Blackened, a polished new offering from Eungyo director Jung Ji-woo that features an unflappable Choi Min-sik leading a strong cast. More serious and thus more drawn out than its rapid fire original, the film packs a solid emotional punch in its twisty climax.
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