Showing posts with label industry news. Show all posts
Showing posts with label industry news. Show all posts

Wednesday, December 7, 2011

Korean Cinema News (12/01-12/07, 2011)

Not a huge amount of news this week but a lot of fantastic interviews to make up for it, including from veteran actor Anh Sung-ki and director Im Kwon-taek's, whose The General's Son trilogy is being reviewed as part of Jopok Week.  Also numerous interesting trailers this week and a long clip from the upcoming My Way.

I'm experimenting with the format of the feature by adding some pictures here and there, let me know what you think!


Get Behind the Scenes of Kang Je-gyu's My Way
The biggest Korean film of the year is unmistakably Kang Je-gyu's upcoming WWII film My Way and it really shows in the latest making-of video.  Every aspect about the production, from the large sets to the all-star cast of Jang Dong-gun (The Warrior's Way), Joe Odagiri (Air Doll) and Fan Bingbing (Shaolin, Bodyguards and Assassins), loudly screams blockbuster.   (Twitch, November 30, 2011)

Movie About N. Korean Defector Wins Award at Tokyo Film Fest
Director and lead actor Park Jung-bum's The Journals of Musan won the Special Jury Prize at the Tokyo Filmex Festival that ended on Sunday.  The movie deals with the harsh reality of adjusting to life in South Korea from the point of view of a North Korean defector, and serves as a bitter portrayal of the prejudices he faces in his newly adopted home.  (The Chosun Ilbo, December 1, 2011)

North Korean DVDs
The eternal problem for any North Korean movie enthusiast is how to track the films down.  From sites like Wikipedia and IMDb, and North Korean Films, it’s possible to find out information about a huge number of North Korean titles.  But with mistranslations, inaccuracies about dates it’s not always possible to get an definitive idea about what’s out there.  (North Korean Films, December 1, 2011)

Busan Critics Name Tang Wei Best Actress
The Busan Film Critics Association (BCFA) has named Tang Wei best actress for her role in the local melodrama “Late Autumn.” This marks the Chinese star’s third honorable mention in Korea.  (The Korea Times, December 1, 2011)

You're My Pet Set for Wide Release in Japan, China
The South Korean romantic comedy You're My Pet has sold to nine Asian regions including Japan and China, its local co-distributors KJ-net and Lotte Entertainment said Thursday.  The film, based on a Japanese comic series and directed by Kim Byeong-gon, is slated to show on more than 100 screens in Japan beginning on Jan. 21, 2012 via Toho Co., before getting a wide release in China between February and March.  (The Hollywood Reporter, December 1, 2011)

Actress Kim So-eun Seeking New Challenges
Kim So-eun has expanded her fan base to include older Koreans with the weekend drama A Thousand Kisses. She said she feels she has marked a new stage in her career by broadening her appeal to viewers aged 30 to 70, whereas before she was followed mainly by teenagers and people in their 20s.  (The Chosun Ilbo, December 3, 2011)


It’s hard to believe the talk about actor Ahn Sung-ki, 59, the man who is often cited as a living legend of Korean cinema.  After having been in the public eye for more than 50 years, Ahn has built a reputation for kindness and charity through his work with organizations such as the Korean Committee for Unicef, where he has served as a goodwill ambassador for the past 19 years.  (Joong Ang Daily, December 2, 2011)

Probably the first English-language podcast dedicated to Asian cinema, Podcast On Fire has grown from an untitled one-man recording into a fully blown network of shows covering a wide range of Asian films:  from big-budget Hong Kong and Korean blockbusters and the beauty of Studio Ghibli down to the darker, lesser known and seedier corners of Category III film.  (New Korean Cinema, December 5, 2011)

Choi Equan, the film director who was recently appointed as the head of the Korean Academy of Film Arts (KAFA), is caught between the idea of turning the school into an academic house or a breeding ground of filmmakers who could adapt to the field quickly.  KOBIZ caught up with Choi before his admissions interviews with students for the next semester.  (KOBIZ, December 2, 2011)

Demand for the services of overseas Korean centers is increasing, particularly in light of the sweeping success of “hallyu” or the Korean wave.  A key ingredient in the successful overseas promotion of Korea is the creative mindset and active involvement of people who run such centers, according to a veteran culture official and film expert.  Kim Dong-ho, the founding director the Busan International Film Festival (BIFF), is one of the most familiar faces in the Korean film industry.  (The Korea Times, December 1, 2011)

The Master of Korean National Cinema: An Interview with Im Kwon-taek
Renowned Korean filmmaker Im Kwon-taek made his third visit to USC this month for a panel discussion about Korean cinema and his films.  Korean cinema cannot be discussed without mentioning renowned film director Im Kwon-taek.  His films deal with a time period that spans about 500 years – from the Chosun Dynasty, through the colonial period and the Korean War, to the present – and he has persistently probed what it feels like to be a Korean, or more precisely, the pain of being a Korean, surviving each era.  (Asia Pacific Arts, November 28, 2011)


My Way (8 minute clip)



(Modern Korean Cinema, December 5, 2011)

Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, November 30, 2011

Korean Cinema News (11/24-11/30, 2011)

Another big edition with lots of sales and Korean film festivals news this week with a number of great features and interviews to boot!


Finecut Adds AFM Deals
Germany's Ascot Elite and Brazil's Conquest Filmes became the latest distributors to acquire rights to South Korean animation film Leafie.  Handled by Korean sales firm Finecut, the film has been widely sold following its breakout hit status in Korea.  The company say that international distributors are planning theatrical releases next year targeting a family audience.  (Film Business Asia, November 23, 2011)

Animation Leafie, a Hen into the Wild Wins Award Overseas
The animated feature film Leafie, a Hen into the Wild  has grabbed another award overseas.  The South Korean animation won the Best Animated Feature Film Award at the Fifth Asia-Pacific Screen Awards held in Australia on Thursday, beating other promising nominees, such as Eric Khoo’s Tatsumi and Makoto Shinkai’s Children Who Chase Lost Voices from Deep Below. (KBS, November 25, 2011)

Soft Content, Strong Messages
The film Wandeuk or Punch in English is about high school student Wandeuk, who lives with a hunchback father and a mentally-challenged uncle in Seoul.  Nothing about his life shines, and adding to his miserable existence is that his teacher lives right next door to his “oktapbang” or roof-top housing unit that is largely synonymous with poverty in Korea.  (The Korean Times, November 23, 2011)

A Teacher Finds Movie Stardom in South Korea
The best chance an English-language teacher in South Korea has of acquiring military experience, it appears – outside of creating an incident at a checkpoint near the border – is working for Kang Je-gyu, one of the country‘s top movie directors.  (Asia Sentinel, November 24, 2011)

Breaking a Taboo, First Major Film About the L-Word Opens in Korea
There have been many boy-meets-girl or boy-meets-boy love stories in mainstream cinema in Korea, but none about lesbians.  So when director Kim Su-hyeon’s Life is Peachy was screened for the press on Nov. 16, it certainly attracted attention.  (Joong Ang Daily, November 25, 2011)

Busan native Kwak Kyung-taek, who has directed such hits as Friend (2001), Typhoon (2005), A Love (2007), and most recently Pain (2011) chooses his five favorite films, you may be surprised by his choices.  (, November 25, 2011)

Beyond Extreme? The London Korean Film Festival
While the late Tartan Films’ successful ‘Asia Extreme’ sub-label gave many Western viewers in the Noughties their first – perhaps only – taste of the Korean New Wave, it also created an impression of the national cinema that was doubly narrow.  The sixth London Korean Film Festival went some way towards redressing this imbalance.   (Sight & Sound, November 2011)

Highest Grossing Korean Films of 2011
2011 has produced a range of successful Korean films that have captured the public's imagination, tugged at their heartstrings, caused a few laughs, and asked some serious questions.  Although the year is not quite done, the big films of the year have largely had their say at the box office.  This week I wanted to take a look at the top domestic films of 2011 and see just what type of films captured the public's interest in 2011.  (, November 26, 2011)

Martin Scorsese Gives a Thumbs Up to UCI Professor Kyung Hyun Kim's Cinema Book
It's not often that an academic tome--even one related to film--snags a forward written by legendary filmmaker Martin Scorsese.  But Kyung Hyun Kim, UC Irvine's associate professor of East Asian languages & literatures and film & media studies, won those bragging rights, and like else everything in Hollywood it all started with the right connections.  (OC Weekly, November 25, 2011)

Korean Film Festival: Islamabad Gets a Taste of Korean Cinema
A Barefoot Dream is high on emotions, but then Pakistanis love their drama.  And besides, the melodrama in the Korean 2010 entry for Oscars consideration is unmistakably East Asian, which is entirely different (if ever slightly so influenced) from Hollywood and Bollywood (sorry, no sappy love stories here).  The film played at the Korean Film Festival at Pakistan National Council of the Arts on Friday.  (The Express Tribune, November 27, 2011)

The Korean Movie Database runs down Korean cinema's box office record breakers, past and present.  A great feature on Korean film history.  (KMDB, November 27, 2011)

From Late Autumn to Countdown, This Year's Disappointing Top 3
Now that the Blue Dragon Film Awards are over, all the major award shows for 2011 are done.  Several movies were released in 2011.  While there were big office hits like Detective K, Sunny, Arrow, The Ultimate Weapon and Punch, there were also movies that just came and went without any sound but were just as strong in quality and lingering imagery.  (, November 28, 2011)

Korean Film Festival in Sri Lanka
The embassy is also in the process of organizing the 2011 Korean film festival which will be held from December 5 to 9 at the National Film Corporation Theatre.  All five movies selected for the festival are box office hits in Korea.  This would be a great opportunity for Sri Lankans to become familiar with the Korean culture and lifestyle in the 21st century while enjoying the benefits of a quality movie at the same time.  (Sri Lanka's Daily News, November 28, 2011)

Spike Lee’s Version of Oldboy Has New Elements Meant to ‘Throw Off’ Audiences Familiar With Original
The possibility of an American remake of South Korean revenge film Oldboy (2003) has been a worrisome thing for a few years now.  But this year Spike Lee was tapped to direct, which immediately made the new Oldboy a more attractive, or at least a more interesting proposition.  With Josh Brolin set to star and Colin Firth rumored to be playing the film’s revenge-seeking antagonist, things are looking petty damn good.  (, November 28, 2011)

Canada's 108 Media to Distribute Korean Toon Leafie
Toronto-based 108 Media Group has picked up distribution rights for the Korean hit animated feature Leafie: A Hen Into the Wild for Canada, U.S., Australia, U.K., and New Zealand from Finecut.  Leafie also sold to German-speaking territories through Ascot Elit and Brazil’s Conquest Filmes.  (animation Magazine, November 28, 2011)

Korean Documentary Wins Top Prize at IDFA 2011
Korean documentary Planet of Snail won the top prize at the world’s largest documentary film festival in the Netherlands on Saturday, becoming the first Asian film to win the award.  (The Korea Herald, November 27, 2011)

Kim Starts Film Grad School at Dankook Univ.
Busan International Film Festival’s founding and honorary director Kim Dong-ho is launching a graduate school specializing in film contents at Dankook University in South Korea.  Starting in the first semester of 2012 which starts in March, the graduate school will admit 25 students to teach them in the fields of directing, producing, and screenwriting.  (KOBIZ, November 25, 2011)

Journals of Musan and Arirang Win at Tokyo Filmex
The 12th Tokyo Filmex awarded its Special Jury Prize and $8,000 of Kodak film stock to Park Jung-bum’s The Journals of Musan and the Agnes B Audience Award to Kim Ki-duk’s Arirang.  Park’s feature film debut The Journals of Musan has won a raft of awards since its world premiere at the Busan International Film Festival (BIFF) last year where it picked up the New Currents and International Federation of Film Critics (FIPRESCI) awards.  (KOBIZ, November 29, 2011) 

Hello Ghost Walks Through Walls, Opens in China
Korean comedy Hello Ghost became the third South Korean film this year to get a theatrical release behind the Great Wall of distribution barriers in China when it opened Nov. 24.  Mega Films, which is in charge of Hello Ghost’s Chinese distribution, released the film on about 4,000 screens in Shanghai, Beijing and other cities large and small.  (KOBIZ, November 29, 2011)

Korean Cinema on the Park in Sydney: Controversial Classics
Hey Sydney! You like free movies don’t you?  Yeah, you do.  If you also like Korean cinema, and listening to a series of guest speakers (including us!), then why not check out the KCO’s Cinema on the Park series?  On every Thursday night throughout the year, the current program is Controversial Classics. It’s a bit saucy!  (The Reel Bits, November 29, 2011)

Korean Film Week in Cape Town
The Cape Town leg of the Korean Film Week will take place at the Victoria & Alfred Waterfront Cinema Nouveau from 5 to 11 December.  Organised by the Embassy of the Republic of Korea, the Korean Film Week is currently running in Pretoria at Brooklyn Cinema Nouveau until 4 December.  Films shown at the festival include Scandal Makers (2008), Le Grand Chef (2007), Take Off (2009), Beyond The Years (2007), and A Barefoot Dream.  (Screen Africa, November 30, 2011)

Korean Film Archive: Theater, Museum, and Library
Long before Korean film developed its indie rep for extreme violence (Lady Vengeance, 2005), dark sexuality (The Housemaid, 2010) and swallowing live octopus (Oldboy, 2003), there was a golden era of bouffants and pensive romance that has since been forgotten.  Forgotten by everyone that is, except by cinematic treasure hunters combing the vaults of the Korean Film Archive (KOFA).  (CNN Go, November 30, 2011)

Funimation Adds Live-Action Korean Athena: Goddess of War Film
The North American distributor Funimation acquired the rights to distribute the movie spinoff of the South Korean espionage television series Athena: Goddess of War.  Distribution rights were also sold to China's New View TV & Media and Germany's Tiberius Films.  (Anime News Network, November 23, 2011)

Pioneering 'Personal' Documentary Attempts to Break Down Prejudice
On Nov. 19 at Art Space C in Jeju City roughly 40 people, mainly Westerners, were on hand to watch Miracle on Jongno Street, the first Korean documentary about homosexual men.  In his debut as director, Lee Hyuk-sang has created a film that shows the daily lives of four gay Korean men living in a society that has yet to accept them as equals.  (The Jeju Weekly, November 26, 2011)

Now Is The Time To Buy Oldboy, Sympathy For Mr. Vengeance And Sympathy For Lady Vengeance
Pallisades Tartan are selling Blu-rays of Chan Wook Park’s superb Vengeance Trilogy – Sympathy for Mr. Vengeance (2002), Oldboy (2003) and Sympathy For Lady Venegance (2005) – from their Amazon store at the wonderful price of $17.99 for the set. That’s less than $6 per film.  (Bleeding Cool, November 24, 2011)

Actor Jang Keun-suk Makes $1M Donation to Hanyang University
Actor Jang Keun-suk, 24, made an anonymous 1.2 billion won donation on Nov. 22 to Hanyang University, where he is currently enrolled.  The donation, which he did not announce to university officials, was revealed on Nov. 24 through the university website’s automated system that posts the name and donation amount.  Jang is currently a senior at Hanyang University, majoring in theater and film studies.  (The Hankyoreh, November 24, 2011)


My Way Documents Korean Soldier in the Battle of Normandy
It all started with the photograph of a young Korean man.  Drafted into the Japanese army [under the Japanese Colonial Rule] and then dragged off by the Soviet military, he was captured again after being sent to fight in German uniform in the fierce Battle of Normandy during the Second World War in 1944.  Seeing a documentary about the photograph at the National Archives in the United States, Director Kang Je-gyu got goosebumps.  (The Hankyoreh, November 26, 2011)

Kim Hye-sun Ditches Innocent Image with Saucy New Role
Kim Hye-sun (42), once known for her innocent image, is heating up the silver screen with her new movie Perfect Partner.  She became a teen sensation after debuting as a model for TV ads but retired from show business after getting married.  As she periodically returned to acting in subsequent years, she opted for roles that suited her age, often portraying a middle-aged mother.  (The Chosun Ilbo, November 26, 2011)

Korean-American Director Rediscovers Roots
Tammy Chu was adopted by an American family at the age of nine and raised in rural New York state. She never saw another Korean until she went to college.  "I remember what my birth parents looked like, but I forgot how to speak Korean and memories of Korean culture also disappeared from my mind," she recalls.  (The Chosun Ilbo, November 28, 2011)

Director Explores My Father’s House
It took making a film for director Kang Yu Ga-ram to understand her father’s life.  The two did not share much in common to begin with.  Her father is a firm supporter of the conservative Grand National Party; KangYu has worked with progressive NGOs and film production houses.  He spent most of his life on construction sites; she obtained her master’s degree in women’s studies.  (The Korea Herald, November 28, 2011)

Doctor-Filmmaker Probes Capitalist Exploitation in Medical World
A doctor has stepped up as an ombudsman for patients who cannot afford proper treatment due to what she calls the “capitalist exploitation of the medical world” and has made a movie to make sure her voice is heard.  White Jungle by occupational environmental physician Song Yoon-hee has been creating a buzz online, even before its theatrical release Thursday, as it documents the darker side of the current healthcare system.   (The Korea Times, November 29, 2011)


Life Is Peach (aka Ashamed - eng sub)



(Modern Korean Cinema, November 28, 2011)

Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, October 19, 2011

Korean Cinema News (10/13-10/19, 2011)

This week is Modern Korean Cinema's largest edition of the Korean Cinema News update.  A whopping 64 articles were culled for many sources and include coverage of the recently wrapped Busan Film Festival, the 48th Daejong Film Awards (by yours truly), major news articles on the continuing Silenced scandal, eight interviews and Q&As, and a host of new trailers and posters.



Toronto Reel Asian Int Film Festival Unveils Lineup
Rotterdam Tiger Award winners Journals of Musan, by South Korean director Park Jung-Bum has been booked into the Toronto festival include Rotterdam Tiger Award winners Journals of Musan.  (The Hollywood Reporter, October 12, 2011)

Finecut Does a Raft of Sales in Busan, Mipcom
Seoul-based sales company Finecut has announced its recent deals done at the Asian Film Market and Mipcom which include the animation Leafie selling to Portugal, Russia and Indonesia.  (KOBIZ, October 13, 2011)

Storm, Life and Poonsang head to Rome
A trio of Asian films have been selected for the main competition at the International Rome Film Festival (27 Oct – 4 Nov 2011), and the festival has a wide scattering of Asia-Pacific titles through its many different sections.  In main competition are Gu Changwei's Love for Life, Juhn Jai-hong's Poongsan, and Fred Schepisi's The Eye of the Storm.  (Film Business Asia, October 13, 2011)

Won Bin’s The Man From Nowhere is This Month’s Most Popular Movie on Hulu
Many of you have probably heard about or seen Won Bin’s epic 2010 action-drama movie, The Man From Nowhere.  The film has won numerous awards in Korea, such as Best Actor, Best New Actress, Most Popular, Best Visual Effects, Best Cinematography, and much more.  (allkpop, October 12, 2011)

Hawaii International Film Festival Kicks Off With Korea's Oscar Submission
This year’s opening night film is the Korean submission for the Oscar’s Best Foreign Language film The Front Line.  It will screen at 8 p.m. on Thurs., Oct. 13 at Regal Dole Cannery Stadium 18 Theatres & IMAX.  (Hawai'i Magazine, October 12, 2011)

Silent For Too Long
For some years, South Korea has punched far above its weight in the film industry.  Directors here, however, tend to lament the fact that the Korean flicks that do well with Western audiences tend to be of the more extreme variety, such as the admittedly excellent Oldboy (2003), or anything by Kim Ki-duk.  (The Economist, October 11, 2011)

CJ Launches Direct Distribution in Vietnam
CJ E&M Pictures, part of CJ E&M Corp, has begun direct distribution of its own film titles in Vietnam, the fourth territory where the South Korean giant self-distributes theatrically.  Released last week (7 Oct), motor bike action comedy Quick was the first title to be handled under the new arrangement.  (Film Business Asia, October 13, 2011)

South Korean Film Shooting at Briarcliff High School
Films trucks are back at Briarcliff High School on North Druid Hills Road, but it's not MTV's Teen Wolf this time around.  A South Korean film production is currently shooting at the shuttered school for part of this week, DeKalb County School System spokeswoman Joye Burton said.  The movie is called Papa.  (Patch, October 12, 2011)

Korea Contents Fund Showcase at Busan
At the 16thBusan International Film Festival (BIFF) and the 6th Asian Film Market, fund managers presented a variety of options for filmmakers at the Korea Contents Fund Showcase yesterday.  BIFF Festival Director LEE Yong Kwan opened the event with a message of welcome and thanks.  (KOBIZ, October 12, 2011)

BEXCO effect for Asia Film Market?
Asian Film Market 2011 showed distinct growth this year with its relocation to BEXCO.  Opening on October 10, the number of participants increased 39% from last year and the number of sales booths jumped 67%. As of the second day, there were 1,100 registrants, up from 789 the year before.  “This year, the number of market screenings increased from 47 to 64, with 60 films on show up from 39 in six theaters as opposed to four,” said Art Film Market organizers.  (KOBIZ, October 12, 2011)

Busan Festival Takes a Bold Step, But Is Asian Cinema Ready?
"Change" was the key word at this year's Busan International Film Festival, and not just because the organizers finally succumbed to the host South Korean port city's request to change the name from "Pusan."  Lee Yong Kwan took over as festival director from founder Kim Dong Ho, who is credited with turning BIFF into Asia's biggest and most important film festival.  But the main news was the opening of the Busan Cinema Center, a huge facility that has been in the works for more than a decade.  (The Japan Times, October 14, 2011)

Korean Film Festival Shows Asia’s Big-Budget Dreams
For a glimpse of where South Korea’s movie industry is headed, one only need wander through the new home of the country’s biggest film festival.  The sprawling Busan Cinema Center – which government officials describe as “beautiful,” “grand” and a “masterpiece” – is a testament to the country’s ambitions.  (The Wall Street Journal, October 14, 2011)

New Look Busan Film Festival Draws to a Close
The Busan International Film Festival drew to a close on Thursday, with the 2011 edition featuring numerous firsts, but leaving question marks about the festival’s direction going forward.  This year marked the inauguration of the new $150-million Busan Cinema Center, designed by Austrian architects Coop Himmelblau, a dedicated facility that will serve as the festival’s permanent home.  (The Hollywood Reporter, October 13, 2011)

Busan Film Festival Highlights Politics, Pizzazz
Asia's most renowned film festival drew to a close in the South Korean port city of Busan on Friday, with films from new directors in Iran and the Philippines capturing its main prizes in an affirmation of the event's focus on emerging Asian talent.  (Reuters, October 14, 2011)

The Serious Side of Song Hye-kyo
For Song Hye-kyo, the days of the romantic roles may be a thing of the past – for now.  The 28-year-old beauty spoke yesterday at a press conference for her role in director Lee Jeong-hyang's A Reason to Live, where she portray's a hurt woman questioned between the right and wrongs of capital punishment after losing her fiance.  (Busan Haps, October 10, 2011)

Korean War Still Haunts SKorea's Top Filmmaker
The Korean War ended nearly 60 years ago, but it still haunts South Korea's most celebrated filmmaker.  Speaking in an interview Friday on the sidelines of the Busan International Film Festival, Im Kwon-taek said he did not imagine he would be so successful when he was a boy selling combat boots on the streets of Busan while the city was besieged by North Korean forces in a 1950 attack.  (, October 7, 2011)

Asian Film Market Closes With Record Results
The 6th Asian Film Market 2011 closed last night after four days at its new venue, the BEXCO (the Busan Exhibition Convention Center).  The market combined sales companies and BIFCOM locations and post-production services this year and saw an increase of 113% in exhibitors’ booths and 38% more participants than last year.  (KOBIZ, October 14, 2011)

Why South Korea's Action Movies Blow Hollywood Out of the Yellow Sea
These may seem golden times for the action movie. An only slightly embalmed-looking Arnold Schwarzenegger is merrily tweeting from the Bulgarian set of The Expendables 2, while his co-star Bruce Willis has announced a return to the fray with a fifth Die Hard.  Or perhaps that all strikes you as a little short-termist.  However much fun is had in the meantime, it can't be a sign of good health for any genre to become so reliant on men who have clearly, to use the cinematically correct parlance, got too old for this shit.  (The Guardian, October 14, 2011)

Asian Filmmakers Explore New Forms of Collaboration
Bustling with thousands of press, cinephiles and film aficionados, the port city of Busan turned into a place promoting the latest collaborative film projects of many Asian production companies during the 16th Busan International Film Festival during the past week.  First on the list was Yang Gui Fei, a joint production including Korea, China and Japan.  Produced by the state-run China Film Group Corporation, Korean filmmaker Kwak Jae-yong, famous for his 2001 hit My Sassy Girl, is at the helm of the 18-billion-won ($1.5 million) film.  (Joong Ang Daily, October 14, 2011)
Asia's top film festival drew to a close on Friday after nine days packed with screenings that left audiences enthused over the future of the region?s movie industry.  The Busan International Film Festival (BIFF) rolled out the red carpet to a cast of A-list stars and showcased more than 300 productions from all over the world – but it has been the local films that have left cinema-goers buzzing.  (AFP, October 14, 2011)

Asia's Top Film Festival Troubled by Rain Leaks
Organizers of Asia's top film festival vowed that its closing ceremony would still go ahead Friday despite rainwater leaking into the lavish new multiplex that has been the showpiece for this year's event.  Rainwater poured from at least a dozen cracks Friday in the Busan Cinema Center, a $156-million theater that has hosted the Busan International Film Festival since last week – worrying movie fans and prompting organizers to express regret and convene an emergency meeting.  (Bloomberg Businessweek, October 14, 2011)

Eduardo Noriega Is Villain in Arnold Schwarzenegger’s Last Stand
Arnold Schwarzenegger has had to face some menacing villains in his time.  Who can forget the unstoppable and unrelenting Robert Patrick in Terminator 2: Judgment Day, the ultimate all seeing evil Gabriel Byrne as The Devil in End of Days, the madness of the Christmas Day shopping spree in Jingle All The Way, or even a clone of himself in The Sixth Day?  (Whatculture!, October 13, 2011)

Seduced by Choked, Asia’s Busan Film Festival Transforms
For the past sixteen years, the Pusan International Film Festival has often featured fireworks on its opening nights.  This year, however, was a little different.  The multicolored lights flashing over the heads of audience members were still impressive, but they were electronic, a vast LED light-show that ushered in a year of change for Asia’s largest film event, which concluded with the world premiere of Harada Masato’s Chronicle of my Mother.  (indieWIRE, October 14, 2011)

Authority and Power in Korean Cinema
The representation of authority in modern Korean cinema has me perplexed.  The power and agency public organisations should hold is lacking, with institutions being portrayed as weak, incompetent, and unprofessional.  This is not a judgement but rather an observation that recent films such as The Crucible and Poongsan have confirmed.  Political corruption, police incompetence, and individual responsibility seems to be some of strongest themes running through contemporary Korean cinema.  (, October 15, 2011)

Films to Strengthen Local Asian Communities
The San Diego Asian Film Festival was created with one mission in mind: to foster better understanding of the different cultures within the Asian community.  With the festival’s 12th year beginning next week, the mission remains the same as San Diegans continue to learn.  (Patch, October 14, 2011)

Na Hong-jin a Judge For the 13th Mumbai Film Festival
Na-Hong Jin, who received numerous awards and acclaim for his films The Chaser (2008) and The Yellow Sea (2010), is on the jury for the 13th Mumbai Film Festival.  (, October 14, 2011)

In Pusan, a Heroine, a Villain, and 23,000 Extras
It’s about a woman alone on a crane in a naval construction site, in Pusan, since the 6th of January.  We’re in October and she’s still up there.  Meaning she lived on that crane, 35 meters high, during 8 months, without electricity (at least until July, to be confirmed now) including in the awfully freezing winter and the amazingly rainy summer.  For what ?  (Timeless, bottomless, September 30, 2011)

Film Underscores Koreans' Growing Anger Over Sex Crimes
At an appeals court in the southwestern city of Gwangju in 2006, a school official was convicted of raping a 13-year-old deaf girl and sentenced to one year in prison.  When the verdict came, an outraged middle-aged man, also deaf, let out an incomprehensible cry from the galley, signaling frantically with sign language.  (The New York Times, October 17, 2011)

On BIFF 2011 Menu: Films About Monsters and Men Who Love Men
This year’s Busan International Film Festival (BIFF) yet again offered cineastes a diverse menu of films. Bulletin Entertainment had the privilege of watching some of these and we present here reviews of those we found most interesting.  (Manila Bulletin, October 17, 2011)

Breaking Up Is Not So Very Hard to Do... If Done Online
25-year-old Tu Weiming specializes in acting as a "break-up" agent.  In other words, he is paid by one half of a couple to tell the other that the relationship is over.  Tu launched his business in November last year after watching the Korean film Sad Movie (2005), in which the hero plays the same role.  (China Daily, October 17, 2011)

48th Daejong Film Awards
The Daejong film awards are the oldest and most prestigious film industry awards in Korea.  They are essentially the Korean oscars and they will soon be celebrating their 50th edition.   Just like the Oscars, they feature musical performances, celebrity presenters, and a host of other similarities. (Modern Korean Cinema, October 17, 2011)

Ex-Teacher Accuses Dogani School of Murdering Students
A former teacher at a special school for the deaf, which has been criticized over a sexual assault and rape scandal, claimed two students there were abused to death and buried secretly about 50 years ago.  The revelation comes amid public anger against repeated rapes and sexual harassment by school staffers on students after the film Dogani, titled The Crucible in English, based on the true story, was released recently.  (The Korea Times, October 17, 2011)

Johnny Knoxville and Forest Whitaker Join Arnold Schwarzenegger in Kim Ji-woon's The Last Stand
The world has become a much stranger place with word that Johnny Knoxville, Forest Whitaker and Luis Guzman have joined the cast of Kim Ji-woon's Arnold Schwarzenegger led picture The Last Stand.  (Twitch, October 17, 2011)

Denver Film Festival, Focus On A National Cinema: South Korea
Though still a stranger to the multiplexes and only an occasional visitor to arthouses, South Korean cinema is (and has been for decades) a staple in film festivals around the world.  And while what we get here in the States tends toward the outrageous (The Host, 2006; The Good, The Bad, The Weird, 2008; I Saw the Devil, 2010), the industry is wildly diverse.  (, October 2011)

South Korean Films Claim Narrow B.O. Win
Local and foreign films largely tied at the South Korean box office in the first nine months of the year, representing a significant improvement for Korea's home grown movies at the expense of imported titles.  (Film Business Asia, October 11, 2011)

Watch Films from the Paris Korean Film Festival for Free
Since 2006, the Paris Korean Film Festival (Festival Franco-CorĂ©en du Film which ran through October 18) has screened a wide variety of Korean films in the Latin Quarter of the City of Light.  This year, the Festival and MUBI are presenting a generous sampling of 17 films you can now watch for free. (, October 11, 2011)

The Golden Age of Korean Cinema & the Legend of Shin Film
A biography of Korean director and studio head Shin Sang-ok, who worked both sides of the peninsula's north-south divide.  (Variety, October 17, 2011)

Korea's Finecut Sells Poongsan and Leafie
Korean animated feature Leafie and the Kim Ki-duk-produced Poongsan reaped a fine harvest for Seoul-based sales agent Finecut at the Asian Film Market in Busan and MIPCOM in Cannes.  (The Hollywood Reporter, October 17, 2011)

Schwarzenegger Starts Shooting New Film, The Last Stand
Lionsgate says Korean director Kim Jee-Woon began shooting his new action flick The Last Stand, starring Arnold Schwarzenegger, Monday.  The announcement was made by Lionsgate's Motion Picture Group President Joe Drake and President of Production Michael Paseornek.  (, October 17, 2011)

Actress Im Soo Jung Joins Bae Yong Joon's Key East Entertainment
Another acting heavyweight joins the top stars in Bae Yong Joon’s management agency, Key East Entertainment.  It was reported that actress Im Soo Jung, most recently seen in the Cannes entry Come Rain, Come Shine with Hyun Bin has signed with Key East.  Im Soo Jung was formerly under the management of Sidus HQ.  (soompi, October 17, 2011)

Korean Films Top Sitges Festival
Director Na Hong-jin was named best director for his action-thriller The Yellow Sea (2010) in the official competition section and the team of brothers Park Chan-wook and Park Chan-kyong was awarded best motion picture for their fantasy-horror film Night Fishing in the Noves Visions category. Director Ryoo Seung-wan’s The Unjust (2010) won the best motion picture award in a category recognizing movies produced in Asia and director Oh Sung-yoon’s animated film Leafie received an award for best Sitgest family film in the Gertie Award category for animation.  (Joong Ang Daily, October 18, 2011)

South Korean Sex Crime Movie Highlights Nation’s Anger
In 2006, four teachers and administrators at a South Korean school for the deaf were convicted of raping or sexually molesting at least eight students, ages 7 to 22.  Due to the country's lenient sentencing for sexual abuse, only two of the four officials served jail time.  The case received limited attention at the time, but a new film based on the story has helped to fuel the nation's growing outrage.  (Jezebel, October 18, 2011)

The Daejong Film Awards
Often referred to as ‘The Korean Oscars’, the 48th Daejong Film Awards were held in at the Sejong Center in Seoul on Monday the 18th.  As usual, the red carpet was rolled out for the stars and for their fashionable entrances.  Here are pictures of the actors, actresses, and couples that attended.  (Hanguk Yeonghwa, October 18, 2011)

S.Korea Writer Hopes Hit Film Brings Legal Changes
The South Korean author of a novel turned box-office hit about teachers who sexually abused disabled students has vowed to fight to the end to change what she says are outdated and weak sex crime laws.  (, October 19, 2011)

BIFF Organizers Clash Over Festival Expansion
“It started with Oh In-hye’s revealing outfit and ended with an embarrassing leak.”  This was the curt assessment offered by a film company president on the Busan International Film Festival (BIFF), which wrapped up last Friday.  The subject of the lament was a variety of construction problems, including leaking rainwater on the last day at the exclusive Outdoor Theatre in Busan’s Haeundae neighborhood, which poured cold water, so to speak, on the 2011 festival’s fine selection of films.  (The Hankyoreh, October 19, 2011)

Korean Director Lee Chang-dong Gets Major Drama From Thwarted Lives
South Korea boasts the most interesting film scene in the world right now, and part of the reason it’s so interesting is that, on the surface, it’s not that interesting.  That is, there is no particular stylistic flash or groundbreaking type of work or new school of cinema you can attribute to the nation’s filmmakers.  (Baltimore City Paper, October 19, 2011)

Press conference for A Reason To Live took place at the 2011 Busan International Film Festival on October 8, 2011.  Appearing as speakers are director Lee Jeong-Hyang, actress Song Hye-Kyo, and actress Nam Ji-Hyun.  AsianMediaWiki editor Ki Mun was there and transcribed/translated the session.  (Asian Media Wiki, October 8, 2011)

Kim Kkobbi (Interview) – Flowerain Is My Middle Name
Kim Kkobbi, the actress & star of many varied films such as Ghost Theatre (2006), Breathless (2008), Jealousy Is My Middle Name (2002), and the forthcoming release, Ashamed talks to Mini Mini Movie.  (Mini Mini Movie, October 15, 2011)

Meet the Taekwondo Family in Prachya Pinkaew's The Kick
If your not fluent in the Korean language, then you'll miss out on what the cast of Prachya Pinkaew's martial arts comedy The Kick is talking about in terms of their individual role.  Don't worry because atleast there is some footage of Taekwondo action goodness to keep the uninitiated happy.  (Twitch, October 14, 2011 - Korean)

Listening to Korean Cinema: The VCinema Show
The VCinema Show is a well established podcast, which has recently released its thirty-fifth episode.  An accessible mixture of chat and opinion along with a strong knowledge of their subjects, a typical episode of the podcast focuses on one specific film which is discussed in terms of background, cast and crew, and country of origin.  The VCinema podcast manages to cover a mix of titles from across Asia that you may of heard of, alongside titles that you possibly won’t.  (New Korean Cinema, October 16, 2011)

BIFF: King of Pigs Q&A
Q&A for The King of the Pigs took place after a screening of the movie at the 2011 Busan International Film Festival on October 14, 2011.  Appearing as speakers are actor Yang Ik-Jun, actress Kim Kkobbi and director Yeun Sang-Ho.  AsianMediaWiki editor Ki Mun was there and transcribed/translated the session.  (Asian Media Wiki, October 14, 2011)

Interview With Actor So Ji-sub
Korean entertainment news purveyor 10 asia conducts an interview with So Ji-sub, star of Always, which recently opened the Busan International Film Festival and will open wide this week.  (10 asia, October 17, 2011)

Forgiveness Should Not Be Forced: Lee Jeong-hyang
Director talks about issues of capital punishment and domestic violence in her upcoming film.  She made a highly successful debut with a charming romantic comedy in the late 1990s, and enjoyed another box-office home run with a heart-warming tale of a grandmother and a grandson in 2002.  (The Korea Times, October 16, 2011)

An interview from enewsworld with Punch star Park Hyo-joo.  The film opens wide this week in Korea.  (enewsworld, October 17, 2011)



Teacher and the Devils


(Modern Korean Cinema, October 17, 2011)

Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Monday, April 11, 2011

Korean Cinema News (04/04-04/10, 2011)

I am starting a brief industry news section which will run weekly and feature posts on Korean films from a global perspective.  As I dabble with it over the coming weeks, the format and content may well change. Please contact me with thoughts or any suggestions to improve it.


Arnold Schwarzenneger to Star in Kim Ji-woon's The Last Stand?
After two stints as Governor of California, Arnold Schwarzenneger's return to the silver screen may come as the star of Kim Ji-woon's US debut The Last Stand, which will come from a blacklisted Hollywood screenplay.  (Ain't It Cool. April 6, 2011)

Poetry's Yoon Jung-hee Honored with French Cultural Order
Yoon Jung-hee, star of the Lee Chang Dong's much-lauded film Poetry (2010), has been honoured with a top French cultural award.  French culture minister Frederic Mitterrand named Yoon an "Officer of the Order of Arts and Letters."  (YonHap News Agency, April 6, 2011)

Independent Korean cinema will be featured prominently at this year's Jeonju film festival.  Short films from Yang Ik-jun, hot off the heels of Breathless (2009), and internationally-renowned woman's director Boo Ji-young will be featured alongside efforts from Im Kwon-taek and others in Korean Cinema Showcase section.  (JoonAng Daily, April 8, 2011)

Bong to Preside over Cannes' Camera d'Or Prize
Bong Joon-ho has been selected to head the jury for the Camera d'Or prize at the Cannes Film Festival, which is given to the best effort from a debut filmmaker.  He has previously attended the festival in competition as part of the omnibus Tokyo! in 2008 and his most recent feature effort Mother in 2009.  (Deadline New York, April 7, 2011)

Lee to Judge Critics' Week at Cannes
Master filmmaker Lee Chang-dong whose last two films, Poetry (2010) and Secret Sunshine (2007), both won awards at Cannes, will return to the festival this year as the head judge for the Grand Jury prize during the Critics’ Week Festival de Cannes.  (The Hollywood Reporter, April 7, 2011)

Upcoming Korean blockbuster My Way will be the focus of a promotional event hosted by this year's Cannes film festival. Kang Je-gyu's My Way, a World War II set film with a record setting 30 billion won budget, is set to be released simultaneously in Korea and Japan in December.  (The Korea Times, April 7, 2011)


Clash of the Families has now spent two weekends atop the Korean box office with a haul of just over 450,000 admissions.  That's a 6% decline from last weekend and its total now stands at 1,375,000.  Late Blossom continues to play well, having just crossed 1.5 million admissions in its 8th week.  This week Clash of the Families will vie with Suicide Forecast for the box office crown.  (Hancinema, April 10, 2011)

Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.