Review: Endearing Cast Boosts Cross-Generational Comedy MISS GRANNY

By Pierce Conran

Three years after making a big splash in Sunny (2011), young actress Shim Eun-kyung returns in the Lunar New Year's (Seollal) holiday crowd-pleaser Miss Granny, a film that will be looking to sate the same demand that Miracle in Cell No. 7 filled this time last year.

Oh Ma-soon is a grandmother working in an old-timers café who lives with her daughter, son-in-law and two grandchildren. As she nags her family to the end of their wits, they gradually grow tired of her. Then, one night, Mal-soon happens upon a photo shop with a mysterious owner. Shortly after her shot is taken, she catches a reflection of herself and sees that she's suddenly become 50 years younger. Choosing to hide her sudden transformation from her family she takes the new name Doo-ri and ends up staying as a boarder with her café co-worker, whom she harbors a crush for, though he is unaware of her identity. Before long she finds herself in her grandson's band and is scouted by a music show producer who is attracted by more than just her dulcet tones.

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Review: Delightful Retro Comedy HOT YOUNG BLOODS Runs Out of Steam

By Pierce Conran

Just as the taste of a madeleine triggers a rush of childhood memories for the protagonist in Marcel Proust’s magnum opus In Search of Lost Time, smells, sounds and images can transport all of us to different times in our lives. This is a trick that can be especially effective in cinema, as it can turn a film into a communal experience for theatergoers. With Lunar New Year just around the corner, the 80s rural-set high school film Hot Young Bloods, the return of Running Turtle (2009) director Lee Yeon-woo, is hoping to do just that.

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Review: MAN IN LOVE Loses Focus in Tearful Finale

By Pierce Conran

The Lunar New Year (Seollal) holiday is just around the corner and that means that studios are looking to draw in large crowds, particular families, during one of the peak theatergoing periods of the year. Making a film that can appeal to everyone isn’t child’s play and oftentimes it means that studios will resort to mixing disparate elements to suit varying tastes. It’s a gamble but one that Korean filmmakers have never shied away from. Such is the case with Man in Love (formerly When a Man Loves a Woman), the new film from studio Next Entertainment World (also behind last year’s breakout Seollal hit Miracle in Cell No. 7).

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