Edinburgh 2013: Virgin Forest (원시림, 2012)

Part of Connor McMorran's coverage for MKC of the Edinburgh International Film Festival (June 19-30, 2013).

Perhaps because of his long-term struggle with leukaemia, highly influential film theorist Andre Bazin based a lot of his ideas around the concept of death. More specifically, he argued that film could be seen as a way to embalm time, capture time and allow people to linger in the memories of others following their death, just as portraits, or embalming, had done in the past. As technology progresses at an astonishing rate, the moving image, and with it the photographic image, has become ever present in society, capturing almost anything and everything in our world.

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Edinburgh 2013: Introduction to Korean Showcase

Part of Connor McMorran's coverage for MKC of the Edinburgh International Film Festival (June 19-30, 2013).

Following last year’s retrospective of the works of the long overlooked Japanese director Shinji Somai, Edinburgh International Film Festival’s artistic director Chris Fujiwara now brings focus onto two likewise overlooked aspects of global cinema: the films of Sweden and Korea. Film festivals are an interesting concept as they bring films from all over the world to one particular town or city, allowing local cineastes to explore and discover a wide variety of directors and works. Yet, unfortunately, their main flaw is often their attempt to house such a diverse range of cinematic voices over the relatively short space of one or two weeks.

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The 6th Cinema Digital Seoul Film Festival (CinDi) Preview

Part of MKC's Coverage of the 6th Cinema Digital Seoul Film Festival.

This weekend I will have the opportunity to attend the Cinema Digital Seoul Film Festival for the first time. It may not be one of the biggest Korean film festivals but it has a stellar reputation and is very well-attended. Many industry folk make the trip as it takes place in their backyard, in Apgujeong, Seoul.

The festival focuses on the new era of digital filmmaking and while its scope is international, the premiere lineup is the Asian Competition section. Young filmmakers, who are trailblazers in the new digital arts, are favored at this particular event.

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