PiFan 2012: Osaka Violence (大阪外道, Japan) 2012

Part of MKC's coverage of the 16th Puchon International Film Festival.

The main prize-winner at this year’s Yubari International Fantastic Film Festival, Takahiro Ishihara’s Osaka Violence, is a gritty film which employs both a realistic aesthetic and deadpan excessiveness to bring home its point. As its title suggests, the film concerns the prevalence of violence in Osaka, it is depicted as the most commonplace of acts, a cyclical ritual that is absorbed from a young age through the ebb and flow of everyday life.

The film begins with a group of young boys loitering on some farmland. The owner comes up to shoo away the trespassers but is subjected to a tirade of disrespect and abuse. They walk off, leaving the old man stunned. Things have changed in Japan and certain elements of society, such as respect, are evolving but not always in a good way. This demonstration of apathy is a logical starting point for the film. The boys’ trip through their Osaka neighborhood introduces us to an increasingly apathetic subset of its inhabitants. First they cross a gangster who is friendly to them and gives them money. Their new found fortune is swiftly taken away by a group of older boys who threaten them but this new gang is in turn beaten to a pulp by an older, burlier gangster who demands a toll for crossing under ‘his’ bridge. Suddenly, their lack of respect towards the old farmer from the opening scene is not so shocking.

Click to read more»

KBO: Hollywood Titles End Late Summer Local Streak (09/07-09/09, 2012)

Hollywood Titles End Late Summer Local Streak

	Title	Release Date	Market Share	Weekend	Total	Screens
1	The Bourne Legacy (us)	9/6/12	29.30%	522,713	619,128	588
2	Traffickers	8/29/12	17.60%	302,258	1,315,355	385
3	The Expendables 2 (us)	9/6/12	13.30%	240,675	278,494	394
4	Neighbors	8/22/12	12.00%	206,259	2,298,476	346
5	The Grand Heist	8/8/12	7.70%	144,076	4,833,965	312
6	The Thieves	7/25/12	7.20%	129,060	12,836,869	323
7	Pieta	8/6/12	3.30%	58,061	68,090	171
8	Step Up 4 (us)	8/15/12	2.50%	45,369	931,745	149
9	Abrahama Lincoln: Vampire Hunter (us)	8/30/12	1.90%	31,749	333,276	230
10	Sammy's Adventures 2 (ge)	8/1/12	0.80%	14,750	1,454,392	107

Click to read more»

Preview: The Music of Jo Hyeja (조혜자의 음악) 2012

The New England weird fiction writer H.P. Lovecraft is a man whose reputation precedes his actual work. Known by many primarily for his xenophobic fear of "the mixing of races" and also his influence on Hellboy creator Mike Mignola, it is very rare to see anyone reading his work now. Yet, the man that critics oftentimes looked upon as a second-rate Poe was a huge influence on the development of horror and supernatural fiction in American literature. His Cthulu mythos alone has inspired writers as diverse as Stephen King and Neil Gaiman, musicians like Metallica, and also sword and fantasy games, e.g. The World of Warcraft and Dungeons and Dragons. While in the realm of cinema his vast output has led to countless adaptations of his stories, many of which are of the low budget variety.

For Korean cinema-philes that are going to be in the Los Angeles area around September 28-29th, the H.P. Lovecraft Film Festival will be screening The Music of Jo Hyeja, Korea's first foray into the dark atmospheric world of H.P. Lovecraft. The film, directed by Park Ji-hyun and written by Canadian expat Gord Sellar, is an adaptation of Lovecraft's The Music of Erich Zann, a short story about a poor university student who befriends one of the tenants in his building who night after night plays an eerie tune on his violin. The story being a pure product of Lovecraft's unique imagination the melody that the troubled violinist plays is a tune which keeps the demons and odd creatures from entering the world through the windows of the apartment.

Click to read more»

WKR: Pieta Bows at Venice, New Releases and KOFFIA (08/31-09/06, 2012)

A slew of reviews from all manner of sources this week including many for Kim Ki-duk's latest Pieta.

CURRENT RELEASES

577 Project

(Joong Ang Daily, September 5, 2012)

Neighbors

(Modern Korean Cinema, September 5, 2012)

Pieta

(Cine-Vue, September 6, 2012)

(Indiewire, September 4, 2012)

(The Hollywood Reporter, September 3, 2012)

(The Korea Times, September 6, 2012)

R2B: Return to Base

(KKonnect, September 2, 2012)

Young Gun in the Time

(Modern Korean Cinema, August 30, 2012)

Click to read more»

Interview: 'Blood Fight in Iron-Rock Valley' Director Ji Ha-jean

An in-depth interview with Ji Ha-jean, the up-and-coming director behind the award-winning low-budget western Bloody Fight in Iron-Rock Valley (2011), last year's PiFan winner for Best Asian Genre Film.

Interpreted by Kim Nemo

Bloody Fight references many classic westerns. What drew you to this genre in the first place?

The two most important references were Once Upon a Time in the West (1969) and the second in Sergio Leone’s Man With No Name trilogy, A Few Dollars More (1965). Inside the film there are thousands of other references, such as Shane (1953), The Man From Laramie (1955) and Robert Aldrich’s Apache (1954).

What were your hopes as you embarked on making a Korean western?

I produced the film as well as directing it and even by independent film standards it had an extremely low budget ($40,000). Filmmakers with that kind of budget usually try to make experimental or dramatic films but I’m a real fan of the western genre and another aim of mine is to become a commercial film director. So I was wondering how I might be able to combine these two aims.

Click to read more»

September 2012 Korean Releases

This monthly features previews the coming month's attractions in Korean cinema. All of these monthly posts are available in an archive on the Upcoming Releases page.

September 6

Grape Candy
Pieta
Wedding Scandal

September 13

Fighting! Family
Han Kyung-jik
Too Old Hiphop Kid

September 20

Masquerade

September 27

Jinsuk and Me

Click to read more»

Neighbors (이웃사람, Yiwootsaram) 2012

Recently, the prevalence of ensemble casts in Korean cinema has been on the rise. It could mean a few things. For one, it’s a sign of a healthy industry with a large production slate and a wide pool of talent. Secondly, it could also be a result of the dwindling fortunes of star-driven features at the box office. Studios may feel safer investing in a film with an array of stars capable of drawing in multiple demographics, especially when reliable properties such as Song Kang-ho (Howling, 2012) and So Ji-sub (Always, 2011) are no longer capable of securing a film a profit.

Last month, The Thieves showed how powerful an impact a well-assembled cast can make on the box office. It is currently the second highest-grossing Korean film of all time and may well ascend to first place (as of this writing held by 2006’s The Host) within the next few weeks. While it had many selling points, first and foremost was its glitzy performers. What then is the appeal of an ensemble cast? From a marketing standpoint it means that a potential viewer is far more likely to see someone that he or she likes in a longer list of stars but perhaps even more enticing is the appeal of the interaction between high-profile cast members who often sport defined on-screen personas.

Click to read more»