Wednesday, January 29, 2014

News: AVENGERS 2 to Shoot in Korea, Local Actress Cast as Villain


By Pierce Conran

Joss Whedon's blockbuster sequel Avengers: Age of Ultron is planning to shoot some sequences in and around Seoul later this year. When news surfaced and caught fire in Korea last week it seemed like it might have been a rumor as actor Mark Ruffalo denied the news on his twitter account and Disney reps in Korea followed suit. However, now a local actress has been cast in a villain role and Incheon City (a satellite of Seoul) has confirmed that it will be used as a location in the upcoming film.

Tuesday, January 28, 2014

Review: Electric Song Kang-ho Leads Courtroom Drama THE ATTORNEY


By Pierce Conran

The combination of politics and cinema has led to some of the most incendiary films the medium has ever produced. Though a tricky balancing act that requires a deft handling of ideologies and a sensitive navigation of contemporary political climates, political works have the potential to transcend both the artistic and diversionary aims of cinema. Be they wake-up calls or calls to arms, or even painful reminders of moments of history that should not be allowed to slip into anonymity, this is one of the few ‘genres,’ for lack of a better term, that can have a real impact on society.

Falling into this new category, or rather bursting into it after swiftly cracking the ten million viewers barrier in Korea, is The Attorney, the promising debut film of Yang Woo-suk, which follows in the footsteps of recent courtroom thrillers Silenced (2011) and Unbowed (2011). The films stars Song Kang-ho, who, following an enormous 2013 that also saw him star in Snowpiercer and The Face Reader, has reclaimed his title as Korea’s biggest star. Fictionalizing the early years of the late President Roh Moo-hyun, when he was a lawyer in the 1980s, this new film, part character drama and courtroom thriller, delicate handles its sensitive subject.

News: Ha Jung-woo, Jun Ji-hyun and Lee Jung-jae Circling 30s Thriller ASSASSINATION


By Pierce Conran

Korean hitmaker Choi Dong-hoon is back at it again with a new 1930s set action thriller purported to be in the $12 million budget range. Titled Assassination, the project is eyeing some big talent for leading roles. Ha Jung-woo, Jun Ji-hyun and Lee Jung-jae are also considering major parts in Choi's follow-up to The Thieves, the 2012 hit caper film that became the second most viewed Korean film of all time by accruing almost 13 million admissions domestically.

Monday, January 27, 2014

Review: Endearing Cast Boosts Cross-Generational Comedy MISS GRANNY


By Pierce Conran

Three years after making a big splash in Sunny (2011), young actress Shim Eun-kyung returns in the Lunar New Year's (Seollal) holiday crowd-pleaser Miss Granny, a film that will be looking to sate the same demand that Miracle in Cell No. 7 filled this time last year.

Oh Ma-soon is a grandmother working in an old-timers café who lives with her daughter, son-in-law and two grandchildren. As she nags her family to the end of their wits, they gradually grow tired of her. Then, one night, Mal-soon happens upon a photo shop with a mysterious owner. Shortly after her shot is taken, she catches a reflection of herself and sees that she's suddenly become 50 years younger. Choosing to hide her sudden transformation from her family she takes the new name Doo-ri and ends up staying as a boarder with her café co-worker, whom she harbors a crush for, though he is unaware of her identity. Before long she finds herself in her grandson's band and is scouted by a music show producer who is attracted by more than just her dulcet tones.

Wednesday, January 22, 2014

Busan 2013 Review: Personal and Subdued PASCHA Resonates


Part of MKC's coverage of the 18th Busan International Film Festival.

By Pierce Conran

Life has a habit of moving on, whether we'd like it to or not. Moments of joy are fleeting and even our most crushing lows are washed away by the waves of time. Our present always leaves us, replaced to perpetuity with new realities: it's gone but never quite forgotten. The new Korean indie Pascha shows us that small moments can be hard to bare and smaller ones still may often be worth cherishing, but it also reminds us that nothing every truly disappears, particularly when it concerns (what else?) love.

Anyone who has kept an eye on Korean cinema over the last few years will likely have encountered more than his or her fair share or bleak narratives, particularly in the independent realm. Though they're not always fun, there is a need for this kind of cinema at the moment. In the midst of Korea's technological advances, it's easy to forget that other areas of the country are in desperate need of attention. That said, a few of the more dour offerings that have come our way could do worse than take a leaf out of Pascha's book, as it explores some of the less salient sides of Korean society in a sublimely low-key fashion.

Monday, January 20, 2014

Review: One-Stop Korean Revenge Shop THE FIVES Is a Bloody Good Time


By Pierce Conran

Aside from the greats of Korean cinema - the Bong Joon-hos, Lee Chang-dongs, Im Kwon-taeks and Kim Ki-youngs - years ago, after I first immersed myself in the country's cinema, there were few things that I preferred doing than putting on a mid-level Korean genre film after a long day. Their thrillers, in particular, weren't always great (in fact a number were bad) but their production values and hard-boiled style were always a wonderful escape for me, even, strangely, a source of comfort. These days the industry still churns out a great number of thrillers, and though many are very strong, they're a different breed from those I would wile away my time with back in those days.

Friday, January 17, 2014

Review: Delightful Retro Comedy HOT YOUNG BLOODS Runs Out of Steam


By Pierce Conran

Just as the taste of a madeleine triggers a rush of childhood memories for the protagonist in Marcel Proust’s magnum opus In Search of Lost Time, smells, sounds and images can transport all of us to different times in our lives. This is a trick that can be especially effective in cinema, as it can turn a film into a communal experience for theatergoers. With Lunar New Year just around the corner, the 80s rural-set high school film Hot Young Bloods, the return of Running Turtle (2009) director Lee Yeon-woo, is hoping to do just that.