Sunday, June 10, 2012

Korean Box Office Update (06/08, 06/10, 2012)

The Emperor's Concubine Beats Aliens and Animals



Title Release Date Market Share Weekend Total Screens
1 The Emperor's Concubine 6/6/12 23.60% 511,462 976,696 613
2 Madagascar 3 (us) 6/6/12 16.60% 354,516 635,636 561
3 All About My Wife 5/17/12 13.70% 298,564 3,424,239 393
4 Prometheus (us) 6/6/12 14.80% 272,774 549,092 515
5 Men in Black 3 (us) 5/24/12 11.40% 254,952 3,016,581 396
6 Runway Cop 5/30/12 8.50% 194,779 860,995 351
7 Don't Click 5/30/12 7.20% 175,819 744,844 343
8 Snow White and the Huntsmen (us) 5/30/12 2.50% 57,104 605,619 235
9 The Avengers (us) 4/26/12 0.70% 16,148 7,040,163 71
10 The Taste of Money 5/17/12 0.30% 5,493 1,156,868 91

Saturday, June 9, 2012

The Shower (소나기, Sonagi) 1979


One thing that I’ve noticed time and again in Korean cinema, especially when I began to discover it many years ago, was the use of rain.  What struck me about it was its prevalence but most of all its impressive depiction on screen.  The first point is mostly due to the climate in Korea, which shares more with the wet climes of my native Ireland than Hollywood’s perpetually clear and balmy days.  The latter comes down to a keen appreciation on my part of the aesthetic and technical brilliance of the nation’s film industry.  Of course there’s also more to it than the above points, which are merely practical.

‘Pathetic fallacy’ is a term used to denote the attribution of human emotions to inanimate objects.  In poetry and literature, as well as in film, it typically references the metaphorical use of nature.  Rain is one of the most frequently used devices for pathetic fallacy used in art or media and in cinema it works particularly well due to its heavy physical presence and its potential to heighten the mise-en-scene through visual and aural means.  But in Korean films it has been brought to a new level as just about every important Korean work of the last 15 years has featured an important scene whose staging and emotional impact have been amplified by rainfall.

Friday, June 8, 2012

June 2012 Korean Releases

This monthly features previews the coming month's attractions in Korean cinema.  All of these monthly posts are available in an archive on the Upcoming Releases page.


June 6


The Emperor's Concubine

June 7

Superstar

June 21

2 Doors
Miss Conspirator
The Heaven Is Only Open to the Single
The King of XXX-Kissing
Two Weddings and a Funeral

June TBC

A Company Man
Boys, Dreams and Sansevieria
I Am

Weekly Review Round-up (06/02-06/08, 2012)

First Weekly Review Round-up live from Seoul!  A few write-ups on As One and Kim Ki-duk's Arirang this week as they are release in Australia and the UK respectively.


CURRENT FILMS


As One

Thursday, June 7, 2012

Korean Cinema News (05/31-06/06, 2012)

First Korean Cinema News update live from Seoul!  However, pretty light this week as I get myself up to speed in my new home.


KOREAN CINEMA NEWS

Clint Mansell To Score Park Chan-Wook’s Vampire Film Stoker
When you’ve got the director of Oldboy (2003) making an intimate vampire film, you know the score will be as important as the lead actors.  In the case of Park Chan-wook‘s English-language debut, Stoker, that certainly seems to be the case.  He’s recruited Clint Mansellto score the film, which stars Oscar-winner Nicole Kidman and Alice in Wonderland herself, Mia Waskiowska.  (/Film, June 5, 2012)

Korea's Oldest Silent Film Revived
As the black and white film began rolling, a four-piece band — keyboard, violin, cello and piano accordion — played music and a narrator explained the first scene of the film Crossroads of Youth (1934) at Ewha Centennial Hall located in Jeong-dong, central Seoul, Saturday.  The silent film was revived with a modern twist after enormous effort from staff including a programmer, a director, a composer, musicians, singers and a narrator.  (The Korea Times, May 30, 2012)

Tuesday, June 5, 2012

Korean Box Office Update (06/01-06/03, 2012)

Men in Black Stays Up Top While Domestic Releases Nibble at Its Heels



Title Release Date Market Share Weekend Total Screens
1 Men in Black 3 (us) 5/24/12 26.20% 533,557 2,455,318 540
2 All About My Wife 5/17/12 22.30% 474,494 2,784,894 474
3 Runway Cop 5/30/12 15.30% 334,254 453,570 431
4 Don't Click 5/30/12 12.40% 295,733 353,034 360
5 Snow White and the Huntsmen (us) 5/30/12 11.80% 261,558 452,589 443
6 The Avengers (us) 4/26/12 4.60% 96,753 6,996,984 281
7 The Taste of Money 5/17/12 2.40% 50,357 1,131,158 248
8 Madagascar 3 (us) 6/6/12 2.60% 39,738 40,912 186
9 As One 5/3/12 0.80% 19,625 1,856,843 139
10 Inazuma Eleven Go (jp) 5/24/12 0.40% 10,872 81,756 96


Sunday, June 3, 2012

MKC Leaves for Seoul


Part of an ongoing series about my trip to and discovery of Seoul...

Well the day is here and as I'm about to leave so I'll keep it short.  I'll be touching down in Seoul in 23 hours with my scant 28kgs of baggage.

I'm supposed to have internet in my new apartment but if there is any problem upon arrival please bear with me as I get myself set up in a few days.  Though baring any major problems I expect the flow of news and content to go uninterrupted, only the box office update will be delayed due to the flight.

See you on the other side!

Friday, June 1, 2012

Weekly Review Round-up (05/26-06/01, 2012)

The Taste of Money, which was presented late last week at the Cannes Film Festival, gets a big serving of reviews this week but Im Sang-soo may be eating some humble pie for a while.  A Screen Daily poll ranked his film as the least popular among the competition's 22 offerings.


CURRENT FILMS


(Seongyong's Private Place, May 31, 2012)

The Taste of Money

Thursday, May 31, 2012

6th Annual Korean American Film Festival Preview


Next week, from June 5th to 10th, the 6th Annual Korean American Film Festival, which boasts a lineup of nine features and 20 shorts will take place in New York.  One of the highlights in the lineup is Magic and Loss, a feature that premiered at the Busan Film Festival in 2010 and features Korean indie stars Yang Ik-june (Breathless, 2009) and Kim Kkobbi (Life Is Peachy, 2011).

Given the changing landscape of cross-cultural cinema, events such as these, especially those that take a broad view on a diaspora's influence on global culture, are becoming increasingly important.  As such, the 6th KAFFNY, just as in previous years, promises to highlight the connections between very different cinematic global communities by showcasing a broad and eclectic array of independent cinema.  Only wish I was in New York myself to take part!

Below is a full press release on the event:

Wednesday, May 30, 2012

Korean Cinema News (05/24-05/30, 2012)

Aside from a new trailer, poster and the Box Office recap, all of this week's news in Cannes-related.  The big films were sold to the major markets but left high and dry at the awards ceremony, though a short did pick up a prize for Korea!

The big news with MKC this week is that the site and I are relocating to Seoul this Sunday, a very exciting devlopment!  Below is yesterday's post about the move:


IFC Midnight to Give US Viewers a Taste of Money With Im Sang-soo's Latest
Im Sang-soo's new film The Taste of Money, which competed in Cannes last week, has been picked up by IFC Midnight for US distribution.  Im's previous film The Housemaid (2010), which also vied in competition at Cannes, was also distributed in North America by IFC Midnight and benefited from a decent amount of exposure.  I recall being surprised when I noticed its availability on Time Warner's On Demand service when I lived in LA.  I'm not sure if a theatrical release will follow and it must be said that it has not received glowing reviews from the Mediterranean fest but this is not always a good indicator for the greater public.

The Taste of Money, which stars Kim Kang-woo (A Better Tomorrow, 2009), Yoon Yuh-jung (Actresses, 2009), Baek Yoon-shik (Save the Green Planet, 2003) and Kim Hyo-jin (Woochi, 2009), brings us inside the lives of one of the richest families in Korea and their tale of greed, lust and violence.  (Modern Korean Cinema, May 30, 2012/Twitch, May 29, 2012)

Tuesday, May 29, 2012

MKC to Touch Down in Seoul in 5 Days


Part of an ongoing series about my trip to and discovery of Seoul...

The big day is almost here.  Last week I received my issuance number from Korean immigration and made my way to the local embassy in Bern, the Swiss capital.  I'll get my passport back with its new visa stamp in the next day or two and this morning I received my e-ticket which departs from Zurich this Sunday (June 3rd) with a layover in Doha, Qatar before arriving at Incheon airport Monday evening.  I'll be flying with Qatar Airways which I've only heard great things about, however I am sad that it won't be with Korean Air as naturally I would have liked to catch some new releases on the plane!

Monday, May 28, 2012

Korean Box Office Update (05/25-05/27)

The Men in Black Score Big After Long Absence



Title Release Date Market Share Weekend Total Screens
1 Men in Black 3 (us) 5/24/12 47.50% 1,064,549 1,210,197 767
2 All About My Wife 5/17/12 24.50% 610,994 1,819,491 537
3 The Avengers (us) 4/26/12 10.30% 260,686 6,741,216 367
4 The Taste of Money 5/17/12 7.80% 193,197 951,420 412
5 As One 5/3/12 3.20% 86,339 1,775,535 277
6 Snow White and the Huntsmen (us) 5/30/12 2.90% 71,840 71,840 284
7 Inazuma Eleven Go (jp) 5/24/12 1.50% 40,393 41,668 242
8 Machine Gun Preacher (us) 5/24/12 0.40% 10,771 17,847 140
9 Mirror Mirror (us) 5/3/12 0.40% 10,443 574,969 57
10 A Muse 4/25/12 0.20% 5,498 1,337,811 52