Thursday, June 28, 2012

NYAFF 2012: Vulgaria (低俗喜劇 - Hong Kong, 2012)


Part of MKC's coverage of the 11th New York Asian Film Festival.

It’s generally a good rule of thumb to get things started with a bang, be it a film, a dinner, a concert, etc.  In the case of a film festival, I’m always amazed at some of the drab films that get chosen to open events that are supposedly consecrated to the celebration of the medium.  I recall the Dublin International Film Festivals of years past (I used to go to every year when I was based there), one that comes to mind was 2007 when the event opened with Jindabyne (2006), a handsome and languid arthouse circuit film from down under starring Ireland’s own Gabriel Byrne.  However, despite being a good film, it was hardly the kind of work that was going to get me pumped up about cinema for a full 10-day event.

You should start as you mean to continue and as far as a festival is concerned, good does not always mean right.  Looking at this year’s New York Asian Film Festival  (NYAFF) lineup, a little grin curled up my lips as I saw Pang Ho-cheung’s Vulgaria front and center.  I was lucky to catch it earlier this year at the Udine Far East Film Festival (FEFF) and while it didn’t open that event (that honour went to Sunny, another strong kick-off choice), by all accounts it brought down the house.  I say that because I had to catch in the video library but boy did I wish I could have seen it with a crowd.

11th New York Asian Film Festival on MKC



Sadly I can't make it to this year's New York Asian Film Festival since, as you know, I'm halfway around the world but that doesn't mean that MKC won't be covering it! Peter Gutierrez, our US Correspondent will be chiming in with a few pieces on Korean films while I have a few features and reviews up my sleeve as well!

It's a great year for Korean film at the festival with no less than 12 films and a program of shorts being screened. The most exciting element of the package will be the presence of screen legend Choi Min-sik who will supporting his most recent work Nameless Gangster but will also be the subject of a retrospective, with Failan (2001), Oldboy (2003) and Crying Fist (2005) also playing during the week.

Wednesday, June 27, 2012

Korean Cinema News (06/21-06/27, 2012)

Lots of great news pieces this week, chief among them the fantastic lineup for next month's PiFan!


SPECIAL ANNOUNCEMENT


PiFan Unveils Lineup!

Far too much to go through here but upcoming Korean omnibus Horror Stories will be opening the proceedings and the week will close with Takashi Miike's latest, For Love's Sake. Lots of interesting films in competition and plenty of Korean films will be screened over the 11 days. James and Marsh and I will be breaking down the program over the coming days over at Twitch and we will both be onsite, providing the most comprehensive coverage you're likely to find! (Modern Korean Cinema, June 27, 2012)


Tuesday, June 26, 2012

Café Noir (카페 느와르, Kape Neuwareu) 2009


The burden of expectation can sometimes be a heavy weight to bear and after a little too much of it, many films simply crumble.  In 2009, an indie Korean film clocking in at three and a half hours began to make the rounds of the festival circuit and attracted some very positive attention.  After a full year screening at various events it was finally accorded a domestic release in late December 2010 but, like the vast majority of independent features, it failed to find an audience in Korea.  A number of people (myself included) patiently awaited its DVD release but it never came… until now.  After premiering at the Busan Film Festival in October 2009, Café Noir was finally released on DVD in June 2012.

While I can’t say exactly why the wait for the disc was so long, I can, to some extent, understand it.  Here is a film with an enormous running time, some heavy source texts (Goethe and Dostoyevsky), painfully long takes and a fairly significant dollop of pretension; it is also the debut film of a long-standing film critic.  Just one of these elements is dangerous enough to ward off all but the most adventurous film viewers but taken together it’s true that this film could only ever appeal to a very select crowd.

Monday, June 25, 2012

Korea Blog: When Does One Find Time to Sleep?

도덕산 (Dodeoksan)

Part of an ongoing series about my trip to and discovery of Seoul...

Just off another very busy week in Seoul and the fatigue is starting to settle in but then again I've probably been pushing myself a little too hard!  After my initial few weeks of discovery here it is time for me to find the right balance between work #1, work #2 and play.

After a long week I made my way into Hongdae on Friday night to meet my friend Matt we were both hungry and looked around for a place to eat. After a while Matt recognized somewhere he had been to before so we went in, were greeted and sat down. Only then, we were told that this particular establishment specialized in the parts of a cow that as a westerner you wouldn't think to eat. Oh well, said I, when in Rome!

Sunday, June 24, 2012

Korean Box Office Update (06/22-06/24, 2012)

Miss Go Goes Straight to the Top



Title Release Date Market Share Weekend Total Screens
1 Miss GO 6/21/12 17.70% 268,277 331,169 439
2 The Emperor's Concubine 6/6/12 14.90% 224,090 2,187,575 427
3 Madascar 3 (us) 6/6/12 14.70% 219,150 1,275,303 449
4 King of XXX-Kissing 6/21/12 13.60% 213,630 270,293 424
5 All About My Wife 5/17/12 12.00% 179,158 4,144,011 325
6 Lockout (us) 6/14/12 5.70% 87,409 411,636 284
7 Runway Cop 5/30/12 5.30% 81,741 1,258,758 226
8 Men in Black 3 (us) 5/24/12 4.00% 60,379 3,346,609 221
9 Prometheus (us) 6/6/12 4.50% 58,567 929,723 211
10 Faces In the Crowd (us) 6/21/12 2.80% 40,950 52,982 173

Friday, June 22, 2012

Wednesday, June 20, 2012

Korean Cinema News (06/14-06/20, 2012)

A few items on PiFan this week and a number of new trailers, which now feature writeups (originally posted on Twitch).


KOREAN CINEMA NEWS


PiFan to Hold Myung Films Retrospective

The lineup for next month's 16th Puchon International Fantastic Film Festival will not be revealed for another week but we now have our first indication of some of the films that will screened at the event. PiFan will be holding a retrospective of the respected Korean production company Myung Films. The sidebar will be titled "Asian Major Studio Special Program: The Sun and the Moon of Korean Films, Myung Films" and will feature a cross section of some of the company's major works.

Tuesday, June 19, 2012

Dancing Queen (댄싱퀸, Daensingkwin) 2012


Just when it seemed like star power was starting to fade in Korea, a new vehicle for two of the nation’s most popular performers danced its way into the spotlight, enchanting four million local viewers in the process.  Late last year and earlier this year a host of others (I among them), were calling out Korean stars for their failure to attract audiences to domestic cineplexes.  Song Kang-ho, normally the country’s most reliable star, misfired with Hindsight (2011), the first film in over a decade from Lee Hyeon-sun (Il Mare, 2000) and a short while after Countdown drew even less receipts despite starring what should have been a potent combo with Jeon Do-yeon (Secret Sunshine, 2007; The Housemaid, 2010) and Jeong Jae-yeong (Castaway on the Moon, 2009).  Since the star system has been powerful for so long, arguably too long a time, this shift in what drives a spectator to a theater has been seen as audience’s rejection of the less than-stellar features that the studios marched into the multiplexes, especially hollow blockbusters and these empty star vehicles (though personally I thought the above two films were a little better than what most people made them out to be).

Monday, June 18, 2012

Settling Into the Fast-Paced Seoul Lifestyle

View from 삼성산  (Samseungsan)

Part of an ongoing series about my trip to and discovery of Seoul...

It's nearly been two weeks since I've arrived and I'm amazed at how much I've done despite my hectic schedule, I guess it just comes down to the city's notorious work hard/play hard culture. I only have a little over 20hrs of teaching hours from Monday to Friday but throw in my writing duties for MKC, Twitch and VCinema, as well as exercise and learning Korea and my day goes from 7am to 11pm, with meals kept very short. After 11 I can finally take some time for myself, which usually means watching a Korean film (or part of one), but that almost falls into the work category as well. Sleep comes over me at around 1am and after 6hrs rest it starts all over again.

Now I am certainly not complaining, I'm busy but I am also focussed and glad that I know exactly what I'm doing. For the first time in a while I feel like the master of my own destiny and the fact that most of my workload is voluntary is a testament to that fact. That said, while I did some work over the weekend, I also took the opportunity to discover Seoul some more, catch my first new Korean film in theaters and, best of all, to meet friends old and new!

Sunday, June 17, 2012

Korean Box Office Update (06/15-06/17, 2012)

Concubine Seduces the Box Office For Second Straight Week



Title Release Date Market Share Weekend Total Screens
1 The Emperor's Concubine 6/6/12 21.60% 379,354 1,720,595 536
2 Madascar 3 (us) 6/6/12 18.00% 311,454 1,000,913 557
3 All About My Wife 5/17/12 13.60% 238,402 3,820,013 370
4 Lockout (us) 6/14/12 11.10% 201,263 237,522 373
5 Runway Cop 5/30/12 7.90% 145,036 1,098,518 282
6 Men in Black 3 (us) 5/24/12 7.50% 135,452 3,231,814 332
7 Prometheus (us) 6/6/12 8.80% 129,265 801,391 322
8 Sadako 3D (jp) 6/14/12 4.90% 71,346 87,953 261
9 Don't Click 5/30/12 3.00% 57,234 837,617 254
10 The Thing (us) 6/14/12 1.50% 27,886 33,462 173

Friday, June 15, 2012

Weekly Review Round-up (06/09-06/15, 2012)

Lots of reviews for new releases this week, including As One and Arirang which are currently screening in various English-language territories.  Sector 7 was also just released in the US on Blu-ray.


CURRENT FILMS


All About My Wife

As One

(The Korea Blog, June 8, 2012)

(Seongyong's Private Place, June 14, 2012)

(Reuters, June 13, 2012)