Showing posts with label 끝까지 간다. Show all posts
Showing posts with label 끝까지 간다. Show all posts

Friday, January 23, 2015

News: Kino Lorber to Give US Viewers A HARD DAY


By Pierce Conran

One of last year's best Korean films, the thriller A Hard Day is finally going to find its way to American theaters after being picked up by Kino Lorber. The film will be released this summer before hitting the home market in autumn.

Friday, October 3, 2014

Busan 2014 Review: A HARD DAY Is Easy-to-Love Genre Cinema


Part of MKC's coverage of the 19th Busan International Film Festival

By Pierce Conran

If you feel that tough genre fare in Korea has been spinning its wheels of late, you're not alone. While generally well made, the élan of yesteryear's hardboiled Korean thrillers has recently been replaced by a growing sense of familiarity and an alarming whiff of complacency. There have been exceptions, but by and large those have come from name directors afforded more creative freedom in an industry dominated by financiers unwilling to give new talent much autonomy. Things started to look a little better last year with the release of Cold Eyes and Hide and Seek and bucking the trend once more is A Hard Day, a terrific new mid-level genre offering that was invited to the Director's Fortnight sidebar at Cannes this year.

Monday, May 19, 2014

Cannes 2014 Review: A HARD DAY Is Easy-to-Love Genre Cinema


By Pierce Conran

If you feel that tough genre fare in Korea has been spinning its wheels of late, you're not alone. While generally well made, the élan of yesteryear's hardboiled Korean thrillers has recently been replaced by a growing sense of familiarity and an alarming whiff of complacency. There have been exceptions, but by and large those have come from name directors afforded more creative freedom in an industry dominated by financiers unwilling to give new talent much autonomy. Things started to look a little better last year with the release of Cold Eyes and Hide and Seek and bucking the trend once more is A Hard Day, a terrific new mid-level genre offering that was invited to the Director's Fortnight sidebar at Cannes this year.