Showing posts with label features. Show all posts
Showing posts with label features. Show all posts

Wednesday, February 1, 2012

Korean Cinema News (01/26-02/01, 2012)

NY's Korean Film Festival is back and the KCCUK is holding 12 mini director's retrospectives through 2012 in London, so it's a good time to be a Korean film fan (at least if you live in a major metropolis).  Lots of interviews, including three for Lee Myeung-se, trailers, posters, and box office news this week.  

Don't miss MKC's own feature on How Korean Cinema Fared on 2011's Year-end Lists.


KOREAN CINEMA NEWS



“Should I put the word ‘arrowhead’ in a movie title?” joked a film producer during a recent meeting with the Hankyoreh.  The producer’s company certainly hit their target at the box office.  The follow-up to last year’s hit War of the Arrows, which drew 7.4 million viewers, Unbowed (the Korean title of which translates as Broken Arrow), passed the one million viewer mark just over a week after its debut early this year.  (The Hankyoreh, January 27, 2012)

Kwon Sang-woo Finishes Work on New Action Film with Jackie Chan
Hallyu star Kwon Sang-woo has finished work on the movie 12 Chinese Zodiac Heads with Jackie Chan.  The announcement was made yesterday by the actor’s agency, which also reported that Kwon had returned to Korea just before Lunar New Year.  “Currently, Kwon is taking a well-deserved break and is looking over some movie proposals from China, the United States and other countries,” said a representative from the agency.  (Joong Ang Daily, January 28, 2012)

NYC Happenings: NY Korean Film Festival 2012
Whether it's a full-on retrospective at Japan Society, a centennial celebration of studio giant Nikkatsu, or the annual wackiness of NYAFF, New York is a city never short on cinematic offerings from across East Asia, and that has always included a healthy helping of Korean cinema.  From February 24th - 26th, BAMcinĂ©matek and the Korean Society, along with Korean movie giant CJ Entertainment, will be presenting 7 contemporary features, big and small in the 10th edition of the New York Korean Film Festival.  (Twitch, January 30, 2012)

Unbowed, a low-budget South Korean film based on the true story of the so-called “crossbow terror” incident of a college professor, is heating up the local box office, drawing renewed public debate over the 2006 incident.  The movie claimed the No. 2 spot by bringing in more than 1 million viewers at local cinemas as of Wednesday, a week after making a robust debut, the Korean Film Council, a government agency in charge of promoting domestic films, said on Thursday.  (The Korea Herald, January 26, 2012)

Controversial Film on Gangjeong Village Finally Hits Theatres
An independent documentary film titled Jam Docu Gangjeong is finally showing in independent movie theaters 40 days after having been banned by the Korean Film Commission. Pressure from the film industry resulted in the film’s eventual release.  The film was reportedly delayed due to its controversial subject matter and the independent film industry is now calling for a policy reform to prevent the Korean Film Commission from banning films it finds politically objectionable.  (The Hankyoreh, January 26, 2012)

Korean movie and K-Pop stars united together for a new effort against piracy being led by Gaon Chartcalled the '2012 Good Downloader Campaign'.  Actors Ahn Sung Gi, Park Joong Hoon, Lee Min Jung, Jang Hyuk, and music stars Yoon Do Hyun (YB), Kim Yuna (Jaurim), Yunho (TVXQ), Nickhun (2PM), Sohee (Wonder Girls), as well as Sulli (f(x)) banded together for the campaign during a shoot yesterday, sending the message that pirating movies and music is illegal and wrong.  (allkpop, January 30, 2012)

Film of the Year Awards (Korea Film Reporters Association)

The Korea Film Reporters Association feted Korean cinema in its 3rd Film of the Year Awards last night.  Silenced picked up best film, with the director prize going to Kang Hyung-chul for Sunny.  Meanwhile Kim Yun-seok and Tang Wei were best actor and actress for their respective roles in Punch and Late Autumn.   (AsianMediaWiki, January 31, 2012)

Over on the Otherwhere blog, Alua has kindly transcribed the full 2012 programme for the Korean Film Nights at the KCCUK.  12 Korean directors will be featured with 4 films and a Q&A each month.  It's hard not to be incredibly jealous of anyone living in London right now.  (Otherwhere, January 27, 2012)


INTERVIEWS

In one excruciating scene of Kang Je-kyu’s new movie My Way, Soviet soldiers order two war prisoners of different nationalities to fight to the death, but the Korean one refuses to kill his fellow Japanese captive, who he had known as a rival in sports.  Instead, an unlikely alliance begins to form.  The movie is the most expensive ever made in South Korea, a fictionalized account of the real-life story of how a Korean man ended up fighting for the Germans in World War II and being found by American soldiers at the invasion of Normandy.  (The Wall Street Journal, January 26, 2012)

Thanks to her previous films In Between Days and Treeless Mountain, and a none-more-indie cast featuringPaul Dano and Jena Malone, So Yong Kim's latest For Ellen had to be one of the most anticipated films of the Sundance Film Festival. Forming one half of a power couple of indie cinema (with Bradley Rust Gray, director of The Exploding Girl and the upcoming Jack and Diane), it marks her first time working with more established names and proves to be her most accessible project to date.  (indieWire, January 25, 2012)

To the present day, Lee Myung-se is probably best known for his 1999 film Nowhere To Hide which was the first ever Korean film to be released on DVD in the UK.  Born on August 20th, 1957, his first directorial feature film was Gagman in 1989, and in 1991 he won the Best New Director award at the Asia-Pacific Film Festival for My Love My Bride.  Since then, he has gone on to make a number of iconic films, including Duelist (2005) and M (2007) - as visually stunning as they are narratively interesting.  (Hangul Celluloid, January 26, 2012)

For January’s edition the director in question was Lee Myeong-se in conjunction with his 2005 film Duelist.  Presiding over the event was Dr. Daniel Martin who introduced both the film and the director, giving the history and context to Lee Myeong-se’s illustrious career and auteuristic sensibilities.  (Hanguk Yeonghwa, January 27, 2012)

Taekwondo at the Apollo: Lee Myung-se and the Great Safety vs. Cinema Debate
The ‘Year of the 12 Directors’ idea is a wonderful one—what began as a series of film screenings in the Korean Cultural Centre has become, for 2012, a celebratory mini-series of director retrospectives which promises to roll on from now until December.  On Thursday night, we spent three engaging hours in the pleasant company of director Lee Myung-se, whose 1999 action/police procedural Nowhere to Hide officially opened the 12 Directors programme over three weeks ago.  (New Korean Cinema, January 30, 2012)


TRAILERS

2 Lines

Russian Coffee

Train



POSTERS

Doomsday Book







BOX OFFICE

(Modern Korean Cinema, January 30, 2012)

South Korean films enjoyed a 22% growth in revenue last year, according to new data from the Korean Film Council (KOFIC).  Nationwide, admissions grew by 8% to 158 million, while box office revenues grew in local currency terms by 7% to ₩1.23 trillion ($1.10 billion).  (Film Business Asia, January 30, 2012)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, January 18, 2012

Korean Cinema News (01/12-01/18, 2012)

Lots of great features this week and a few more 2011 wrap-ups.  Also some casting news for Bong Joon-ho's hotly anticipated Snow Piercer, I certainly the Tilda Swinton piece materializes!  Some great trailers and more also featured featured this week.


KOREAN CINEMA NEWS

Korean Cinema 2011: the View from Here
How do you introduce new Korean films to an American audience?  US-based author and curator of film at the Smithsonian’s Freer and Sackler Galleries in Washington, DC, Tom VICK shares his views on recent trends he has noticed programming their Korean film festival.  Korea’s film industry produces a deluge of commercial and independent releases.  But recent years have brought a proliferation of young, talented filmmakers with only a film or two under their belts.  (Korean Cinema Today, January 5, 2012)

Director of My Sassy Girl to Take on a More Serious Movie
Korean director Kwak Jae-yong is perhaps best known for his romantic-comedy My Sassy Girl (2001), but he’s decided to try his hand at a more somber story and will take on a film about the so-called “comfort women” of World War II.  The movie, to be called Flower Shoes, will be set from 1930 to 1945 and will detail the experiences of the Korean women forced into sexual slavery by the Japanese during that time period.  (Joong Ang Daily, January 12, 2012)

New Stills for Ha Ji-won/Bae Doo-na Pic Korea
The first publicity stills have emerged for the upcoming film Korea (aka As One) which pairs Ha Ji-won and Bae Doo-na.  Based on the true story of the victory of the South and North Korean teams at the Chiba International Table Tennis Championships in 1991, Ha Ji-won represents Hyeon Jeong-hwa and Bae Doona represents Lee Boon-hee from the North.  (hancinema.net, January 12, 2012)

Cinema of Embodied Unpleasures
Rowena Santos Aquino takes an in depth look at the body of work of Korean auteur Kim Ki-duk in an engaging three part discussion called 'Spotlight on Contemporary Korean Cinema: Kim Ki-duk' over at Next Projection.

Part I - Filmmaker  (Next Projection, January 11, 2012)
Part II - Mentor  (Next Projection, January 12, 2012)
Part III - Subject: Arirang  (Next Projection, January 13, 2012)

Chris Evans in Negotiations to Star in Bong Joon-ho's Snow Piercer
Bong Joon-ho, one of South Korea's top directors, has not made one bad film so far in his career. In fact, at least two of his feature films, namely Memories of Murder (2003) and The Host (2006), are in my opinion masterpieces of modern cinema.  His last film was the 2009 critical hit Mother.  (Twitch, January 14, 2012)

Multiculturalism a New Theme in Korean Movies
More and more Korean movies, including Pacemaker by director Kim Dal-joong that opens next Thursday, are taking on the theme of multiculturalism that is changing the face of Korean society.  In 2010, one out of every 10 marriages involved a foreign spouse, while the number of children from multicultural families has grown seven-fold from 25,000 in 2006 to 160,000 in 2010.  And this trend is being portrayed more frequently on the silver screen.  (The Chosun Ilbo, January 13, 2012)

The History of Korean Cinema .... on screen
The fact of the matter is, outside of Korea, Korean cinema is still a very 'new' thing. Generally most people may have seen your Oldboy's and My Sassy Girl's but outside of that the earliest film that those in the West will have likely seen would probably be JSA (2000) or Shiri (1999).  This puts Korean cinema in an interesting position of only being around 14 years old (15 using the Korean birthday system!).  For a national cinema so young, it really has come along leaps and bounds, but the more interesting thing is what was it like before this point.  (Tully's Recall, January 14, 2012)

V-I-C-T-O-R-Y! Korean Sports Movies
Anyone who has seen the millions of Koreans flocking to the streets and plazas to cheer on the National Team during World Cup season would probably be aware how much Koreans love sports.  Korea is a highly competitive society where focus, diligent attitude, eagerness for hard work, and teamwork is highly valued; all elements that can be found in sports.  Add pursuit of honor to that mix and you’ve got a perfect combination for grabbing people’s attention.  (The Korea Blog, January 11, 2012)

A Class Apart: Why Im Sang-soo Loses to Kim Ki-young in the Battle of The Housemaids
Hong Nguyen takes a look at the two versions of The Housemaid.  The original from 1960 by Kim Ki-young and the remake which cam 50 years later at the hands of Im Sang-soo.  (London Korea Links, January 16, 2012)

Lee Chang-dong’s Poetry Set for Release in Japan
Korean auteur director Lee Chang-dong’s film Poetry is set for release in Japan on Feb. 11, 2012.  The Cannes Best Screenplay Award-winning film will be distributed by KinoEye Japan and Siglo, which released the film’s Japanese poster and trailer today.  The film’s Japanese title translates to “Poetry: Agnes’ Song”.  (KoBiz, January 16, 2012)

CJ CGV Opens Two More Vietnam Multiplexes
Leading South Korean exhibitor CJ CGV has opened two more multiplexes in Vietnam, bringing their total to nine cinemas with 69 screens in the country.   The two multiplexes are in the center of Ho Chi Minh City and Hanoi with two 3D screens each.  The Ho Chi Minh City cinema has eight screens while the Hanoi cinema has seven.   (KoBiz, January 16, 2012)

Romance Joe to Compete at Rotterdam Tiger Awards
This year’s International Film Festival Rotterdam (IFFR) has announced the complete line-up for its Tiger Awards Competition.   The 15-film selection includes Korean director Lee Kwang-kuk’s Romance Joe, which will make its international premiere.   Park Hong-min’s A Fish was announced earlier on as the competition’s first 3D film ever.   (KoBiz, January 12, 2012)

Tilda Swinton to Join Snow Piercer
Tilda Swinton is in talks to join post-apocalyptic thriller Snow Piercer.  The feature is based on the French comic Le Transperceneige created by Jean-Marc Rochette and is South Korean director Bong Joon-ho’s first foray into English language film.  Snow Piercer’s plot follows a group that is traveling by train together in a future ice age.  (film-news.co.uk, January 18, 2012)

New Thai Film Fest Set to Open with Always
The first edition of Thailand's Hua Hin Film Fest is set to bow Jan. 26 with the screening of South Korean pic Always, followed by the unspooling of 50 movies over four days.   (Chicago Tribune, January 17, 2012)

The director of Treeless Mountain is back with her third feature, an American independent produciton starring Paul Dano as a young rock musician whose divorce from his wife (Jena Malone) triggers a desire to bond with the 6-year-old daughter he's never really known.  (The Wall Street Journal, January 18, 2012)


INTERVIEWS

Interview With Director Kim Kyung-mook
One of the Korean independent film community’s most remarkable young directors, Kim Kyung-mook made his feature debut with the unconventional Faceless Things (2005). He broadened his sights with A Cheonggyecheon Dog (2008) and has most recently been doing the film festival rounds with his third feature Stateless Things. The film debuted at the Venice Film Festival’s Orrizonti competition and is set to screen in the upcoming Rotterdam film festival’s Spectrum section.  The film is about people who have no place to stay.  How did Kim come to take such an interest in these people? He met with Korean Cinema Today to tell us.  (KoBiz, January 16, 2012)

Park Hee-gon was in his last year of high school in May 1987 when he, like thousands of other South Koreans, watched a baseball game that became legendary.  The game between the Lotte Giants and Haitai Tigers was a pitchers’ duel that lasted for 15 innings before officials called it a draw.  The pitchers – Lotte’s Choi Dong-won and Haitai’s Sun Dong-yeol – had squared off before but both were near the end of their careers and fans knew it would be the last time they faced each other.  (The Wall Street Journal, January 17, 2012)


TRAILERS

2 Lines

Introduction of Architecture


Love Fiction

War of the Arrows



POSTER



BOX OFFICE

(Modern Korean Cinema, January 15, 2012)


Although the number crunchers in Hollywood estimate that US theatrical admissions sank to their lowest level since 1995, things were not so gloomy in Korea.  With an estimated 160 million tickets sold (more precise figures will become available at a later date), it appears that Korea has approached or broken the modern-day record for admissions.  (Korean Cinema Today, January 14, 2012)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, December 21, 2011

Korean Cinema News (12/15-12/21, 2011)

The big news in Korea this week is the death of the leader of the North, Kim Jong-il.  Given that he was a known cinephile I have included a pair of pieces on North Korea.  Besides that there is a lot of news, CJ is making big advances with business deals left and right, the mind boggles at how big a studio it could become.  Some great trailers this week, especially for Howling, by Ha Yu and starring Song Kang-ho, as well as some great one sheets, I need a copy of the Choi Min-sik poster for Nameless Gangster!  Lots of other news, great interviews, and box office as usual.

Enjoy!


KOREAN CINEMA NEWS

Korean Film Punch Invited to Berlin Film Festival
Korean film Punch (Wandeukyi) by director Lee Han has been invited to next year's Berlin International Film Festival, the film's local distributor said Thursday.  The movie will be screened in the "Generation" section of the 62nd festival for featuring movies for younger children and teens, CJ Entertainment and Media Co. said.  It marks the second time a Korean film has been invited to the section following the 2006 movie Like a Virgin from director Lee Hae-yeong.   Punch is currently the third highest-grossing Korean film of the year.  (The Korea Times, December 15, 2011)

A Look Back at the Year's Breakout Films
In 2011, Korean films brought attention to the individuals and issues that have otherwise remained unaddressed, underrepresented, or simply unexplored.  While the questions posed by these films varied, provoking responses ranging from angry shock to laughter and sympathy, all called for a collective reconsideration of the social dynamics and relationships that can be found in Korean society today.  (Korea.net, December 15, 2011)

Korean Mega War Movie Targets Pan-Asian Audience
Kang Je-gyu's new pan-Asian movie My Way premieres on Dec. 22.  Kang, who drew over 10 million spectators with the clunking history epic Taegukgi in 2004, is now hoping for Asia-wide success with the biggest budget and the most ambitious scale in many years.  The cast includes top stars from Korea, China and Japan, such as Jang Dong-gun, Joe Odagiri and Fan Bingbing.  (The Chosun Ilbo, December 15, 2011)

Korean Film Week in Budapest
Considering the fact that Hungarian film distributors tend to release only one Korean movie a year, Hungarian viewers have two options to watch contemporary Korean films on the big screen:  the 'Titanic International Film Festival' and the annual 'Korean Film Week', both held in Budapest.  Supported by the Korean Ministry of Culture, Sports and Tourism, the Korea Foundation and the Korean Film Council, this year the Embassy of the Republic of Korea has organized the Korean Film Week for the fourth time.  (The Korea Blog, December 15, 2011)

Secrets, Objects Sells to Hong Kong
Korean production company Film Front has announced that Secrets, Objects, directed by Lee Young-mi's film Secrets, Objects has been sold by Korean production company Film Front to Sundream Motion Pictures in Hong Kong. The romantic film features  Jang Seo-hee as a 40-year-old sociology professor preparing a dissertation on extramarital affairs and Jeong Seok-won, a 21-year-old student who enrolls in her seminar.  The film screened at the Moscow International Film Festival, Jeonju International Film Festival, and the Montreal World Film Festival this year. (KOBIZ, December 15, 2011)

The 6th London Korean Film Festival 2011

A great video summing up the highlights of the recent 6th London Korean Film Festival.  Watching the clip made me quite jealous of everyone at the event, one which I dearly would have liked to attend.  (youtube.com, December 16, 2011)

John Hurt to Star in Bong Joon-ho's Snow Piercer
Up until now the only confirmed player in Bong Joon-ho's much anticipated global production Snow Piercer has been Song Kang-ho, though it is said that he will only play a small part.  In a recent interview acclaimed and veteran thespian John Hurt has confirmed that he will be joining the production for three months starting in March of next year.  (Gothamist, December 15, 2011)

Chicago Tribune Names Poetry Film of the Year
The accolades keep on rolling in for Poetry.  On Dec. 18, As the Chicago Tribune counted down its 10 best movies of the year on December 18th, Lee Chang-dong's Poetry wound up No. 1, ahead of Moneyball and French movie Copie Conforme, was deemed the best.  The Korean movie singled out by the paper’s movie critic is a tale about an elderly woman who strives to write poetry despite Alzheimer’s and the hardships of the life around her.  The film has also won the award for the best screenplay at this year’s Cannes Film Festival.  (Joong Ang Daily, December 20, 2011)

KAFA Partners With CJ E&M and CJ CGV
The Korean Academy of Film Arts (KAFA) has renewed its partnership with leading entertainment media company CJ E&M and its affiliate exhibition company CJ CGV.  In an academic-industry partnership deal signed yesterday (Dec. 14) at the Academy, the three entities agreed to work together to cultivate filmmaking talent that could become the future center of the film industry.  (KOBIZ, December 19, 2011)

Sector 7 Hits Box Office Record in China
Sci-fi thriller Sector 7 is officially the highest grossing Korean film in China, according to South Korean investor/distributor CJ Entertainment.  Released Dec. 6 on approximately 4,000 screens, the sea creature feature took in CNY20 million (US$3.1 million) by Dec. 14.  (KOBIZ, December 20, 2011)

Young North Korean Defectors Produce Short Film in Seoul
A group of young North Korean defectors, aiming to show young South Koreans that they are the same, recently completed shooting a short film in Seoul, said a film producer at With Culture who helped them make the movie.  Choi Ji-hoon met the North Korean defectors in their late teens to early 20s at a film class for students at Durihana International School as part of the company’s volunteering work.  (The Korea Herald, December 14, 2011)

London Korean Film Festival Round-up and Ryu Seung-wan’s The Unjust
London Korea Links runs down the 2011 London Korean Film Festival and especially the work of Ryu Seung-wan.  Ryu has had several of his films released in the UK on DVD, but he is not as well-known to the viewing public as the likes of Park Chan-wook and Bong Joon-ho.  (London Korea Links, December 21, 2011)

New images have been revealed for Song Kang-ho's new film Howling.  The directed by Ha Yu (A Dirty Carnival, 2006; Once Upon a Time in High School, 2004) is a thriller involving spontaneous combustion, excited?  So am I.  (Twitch, December 20, 2011)

The Front Line to Compete at Int'l Film Fest in Palm Springs
The Front Line which has won a flurry of domestic awards and is the Korean pic for the Oscars has been invited to compete at the upcoming Palm Springs International Film Festival (PSIFF) next month, according to its official website on Tuesday.  The Front Line will be up against a number of other international pictures for the FIPRESCI award for Best Foreign Language Film of the Year at the 7th annual PSIFF from January 5 to 16 next year.  (asiae.co.kr, December 20, 2011)

Kim Jong-il: The Cinephile Despot
One of the more surprising facts about Kim Jong-il was his love of cinema. He reportedly owned more than 20,000 videos and DVDs and counted Elizabeth Taylor among his favourite actresses.  "The cinema occupies an important place in the overall development of art and literature. As such it is a powerful ideological weapon for the revolution and construction."  So wrote Kim Jong-il in his 1987 essay The Cinema and Directing.  (BBC, December 19, 2011)

North Korea was no cinematic powerhouse. Though exact numbers are unknown, Variety estimates the annual cinema production of the area was seven to 10 features in the 1970s and 1980s, only four or five in the 1990s, and a mere trickle after 2000.  In the past few years, however, there have been a number of documentaries by outsiders about life behind the Kimchi Curtain, as well as Hollywood and South Korean thrillers about North Korea as a terror state.  (The Globe and Mail, December 20, 2011)

Gov’t is Key to Cinemas’ Success
Film experts from South Korea and the United Kingdom said government support was a key to the success of their cinema industries in an international seminar held Friday in Phu Yen.  The event was part of the 17th Vietnam Film Festival currently taking place in the central province which opened on Thursday evening with the attendance of nearly 1,000 local film professionals.  (tuoitrenews.vn, December 18, 2011)

In an interesting piece of synchronicity it appears that Mia Wasikowska may be moving from Oldboy director Park Chan-Wook's English language debut Stoker to Spike Lee's remake of Park's breakout film.  Twitch has learned that Wasikowska has been offered the role of Marie, the female lead of the gritty thriller.  The role was previously offered to The Girl With The Dragon Tattoo star Rooney Mara.  (Twitch, December 16, 2011)

Route One Films Enters $110 Million Korean Entertainment Partnership
Route One Films has entered into a $110 million film and television fund partnership with the South Korean government, CJ E&M, Lotte Entertainment and Sovik Venture Capial to form the Sovik Global Contents Investment Fund – the largest entertainment fund in Korean history.  (The Hollywood Reporter, December 15, 2011)

Song Hye-kyo to Star in Woo’s Film
Popular actress Song Hye-kyo will star in celebrated Chinese director John Woo’s upcoming epic love story film Love and Let Love, according to her local agency.  Song, who recently won the first film award of her acting career for her role as the grieving filmmaker in this year’s somber drama A Reason to Live, will star as a wealthy, driven woman in Shanghai who lives through the end of WWII and Chinese Civil War.  (The Korea Herald, December 20, 2011)

Clive Owen Offered Villain Role Spike Lee's Oldboy
Twitch has learned that the villain role in Oldboy has now been offered to Clive Owen.  Owen and Lee have history, of course, having worked together on Lee's underrated thriller The Inside Man. That the director and star know and like each other is certainly a plus but a much bigger plus is that Owen embodies the perfect blend of sophistication and menace that the part requires along with the sort of charisma needed to go toe to toe with Brolin.  (Twitch, December 16, 2011)
The director Kang Je Kyu who has written the history of Korean movies, said during the interview with News Y (news channel by Yonhap News) on December 15, "I gave my best effort and passion that I have spared for the past seven years while taking a break to produce the movie My Way."  (KBS, December 16, 2011)

Lovable Q&A with Star and Director
Q&A took place after a screening of Lovable at the Dong-Sang Art Hall in Daegu, South Korea (December 3, 2011).  Appearing as speakers are movie director Park Chul-Soon and actress Yoo Hae-Jung, who plays 9-year-old Da-Seul, who lives with her uncle who work as a waiter and her grandfather who works in a dry squid factory.  AsianMediaWiki editor Ki Mun was there and transcribed/translated the session.  (Asian Media Wiki, December 3, 2011)

King of Pigs: Korean Filmmaker Yeun Sang-ho Explores Dark Side
At this fall’s Busan International Film Festival, 33-year-old director Yeun Sang-ho drew attention with his first feature-length project:  an animated, cold-blooded adult tale called The King of Pigs that explores the underside of human nature at an all-boys middle school in Seoul.  The school is a microcosm of society, a harsh environment where there is no escape from constant bullying and violence.  (The Los Angeles Times, December 15, 2011)

Daniel D.H. Park, Director of International Promotion Center
Director of the International Promotion Center at the Korean Film Council (KOFIC), Daniel D.H. Park is looking at his 20th anniversarywith the governmental organization.  He took some time out from his busy year-end schedule to meet with KoBiz and talk about his work supporting and promoting Korean cinema and the Korean film industry and how that is changing.  (KOBIZ, December 19, 2011)


TRAILERS

Dancing Queen


Howling

Never Ending Story


Papa







KOREAN BOX OFFICE UPDATE



(Modern Korean Cinema, December 19, 2011)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.