Showing posts with label the day he arrives. Show all posts
Showing posts with label the day he arrives. Show all posts

Friday, October 21, 2011

Weekly Review Round-up (10/15-10/21, 2011)

This week we have a section dedicated to reviews from the recently wrapped Festival franco-coréen du film in Paris.  All of these are in French (my second language) and special thanks to Kim-Bong-Park, Made in Asie and asiafilm.fr for their hard work!  Also a number of The Yellow Sea reviews as it opens in the UK & Ireland.

Enjoy!


FFCF (Festival franco-coréen du film)

Anti Gas Skin

Bleak Night

Café Noir

Castaway on the Moon, 2009

Cheonggyecheon Medley

(asiafilm.fr, October 14, 2011)

End of Animal

(asiafilm.fr, October 13, 2011)

(Made in Asie, October 17, 2011)

Invasion of Alien Bikini

Late Autumn

(Made in Asie, October 18, 2011)

Leafie, A Hen Into the Wild

(Made in Asie, October 13, 2011)

Possessed

Sunny

The Code of a Duel

(asiafilm.fr, October 15, 2011)


RECENT RELEASES

(Film Business Asia, October 19, 2011)

From Seoul to Varanasi

(Modern Korean Cinema, October 20, 2011)

(Variety, October 17, 2011 - Subscription Required)

(Modern Korean Cinema, October 18, 2011)

(subtitledonline, October 20, 2011)

Pink

(straight.com, October 20, 2011)

(Film Business Asia, October 18, 2011)

(Twitch, October 16, 2011)

(Film Business Asia, October 120 2011)

The Yellow Sea


PAST FILMS

Possessed, 2009
(Kim Bong Park, October 14, 2011)

(Mmegionline, October 18, 2011)


The Weekly Review Round-up is a weekly feature which brings together all available reviews of Korean films in the English language (and sometimes French) that have recently appeared on the internet. It is by no means a comprehensive feature and additions are welcome (email pierceconran [at] gmail [dot] com). It appears every Friday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News, and the Korean Box Office UpdateReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Friday, October 14, 2011

Weekly Review Round-up (10/08-10/14, 2011)

A number of reviews covering a wide array of films coming in from the just wrapped-up Busan International Film Festival, although not quite as many as I would have thought. I imagine that given how Asia-centric the festival was this year, not too many English-language publications sent a critic. Also a few reviews from this year's Sitges Film Festival this week.


RECENT RELEASES

(Blog About Everything, October 6, 2011)

Amen

(The Hollywood Reporter, October 8, 2011)

(The Hollywood Reporter, October 11, 2011)

(Variety, October 13, 2011 - Subscription Required)

(Pop Matters, October 6, 2011)

Choked

(The Hollywood Reporter, October 11, 2011)

End of Animal

(The Hollywood Reporter, October 11, 2011)

(Modern Korean Cinema, October 12, 2011)

(Hangul Celluloid, October 10, 2011)

(hancinema.net, October 8, 2011)

Pink

(Twitch, October 12, 2011)

(The Hollywood Reporter, October 10, 2011)

(Modern Korean Cinema, October 9, 2011)

(East Asia, October 3, 2011 - French)

(Twitch, October 7, 2011)

The Yellow Sea

(Japan Cinema, October 5, 2011)


PAST FILMS

Black Hair, 1964
(New Korean Cinema, October 8, 2011)

(Kim Bong Park, October 13, 2011 0 French)

(dramabeans, October 11, 2011)


The Weekly Review Round-up is a weekly feature which brings together all available reviews of Korean films in the English language (and sometimes French) that have recently appeared on the internet. It is by no means a comprehensive feature and additions are welcome (email pierceconran [at] gmail [dot] com). It appears every Friday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News, and the Korean Box Office UpdateReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, October 5, 2011

Korean Cinema News (09/29-10/05, 2011)

Big news week for Korean cinema, a good portion of it for the incoming Busan Film Fest and the controversy surrounding new film The Crucible. A number of trailers this week as well as a brief new section to showcase new posters.


KOREAN CINEMA NEWS

Extreme-Short Film Festival Opens in Seoul
Last Thursday, the 3rd Seoul International Extreme-Short Image and Film Festival opened in Guro, Seoul. 387 short of about three minutes are being featured at this year's edition. 144 films are competing across the six categories . The festival openers were A Pale Purple Bird directed by actor Oh Kwang-rok, The Diner directed by Korean singer Horan, and Curse direct by Korean comedian Park Seong-gwang. (KBS.co.kr, September 29, 2011)

Always, which is opening the 16th edition of the Busan International Film Festival, sold out online in a staggering seven seconds. This marks an improvement over the already impressive 18 seconds achieved by Hawthorne Tree Forever, last year's opener. (enewsworld.net, September 27, 2011)
It's been a tough year for the folks running the Busan Intl. Film Festival. Following the retirement of former director Kim Dong-ho it has been a difficult year for those running the Busan International Film Festival. Some critics from within the domestic film industry and the international community wonder whether the fest can continue without Kim's leadership. However, the 16th edition of Asia's largest film festival is gearing up for change, with a new name and new headquarters. (Variety, October 3, 2011)

Arrow, the Ultimate Weapon – The Historical Background
Kim Han-min’s Arrow, the Ultimate Weapon historical action flick is set to get the London Korean Film Festival 2011 underway in a few weeks. Director Kim, whose previous features are Paradise Murdered (2006) and Handphone (2009), sought to attempt something more historical with his third film, and chose this interesting period in the early 17th century. Philip Gowan explains the background to the film. (London Korea Links, September 29 2011)

DMZ Docs 2011 Closes With Tiniest Place Top WinnerThe 3rd DMZ Korean International Documentary Film Festival (DMZ Docs 2011) closed with a screening of The Tiniest Place. Directed by Tatiana Huezo, the international competition top award winner. The Mexican film was the recipient of the White Goose Award which comes with KW15 million and the honor of screening as the festival’s Closing Film. The documentary film festival, which ran for seven days, took place around Paju City, led by co-festival directors Cho Jae-hyun and Yoo Ji-tae. (kobiz, September 30, 2011)

Sector 7 and Five Other Korean Films to Screen at Tokyo
Six Korean films have been invited to the upcoming 24th Tokyo International Film Festival (TIFF)  including the sci-fi film Sector 7 as a Special Screening. The other Korean films include Kong Quee-hyun’s mystery U.F.O. and Na Hong-jin’s thriller The Yellow Sea, which will both feature in the Winds of Asia section. The 3D underwater creature feature Sector 7 is due for release in Japan on Nov. 12, 2011. (kobiz, September 30, 2011)

The 16th Busan International Film Festival (BIFF)’s Asian Cinema Fund (ACF) will join the World Documentary Exchange (WDE), a documentary network between Europe, the Americas, and henceforth Asia. The expanded network aims to create more opportunities for documentaries around the world. (kobiz, September 30, 2011)

Stateless Things and The Day He Arrives Continue Fest Rounds
Kim Kyung-mook’s Stateless Things has been invited to the Vancouver International Film Festival (VIFF), which runs in Canada until Oct. 14. Kim’s independent film is in the Dragons and Tigers competition. Stateless Things has also been invited to the upcoming 55th BFI London Film Festival’s World Cinema section, along with Hong Sang-soo’s The Day He Arrives. The London Film Festival will run Oct. 12 – 27 this year. (kobiz, September 29, 2011)
The Busan Cinema Center, which features a huge roof shaped in a wavelike pattern, opened Thursday in Busan. It is propped up by a single pillar built to resemble a pair of ice-cream cones. The center will be the main venue of the annual Busan International Film Festival, previously known as the Pusan International Film Festival. With the completion of the center, the southern port city wants to be recognized not only as a regional cinematic hub but also as the home of key architectural landmarks. (The Chosun Ilbo, September 30, 2011)
A movie currently running in cinemas is sparking a growing call for the revision of laws governing sexual crimes against the disabled and minors. The Crucible, a film based on the true story about school staff sexually assaulting hearing impaired students, is adding mounting pressure on policymakers and politicians to change the laws on sexual assaults on children and welfare foundations. (The Korea Times, September 29, 2011)

Song Stars as Grieving Documentary Maker
After starring as the famous Joseon gisaeng - female entertainer - Hwang Jin-i and the mysterious daughter of a Korean shaman, Song Hye-kyo is returning to the big screen as a documentary filmmaker mourning the death of her fiance. "When I pick movies, I don't really think about whether the film I'm going to shoot is going to be a commercial one or an art house one," Song told reporters at a press conference promoting the film, A Reason to Live, on Monday. (asiaone.com, September 27, 2011)
Fans of Oldboy star Choi Min-sik have had to face rather a lot of downtime for the actor in recent days, Choi first withdrawing from the film industry entirely to protest proposed changes to the screen quota system in 2006 and then working only sparingly since his return. Kim Ji-Woon's 2010 effort I Saw The Devil was just Choi's second lead role since 2005 effort Crying Fist and his only work since that effort was to contribute his voice to an animated feature. But Choi will be back in 2012 in the lead role of Yun Jong-bin's The War Against Crime (aka Nameless Gangster) in which he will play opposite Ha Jung-woo as a government official in Busan during a very public and hard fought war against organized crime in the early 1990s. (Twitch, October 3, 2011)

Pan-Asian Youth Film School Opens in Busan
A film academy inviting young aspiring filmmakers from across Asia began last week ahead of the opening Thursday of the Busan International Film Festival (BIFF). The Asian Film Academy (AFA) opened for the seventh time Thursday as part of the country’s largest cinema event. This year’s installment has invited 24 men and women from 17 countries to take part in workshops, master classes, mentoring sessions and other educational initiatives. (The Korea Times, October 3, 2011)

How a New Cinema Center Could Change the Busan Film Festival
Organizers hope the $15 million Busan Cinema Center, designed by Coop Himmelblau, will dazzle festgoers arriving for one of Asia's most important film events. Destination architecture is hitting the film festival world with the opening of the Busan Cinema Center. Designed by influential contemporary architects Coop Himmelblau of Austria, the building will serve as the home of Asia's largest cinema event, the Busan International Film Festival, which opens Oct. 6 in South Korea's second-largest city after Seoul. (The Hollywood Reporter, Ocotber 1, 2011)

Korean Film Archive Showcases 'Radio Days'
Throughout October, the Korean Film Archive (KOFA) is holding a free VOD retrospective on films from the golden era of the 60s that were originally based on popular radio programs called “Radio Days”. The program will feature 10 films. In Korea, the 1950s and 60s were the heyday of not just films but of radio, too, and a lot of radio programs that were popular hits were then adapted into films and plays. The classic films A Romantic Papa, directed by Shin Sang-ok in 1960, and The Sea Knows (a.k.a. Hyunhaetan Knows), directed by Kim Kee-duk in 1961, were both based on radio serial shows. (kobiz, October 4, 2011)

Busan International Film Festival to Amuse Movie Fans With 307 Films
Busan is set to thrill movie lovers from around the world when the 16th Busan International Film Festival gets underway on October 6 for nine days. Over 300 films from 70 countries, as well as a plethora of famous movie stars from both Korea and overseas, will be featured at the festival this year. A number of films have already sold out their screenings in record times. (korea.net, October 5, 2011)

In the aftermath of the box-office hit Dogani (aka The Crucible/Silenced), depicting the true tale of sexual abuse in a school for hearing-impaired students, the Gwangju Metropolitan Office of Education determined Monday that it would force the Inhwa School to shut down. Gwangju officials convened an emergency meeting to discuss measures against the school for disabled students and will require all 22 students to be transferred to another establishment soon. (Joong Ang Daily, October 5, 2011)

Actress Kang Soo-yeon has been chosen as one of the judges of this year’s Asiana International Short Film Festival. Along with the actress, four other prominent film industry names, including Japanese director Isshin Inudo, chief director of the festival Seigo Tono, director of Guanajuato International Film Festival Sara Hoch and director Kim Tae-yong, have been selected as judges this year, according to the festival organizers. (Joong Ang Daily, October 5, 2011)
The 2nd Gwacheon International SF Festival in Korea opens today (Sept. 30) with the Japanese animation Ghost in the Shell: Stand Alone Complex – Solid State Society 3D directed by Kenji Kamiyama. The festival will run until Oct 16 at the Gwacheon National Science Museum. It aims to encourage creativity and imagination in children by combining "scientific imagination and filmic imagination". (kobiz, September 29, 2011)

Korean High-Schooler Wins Int'l Animation Award 
A Korean high school senior has won a prize at the 2011 Ottawa International Animation Festival. Kim Bo-won of Korea Animation High School in Hanam, Gyeonggi Province was given the 2011 Adobe Prize for Best High School Animation for her work titled I'm Sorry, beating about 2,000 entries from around the world. (The Chosun Ilbo, September 30, 2011)

Another Film Shows Sexual Abuse of the Disabled in N. Jeolla Area
With the hit Korean movie The Crucible fueling public outrage against sexual abuse of the disabled, another film about sexual violence against the disabled in Gimje, North Jeolla Province, is drawing keen attention. The Crucible, a 125-minute commercial feature, includes descriptions of sexual assault in Gwangju, but Sum, an 89-minute independent film, describes the pain and love of the heroine and the rape victims. Park Ji-won, a 30-year-old disabled woman, played the heroine in Sum and more than 20 other people with disabilities also performed as supporting cast. (The Dong-a Ilbo, October 1, 2011)

Korean Animation Waddles Into China
The first Korean animated film to play at Chinese theaters opened at 3,000 screens yesterday and is about the adventures of a hen who escapes a chicken farm to realize her dream of hatching her own egg. Leafie, A Hen Into The Wild is based on the hit teenage novel of the same name and has a running time of 93 minutes. The 3-billion-won ($2.5-million) film is currently showing nationwide in China with dubbing in mandarin. It earlier became the first Korean animation to draw 1 million viewers domestically, experts said, where it posted box-office receipts in excess of 2.2 million after it was released in July on 350 screens. (Joong Ang Daily, October 1, 2011)

Pres. Lee Calls for Measures to Prevent Sexual Crimes Against Disabled & Minors
President Lee Myung-bak recently got to watch the much-talked about Korean movie The Crucible which is based on a true story about school staff sexually assaulting hearing impaired students. After watching it, the President said that our society needs to be more conscious of sexual crimes against the disabled, and that he will work to better protect people with disabilities and minors from becoming victims of such crimes. (arirang.co.kr, October 4, 2011)

Film Picks for 2011 Busan Film Fest
The 16th annual Busan International Film festival, one of the world’s most prestigious, will once again kick off on the 1st Thursday of October. The sheer amount of film options can seem a bit overwhelming. Approximately 300 movies from 70 different countries with 135 world premiers will be screened in Haeundae, Centum City, and Namp-dong. Here is a "lockdown" list of picks. (The Vanguard Element, October 5, 2011)

IMAX Signs Revenue Share Deal in China With CJ CGV Holdings, Ltd
IMAX Corporation today announced that CJ CGV Holdings, LTD, a subsidiary of Korean media conglomerate CJ CGV Co. Ltd., has signed a revenue share agreement to add 15 new IMAX(R) digital theatre systems in the People's Republic of China. Under the terms of the agreement, CJ CGV Holdings, LTD is scheduled to install the first IMAX systems in 2011, with all remaining installations expected to be completed between 2013 and 2017. (Market Watch, October 4, 2011)
Spike Lee is set to direct an American version of the South Korean favorite Oldboy, withJosh Brolin looking like the guy to play the lead role. Brolin would be a man who is kidnapped one night and imprisoned for fifteen years for reasons unknown to him. Released back into society just as abruptly as he was snatched, he begins to look for the person or persons responsible for his incarceration. Along the way he meets a young chef who becomes his partner in the search. And now there’s a report that Rooney Mara, of The Social Network (2010) and The Girl With the Dragon Tattoo (2011), is the choice to play that role. (/Film, September 28, 2011)


INTERVIEW

Metamorpheses Director Oh In-chun
Inchun Oh is a Korean filmmaker, director and screenwriter. Born on August 30, 1980, he studied filmmaking at Korea National University of Arts, where he wrote and directed A Moment - a collaboration between Korea National University of Arts and Beijing Film Academy, filmed entirely in Beijing. His latest short film Metamorphoses (2011) has been screened internationally at a number of film festivals. (Hangul Celluloid, October 3, 2011)


TRAILERS









POSTERS







You Pet


(Modern Korean Cinema, October 3, 2011)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Monday, September 19, 2011

Korean Box Office Update (09/16-09/18, 2011)

Weekend of September 16-18, 2011:

TitleRelease DateWeekendTotal
1Arrow, The Ultimate Weapon8/10/11292,9316,589,663
2Marrying the Mafia IV9/7/11258,4661,917,256
3Mr. Popper's Penguins (us)9/7/11172,668640,685
4Pained9/7/11105,016555,879
5The Crucible22/9/201180,14689,201
6Rise of the Planet of the Apes (us)17/8/201170,4672,626,488
7Champ9/7/1169,780421,633
8Shark Night 3D (us)15/9/201149,64661,148
9Final Destination 5 (us)9/8/1143,462206,718
10Hindsight31/8/201142,814681,757
-Blind8/10/1129,2712,304,931
-Leafie, A Hen Into the Wild7/27/1123,7332,141,264
-The Day He Arrives8/9/114,50122,966


Following last week's Chuseok festivities, box office receipts have shrunk down considerably with no major new film on wide release. The good news is that just like the last few weeks local fare has dominated on the charts.

Having relinquished its crown to last week's winner Marrying the Mafia IV, Arrow, The Ultimate Weapon is back on top again with 292,931 which represents a sub-30% drop from last weekend. With nearly 6.6 million admissions as of Sunday, Arrow is well positioned to overtake Sunny in the coming weeks.

Meanwhile the latest Marrying the Mafia installment had a predictably steep decline of 55%, taking 258,466 in its sophomore frame. If it manages to level out somewhat it wil easily have enough steam to drive its total above that of the franchise's last entry.

Kwon Sang-woo's lastest Pained saw a standard decline and raked in another 105,016 admissions but after it mediocre opening this may not be enough to bring it over a million.

The Crucible was the only new Korean film to play nationwide but it did so in only 221 theaters for previews and is scheduled for its full release on September 22. Nevertheless it managed to pull in 80,146 which is a good omen for its chances, it remains to be seen how the word-of-mouth will affect its chances.

Cha Tae-hyun's latest comedy Champ took a dive this week and nearly saw its take slashed in half with only 69,780 added to its coffers. It will likely fall out of the top 10 entirely next week.

Hindsight also slowed by nearly 50% with another 42,814 tickets sold. Its chances at one million admissions are all but nil at this point.

Outside of the top 10 Blind and Leafie, A Hen Into the Wild both fell by another 30% and their respective totals now stand at 2,304,931 and 2,141,264. Hong Sang-soo's latest The Day He Arrives added another 4,501 admissions to bring its two-week total to 22,966, a good start for this acclaimed limited release.


The Korean Box Office Update is a weekly feature which provides detailed analysis of film box office sales over the Friday to Sunday period in Korea. It appears every Monday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, September 14, 2011

Korean Cinema News (09/05-09/13, 2011)

I'm away in Dublin for a few days so this update is a little lighter than usual. Some features on the rising popularity of Korean literature and a lot of acquisitions of Korean films for international distribution.


KOREAN CINEMA NEWS

Top 6 Art Cinemas in Seoul
For anyone sick of watching the same 10 movie stars go through the same motions in every blockbuster, these six art cinemas around Seoul offer less commercial, more experimental films on their screens. Keep in mind that most of the movies are shown in their original language with Korean subtitles, unless otherwise noted by the theater: 1. Cinecube; 2. Arthouse Momo; 3. Spongehouse; 4. Sangsang Madang Cinema; 5. Seoul Art Cinema; and 6. Media Theater i-Gong. (CNN, September 5, 2011)

Korean director Kim Ki-duk Retrospective at Busan
The 16th Busan International Film Festival, which will be held from October 6-14, 2011 will present a Retrospective of Korean director Kim Ki-duk. Ki-duk made his debut with Five Marines in 1961 and went on to make 66 films in his career. His last film was Yeonggwangui 9 hoimal in 1977. Eight of his works will be screened at the festival: Five Marines (1961); The Barefooted Young (1964); The North and South (1965); Buy My Fist (1966); Horse-year Bride (1966); I Will Be a King for the Day (1966); Monster Yonggari (1967) and; Until That Day (1969). (dearcinema.com, September 6, 2011)

The Day He Arrives Invited to England, Brazil, Austria Film Fests
Korean film The Day He Arrives has been invited to films festivals in England, Austria and Brazil, adding to the fast-growing list of international film events that have called on critically acclaimed director Hong Sang-soo's newest movie. (10asia.co.kr, September 7, 2011)

It’s BIFF Now, The P Is Out
South Korea’s largest and most star-studded film festival – and one of the largest in Asia – is getting a new home and a new acronym. It’s now the Busan International Film Festival, instead of the Pusan International Film Festival. BIFF, not PIFF. Organizers of the festival, which this year runs from Oct. 6 to 14, held news conferences in both Seoul and Busan on Thursday to announce the opening and closing films and some of the winners of various prizes. (The Wall Street Journal, September 8, 2011)

Song Il-gon's romance Always will open next month's Busan International Film Festival (6-14 Oct 2011). Always stars So Ji-sup as a former boxing champ traumatised by the death of an opponent who died during a match. After falling in love with a blind girl, played by Han Hyo-ju, he returns to the ring. The event will close with Harada Masato's drama Chronicle of My Mother. Based on Inoue Yasushi's autobiographical novel, the Japanese film was awarded the Special Grand Prize at the recent Montreal World Film Festival. (Film Business Asia, September 8, 2011)

Finecut's New Deals Include Arirang to Italy, Day He Arrives to France
Korean sales company Finecut has announced a raft of deals as the Toronto International Film Festival kicks off. Kim Ki-duk’s documentary Arirang has sold to Italy (Punto Zero), German-speaking Europe (Rapid Eye Movies), and Poland (New Horizons) in addition to Japan and Taiwan. Hong Sang-soo’s The Day He Arrives has sold to France (Les Acacias) and Israel (Nachoshon). Night Fishing, directed by brothers Park Chan-wook and Park Chan-kyong, also sold to Italy (Tucker Film) and German-speaking Europe (Rapid Eye Movies). (Screen Daily, September 9, 2011)

Fueled by Need for Fresh Material, Best-sellers Become Box Office Hits
The soon-to-be released Korean film The Crucible has a sure-fire selling point: the film is based on the novel of the same name by Gong Ji-young, one of a few star authors in Korea whose novels have sold more than a million copies. Although cinematic adaptations of best-sellers do not always guarantee success at the box office, they are providing rich fodder for film production companies looking for fresh material. The formula seems to be working, with theaters reporting record attendance numbers. (Joon Ang Daily, September 9, 2011)

Can Literature be Next 'Hallyu' Hit?
After prominent novelist Shin Kyung-sook rose to international fame with her landmark book Please Look After Mom, global interest in Korean literature began to grow. Shin said that Korean literature seems fresh to readers in other countries and its status is bigger than Koreans think. “They seem to be looking for an alternative in humanity and community spirit, which is richly expressed in Korean literature,” she said in a recent press conference. (The Korea Times, September 9, 2011)

Cine Asia/Showbox Pick up Arrow, the Ultimate Weapon and More for UK Release
Cine Asia/Showbox are just unstoppable, it seems. In the shadow of their losses from the Sony fire last month, they have announced several new acquisitions for the fourth quarter of 2011, including recent South Korean action hit, Arrow The Ultimate Weapon. Also included in their plans are Spanish freak-out Neon Flesh, British horror Panic Button, and Korea's selection for the 2012 Oscars, The Front Line. (Twitch, September 10, 2011)

Modern Korean Literature: Searching for Identity at Home and in the World
If you only listen to one nearly two-hour podcast on Korean modern literature, it has to be this one by Ann Choi Wan. Wan takes you from the start of modern literature (Yi Kwang-su, more or less, and she talks about his relationship with modernity and romance and how that doesn’t work out quite that way it does in the west) all the way up to the recent successes of post-modern Korean fiction. (klit.com, September 10, 2011)

The Host in 3D Will Premiere at the 2011 Pusan International Film Festival
The Host is set to be shown in 3D for the first time at the 2011 Pusan International Film Festival. The original version was released in 2006 and set a box-office record in a very short amount of time. Even though the original version was released five years ago, the 3D version is expected to give its viewers a whole new experience. It is also expected to be a great hit in the whole Asian film market. (soompi.com, September 11, 2011)

Well Go Lands Rights To Two Korean Pics
Well Go USA has acquired North American TV, DVD, digital, and VOD rights to the South Korean war drama My Way from CJ Entertainment. Well Go also bought from CJ all North American rights including theatrical to the 3D-animated actioner Tarbosaurus. (Deadline, September 12, 2011)
Arrow, The Ultimate Weapon with Park Hae-il, Ryoo Seung-yong and Moon Chae-won has maintained its success during the Chuseok holiday as it crossed 6 million admissions. According to the Korean Film Commission, Arrow, The Ultimate Weapon was released on August 10th and has so far recorded 6,172,643 audiences. (hancinema.net, September 13, 2011)


INTERVIEW

Director Hong Sang-soo: Part 1
(10asia.co.kr, September 7, 2011)


TRAILERS






(Modern Korean Cinema, September 12, 2011)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Monday, September 12, 2011

Korean Box Office Update (09/09-09/11, 2011)

This is the first edition of Modern Korean Cinema's Weekly B.O. Update and as such is in a trial phase and is subject to changes over the coming weeks. I know that there are other places which provide box office information and analysis for Korean cinema but I believe that I can bring a slightly different approach. I aim to be analytical and thorough as I examine the weekly returns, in addition, I will keep a tab which will collect all of these updates for easy reference.

Please let me know what you think of this new component of the site, I hope you find it useful!


Title Release Date   Weekend   Total

1 Marrying the Mafia IV 7/9/2011 601,363 806,376

2 Arrow, the Ultimate Weapon 10/8/2011 405,816 5,709,350
3 Mr. Popper's Penguins (us) 7/9/2011 170,400 193,738
4 Pained 7/9/2011 157,389 248,920

5 Rise of the Planet Apes (us) 17/8/2011 125,817 2,401,266
6 Champ 7/9/2011 113,622 161,549
7 Hindsight 31/8/2011 80,855 539,597

8 Columbiana (us) 31/8/2011 68,452 416,033

9 Final Destination 5 (us) 8/9/2011 65,119 87,176

10 Seafood (us) 8/9/2011 42,065 43,307

- Blind 10/8/2011 41,172 2,241,164
- Leafie, A Hen Into the Wild 27/7/2011 37,858 1,057,027
- The Day He Arrives 8/9/2011 8,017 10,964






















After a strong start with last week's previews, the latest installment of the immensely popular Marrying the Mafia franchise unseated Arrow, the Ultimate Weapon, which has dominated at the top of the charts for four consecutive weekends. With just over 600,000 admissions over the weekend, Marrying the Mafia IV: Family Ordeal is poised to do solid business through the rest of September unless it succumbs to a strong case of sequelitis. The last entry in the series wound up with over 2.5 million ticket sales.

Arrow continues to do very well having added another 400,000 tickets to its haul this weekend (down just over 10%) which now stands at over 5.7 million. The question now is whether it can unseat Sunny as the best-selling Korean film of the year and Transformers 3 at the top of the yearly chart.

Song Kang-ho's latest Hindsight has crumbled after its so-so opening with a take of 80,000, down over 70%. It is unlikely to hit the  million mark at this point, surprising given the star's stellar pedigree.

Pained, which teams heartthrob Kwon Sang-woo with action director Kwak Kyung-taek had a modest opening with nearly 160,000 tickets sold. Reviews have been strong so this may pick up in coming weeks after positive word of mouth sets in.

Champ, the third platform Korean release of the week, starring Cha Tae-hyeon also had a light opening with just over 110,000 tickets sold. I just hope that this horse-themed sports drama is better than last year's woeful Grand Prix, which floundered at the box office.

Just outside of the top ten, Blind and Leafie, a Hen Into the Wild, nearing the end of their runs, added 41,000 and 37,000 respectively to their tallies to bring their cumulative grosses to 2.24 and 2.05 million.

Hong Sang-soo's latest, The Day He Arrives opened to 8,000 admissions despite positive buzz and a successful festival run which began at Cannes earlier this year. Sadly, this is roughly comparable to his previous films.


The Korean Box Office Update is a weekly feature which provides detailed analysis of film box office sales over the Friday to Sunday period in Korea. It appears every Monday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

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