Showing posts with label Film Festival. Show all posts
Showing posts with label Film Festival. Show all posts

Wednesday, November 30, 2011

Korean Cinema News (11/24-11/30, 2011)

Another big edition with lots of sales and Korean film festivals news this week with a number of great features and interviews to boot!


KOREAN CINEMA NEWS

Finecut Adds AFM Deals
Germany's Ascot Elite and Brazil's Conquest Filmes became the latest distributors to acquire rights to South Korean animation film Leafie.  Handled by Korean sales firm Finecut, the film has been widely sold following its breakout hit status in Korea.  The company say that international distributors are planning theatrical releases next year targeting a family audience.  (Film Business Asia, November 23, 2011)

Animation Leafie, a Hen into the Wild Wins Award Overseas
The animated feature film Leafie, a Hen into the Wild  has grabbed another award overseas.  The South Korean animation won the Best Animated Feature Film Award at the Fifth Asia-Pacific Screen Awards held in Australia on Thursday, beating other promising nominees, such as Eric Khoo’s Tatsumi and Makoto Shinkai’s Children Who Chase Lost Voices from Deep Below. (KBS, November 25, 2011)

Soft Content, Strong Messages
The film Wandeuk or Punch in English is about high school student Wandeuk, who lives with a hunchback father and a mentally-challenged uncle in Seoul.  Nothing about his life shines, and adding to his miserable existence is that his teacher lives right next door to his “oktapbang” or roof-top housing unit that is largely synonymous with poverty in Korea.  (The Korean Times, November 23, 2011)

A Teacher Finds Movie Stardom in South Korea
The best chance an English-language teacher in South Korea has of acquiring military experience, it appears – outside of creating an incident at a checkpoint near the border – is working for Kang Je-gyu, one of the country‘s top movie directors.  (Asia Sentinel, November 24, 2011)

Breaking a Taboo, First Major Film About the L-Word Opens in Korea
There have been many boy-meets-girl or boy-meets-boy love stories in mainstream cinema in Korea, but none about lesbians.  So when director Kim Su-hyeon’s Life is Peachy was screened for the press on Nov. 16, it certainly attracted attention.  (Joong Ang Daily, November 25, 2011)

Busan native Kwak Kyung-taek, who has directed such hits as Friend (2001), Typhoon (2005), A Love (2007), and most recently Pain (2011) chooses his five favorite films, you may be surprised by his choices.  (10asia.co.kr, November 25, 2011)

Beyond Extreme? The London Korean Film Festival
While the late Tartan Films’ successful ‘Asia Extreme’ sub-label gave many Western viewers in the Noughties their first – perhaps only – taste of the Korean New Wave, it also created an impression of the national cinema that was doubly narrow.  The sixth London Korean Film Festival went some way towards redressing this imbalance.   (Sight & Sound, November 2011)

Highest Grossing Korean Films of 2011
2011 has produced a range of successful Korean films that have captured the public's imagination, tugged at their heartstrings, caused a few laughs, and asked some serious questions.  Although the year is not quite done, the big films of the year have largely had their say at the box office.  This week I wanted to take a look at the top domestic films of 2011 and see just what type of films captured the public's interest in 2011.  (hancinema.net, November 26, 2011)

Martin Scorsese Gives a Thumbs Up to UCI Professor Kyung Hyun Kim's Cinema Book
It's not often that an academic tome--even one related to film--snags a forward written by legendary filmmaker Martin Scorsese.  But Kyung Hyun Kim, UC Irvine's associate professor of East Asian languages & literatures and film & media studies, won those bragging rights, and like else everything in Hollywood it all started with the right connections.  (OC Weekly, November 25, 2011)

Korean Film Festival: Islamabad Gets a Taste of Korean Cinema
A Barefoot Dream is high on emotions, but then Pakistanis love their drama.  And besides, the melodrama in the Korean 2010 entry for Oscars consideration is unmistakably East Asian, which is entirely different (if ever slightly so influenced) from Hollywood and Bollywood (sorry, no sappy love stories here).  The film played at the Korean Film Festival at Pakistan National Council of the Arts on Friday.  (The Express Tribune, November 27, 2011)

The Korean Movie Database runs down Korean cinema's box office record breakers, past and present.  A great feature on Korean film history.  (KMDB, November 27, 2011)

From Late Autumn to Countdown, This Year's Disappointing Top 3
Now that the Blue Dragon Film Awards are over, all the major award shows for 2011 are done.  Several movies were released in 2011.  While there were big office hits like Detective K, Sunny, Arrow, The Ultimate Weapon and Punch, there were also movies that just came and went without any sound but were just as strong in quality and lingering imagery.  (hancinema.net, November 28, 2011)

Korean Film Festival in Sri Lanka
The embassy is also in the process of organizing the 2011 Korean film festival which will be held from December 5 to 9 at the National Film Corporation Theatre.  All five movies selected for the festival are box office hits in Korea.  This would be a great opportunity for Sri Lankans to become familiar with the Korean culture and lifestyle in the 21st century while enjoying the benefits of a quality movie at the same time.  (Sri Lanka's Daily News, November 28, 2011)

Spike Lee’s Version of Oldboy Has New Elements Meant to ‘Throw Off’ Audiences Familiar With Original
The possibility of an American remake of South Korean revenge film Oldboy (2003) has been a worrisome thing for a few years now.  But this year Spike Lee was tapped to direct, which immediately made the new Oldboy a more attractive, or at least a more interesting proposition.  With Josh Brolin set to star and Colin Firth rumored to be playing the film’s revenge-seeking antagonist, things are looking petty damn good.  (slashfilm.com, November 28, 2011)

Canada's 108 Media to Distribute Korean Toon Leafie
Toronto-based 108 Media Group has picked up distribution rights for the Korean hit animated feature Leafie: A Hen Into the Wild for Canada, U.S., Australia, U.K., and New Zealand from Finecut.  Leafie also sold to German-speaking territories through Ascot Elit and Brazil’s Conquest Filmes.  (animation Magazine, November 28, 2011)

Korean Documentary Wins Top Prize at IDFA 2011
Korean documentary Planet of Snail won the top prize at the world’s largest documentary film festival in the Netherlands on Saturday, becoming the first Asian film to win the award.  (The Korea Herald, November 27, 2011)

Kim Starts Film Grad School at Dankook Univ.
Busan International Film Festival’s founding and honorary director Kim Dong-ho is launching a graduate school specializing in film contents at Dankook University in South Korea.  Starting in the first semester of 2012 which starts in March, the graduate school will admit 25 students to teach them in the fields of directing, producing, and screenwriting.  (KOBIZ, November 25, 2011)

Journals of Musan and Arirang Win at Tokyo Filmex
The 12th Tokyo Filmex awarded its Special Jury Prize and $8,000 of Kodak film stock to Park Jung-bum’s The Journals of Musan and the Agnes B Audience Award to Kim Ki-duk’s Arirang.  Park’s feature film debut The Journals of Musan has won a raft of awards since its world premiere at the Busan International Film Festival (BIFF) last year where it picked up the New Currents and International Federation of Film Critics (FIPRESCI) awards.  (KOBIZ, November 29, 2011) 

Hello Ghost Walks Through Walls, Opens in China
Korean comedy Hello Ghost became the third South Korean film this year to get a theatrical release behind the Great Wall of distribution barriers in China when it opened Nov. 24.  Mega Films, which is in charge of Hello Ghost’s Chinese distribution, released the film on about 4,000 screens in Shanghai, Beijing and other cities large and small.  (KOBIZ, November 29, 2011)

Korean Cinema on the Park in Sydney: Controversial Classics
Hey Sydney! You like free movies don’t you?  Yeah, you do.  If you also like Korean cinema, and listening to a series of guest speakers (including us!), then why not check out the KCO’s Cinema on the Park series?  On every Thursday night throughout the year, the current program is Controversial Classics. It’s a bit saucy!  (The Reel Bits, November 29, 2011)

Korean Film Week in Cape Town
The Cape Town leg of the Korean Film Week will take place at the Victoria & Alfred Waterfront Cinema Nouveau from 5 to 11 December.  Organised by the Embassy of the Republic of Korea, the Korean Film Week is currently running in Pretoria at Brooklyn Cinema Nouveau until 4 December.  Films shown at the festival include Scandal Makers (2008), Le Grand Chef (2007), Take Off (2009), Beyond The Years (2007), and A Barefoot Dream.  (Screen Africa, November 30, 2011)

Korean Film Archive: Theater, Museum, and Library
Long before Korean film developed its indie rep for extreme violence (Lady Vengeance, 2005), dark sexuality (The Housemaid, 2010) and swallowing live octopus (Oldboy, 2003), there was a golden era of bouffants and pensive romance that has since been forgotten.  Forgotten by everyone that is, except by cinematic treasure hunters combing the vaults of the Korean Film Archive (KOFA).  (CNN Go, November 30, 2011)

Funimation Adds Live-Action Korean Athena: Goddess of War Film
The North American distributor Funimation acquired the rights to distribute the movie spinoff of the South Korean espionage television series Athena: Goddess of War.  Distribution rights were also sold to China's New View TV & Media and Germany's Tiberius Films.  (Anime News Network, November 23, 2011)

Pioneering 'Personal' Documentary Attempts to Break Down Prejudice
On Nov. 19 at Art Space C in Jeju City roughly 40 people, mainly Westerners, were on hand to watch Miracle on Jongno Street, the first Korean documentary about homosexual men.  In his debut as director, Lee Hyuk-sang has created a film that shows the daily lives of four gay Korean men living in a society that has yet to accept them as equals.  (The Jeju Weekly, November 26, 2011)

Now Is The Time To Buy Oldboy, Sympathy For Mr. Vengeance And Sympathy For Lady Vengeance
Pallisades Tartan are selling Blu-rays of Chan Wook Park’s superb Vengeance Trilogy – Sympathy for Mr. Vengeance (2002), Oldboy (2003) and Sympathy For Lady Venegance (2005) – from their Amazon store at the wonderful price of $17.99 for the set. That’s less than $6 per film.  (Bleeding Cool, November 24, 2011)

Actor Jang Keun-suk Makes $1M Donation to Hanyang University
Actor Jang Keun-suk, 24, made an anonymous 1.2 billion won donation on Nov. 22 to Hanyang University, where he is currently enrolled.  The donation, which he did not announce to university officials, was revealed on Nov. 24 through the university website’s automated system that posts the name and donation amount.  Jang is currently a senior at Hanyang University, majoring in theater and film studies.  (The Hankyoreh, November 24, 2011)


INTERVIEWS

My Way Documents Korean Soldier in the Battle of Normandy
It all started with the photograph of a young Korean man.  Drafted into the Japanese army [under the Japanese Colonial Rule] and then dragged off by the Soviet military, he was captured again after being sent to fight in German uniform in the fierce Battle of Normandy during the Second World War in 1944.  Seeing a documentary about the photograph at the National Archives in the United States, Director Kang Je-gyu got goosebumps.  (The Hankyoreh, November 26, 2011)

Kim Hye-sun Ditches Innocent Image with Saucy New Role
Kim Hye-sun (42), once known for her innocent image, is heating up the silver screen with her new movie Perfect Partner.  She became a teen sensation after debuting as a model for TV ads but retired from show business after getting married.  As she periodically returned to acting in subsequent years, she opted for roles that suited her age, often portraying a middle-aged mother.  (The Chosun Ilbo, November 26, 2011)

Korean-American Director Rediscovers Roots
Tammy Chu was adopted by an American family at the age of nine and raised in rural New York state. She never saw another Korean until she went to college.  "I remember what my birth parents looked like, but I forgot how to speak Korean and memories of Korean culture also disappeared from my mind," she recalls.  (The Chosun Ilbo, November 28, 2011)

Director Explores My Father’s House
It took making a film for director Kang Yu Ga-ram to understand her father’s life.  The two did not share much in common to begin with.  Her father is a firm supporter of the conservative Grand National Party; KangYu has worked with progressive NGOs and film production houses.  He spent most of his life on construction sites; she obtained her master’s degree in women’s studies.  (The Korea Herald, November 28, 2011)

Doctor-Filmmaker Probes Capitalist Exploitation in Medical World
A doctor has stepped up as an ombudsman for patients who cannot afford proper treatment due to what she calls the “capitalist exploitation of the medical world” and has made a movie to make sure her voice is heard.  White Jungle by occupational environmental physician Song Yoon-hee has been creating a buzz online, even before its theatrical release Thursday, as it documents the darker side of the current healthcare system.   (The Korea Times, November 29, 2011)


TRAILERS

Life Is Peach (aka Ashamed - eng sub)






POSTERS








BOX OFFICE

(Modern Korean Cinema, November 28, 2011)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, November 23, 2011

Korean Cinema News (11/17-11/23, 2011)

A wealth of fantastic interviews this week and a variety of trailers, features, and festival news items to boot.

Enjoy!


KOREAN CINEMA NEWS

Big Budget Movie Yeongasi Begins Filming
Filming for big-budget disaster movie Yeongasi commenced on Sunday, November 13th in Gyeongbuk province in eastern Korea.  The film, inspired by real-life parasites called Yeongasi or "horsehair worms", is top-billed by award-winning actor Kim Myeong-min (Detective K, 2011; Beethoven Virus, 2008), who plays Jae Hyuk, a pharmaceutical agent who struggles to save his family from the epidemic caused by the mutated worms.  (hancinema.net, November 16, 2011)

Veteran Actor Kim Chu-ryeon Found Dead
Actor Kim Chu-ryeon, who starred in classic films including Lovers in the Rain (1976) and Winter Woman (1977), was found dead in his apartment on Tuesday 8th November in an apparent suicide.  (Hanguk Yeonghwa, November 13, 2011)

Two Different Gay Films to Arrive on K-Film Scene
After this year’s success of Miracle of Jongno Street, the nation’s first gay-themed documentary, Korea’s film scene sees the arrival of two very different queer films.  One is the feature debut of So Joon-moon, one of the four gay men featured in director Lee Hyuk-sang’s documentary released in June.  (The Korea Herald, November 17, 2011)

Korean Film Festival Kicks Off at Alhamra
A two-day Korean Film Festival kicked off at Alhamra here on Thursday. The event was organised by Embassy of the Republic of Korea and Lahore Arts Council (Alhamra). A large number of citizens were present at the occasion.  (The Daily Times, November 18, 2011)

Spotlight on Contemporary Korean Cinema: Part 1
Strategically coinciding with the American Film Market and AFI Fest this year, the Korean Cultural Center of Los Angeles (KOFFLA) organized a three-day spotlight on contemporary Korean cinema, sponsored by the Korean Film Council (KOFIC).  The spotlight consisted of a retrospective of young filmmaker-on-the-rise Jang Hun, who now has three feature films under his belt; two debut feature films, Ordinary Days (2010, Inan) and Re-encounter (2010, Min Yong-geun); and one of Lee Chang-dong’s more recent films, the award-winning Secret Sunshine (2007).  (Next Projection, November 17, 2011)

Korea Film Awards Cancelled
Holiday season means awards season, but this year will have one less ceremony with the cancellation of the Korea Film Awards.  Hosted by MBC, the show would have been in its ninth year after being established in 2002, but ran into issues with “sponsorship and other complicated problems.”  (dramabeans, November 13, 2011)

Mark Morris on Lee Man-hee and the Flowering of Korean Film in the 1960s
In order to get a Western perspective on Korean cinema, I visited the Korean Cultural Centre in London in an event which was part of the 2011 London Korean Film Festival, to listen to Dr. Mark Morris speak on the subject (Friday, November 11).  Dr. Morris is from the Faculty of Asian and Middle Eastern Studies at Cambridge University.  He normally lectures on Japanese Cultural History, so I was interested in what he thought about Korean cinema.  (London Korea Links, November 21, 2011)

Korean film PUNCH heading for the US
If you’re Stateside, and perhaps just in the mood for something other than gore and things that go bump in the night (you know, those odd occasions) then news that the popular Korean comedy movie Punch, will be punching its way to a U.S theatre near you....may appeal.  CJ entertainment is set to drop it into a nationwide release from Dec 2nd and all the release dates/locations are on the flicks official site.  (24framespersecond.net, November 18, 2011)

The Crucible sets official English title as Silenced
Korean movie The Crucible has decided on its English title and is being released in North America.
Distributor CJ Entertainment revealed, The Crucible has been released as Silenced in 15 cinemas in major cities in North America.  (hancinema.net, November 20, 2011)

Korean Cinema Today’s November Issue
The Korean Film Council (KOFIC) has launched the November issue of the Korean Cinema Today webzine at http://koreanfilm.or.kr/webzine/ and it set to launch the iPad version on Nov. 28.  In the November issue, Korean Cinema Today’s top featurelooks at the overseas projects of four leading Korean directors – Park Chan-wook’s Stoker , Bong Joon-ho’s Snowpiercer, Kim Jee-woon’s The Last Stand, and Ryoo Seung-wan’s The Berlin File.  (KOBIZ, November 21, 2011)

A Mixed Review for Lee Man-hee, the Classic Film Director for LKFF 2011
Most years, the London Korean Film Festival aims to include some classic films, usually from the 1960s, within its schedule.  This is a valuable feature for UK cinemagoers, some of whom may be of the impression that Korean film started with Shiri. This year Lee Man-hee was featured, with two films: A Day Off (1968) and Assassin (1969).  (London Korean Links, November 20, 2011)

Colin Firth Acknowledges Being 'Approached' for Oldboy
Academy Award-winning actor Colin Firth (The King's Speech, 2010; A Single Man, 2008; Love Actually, 2005) acknowledged in an interview with the Moviefone website that he was "approached" to star in Spike Lee's remake of Park Chan-Wook's live-action film Oldboy (2003).  However, he stayed mum on whether he agreed to the role or even if he and the producers are in active discussions.  (animenewsnetwork, November 19, 2011)
With eight feature films and a fair few shorts under his belt, Park has established himself as a force to be reckoned with on the world cinema stage.  He’s a risk-taker, confident enough to throw himself to the wolves knowing that he’ll come out unscathed.  This is, after all, the man whose Berlin Golden Bear-winning short, Night Fishing (2011), was filmed entirely on an iPhone.  Eager to scramble out of his comfort zone, he’s recently launched himself across to Pacific to direct his first English-language film, Stoker, starring Nicole Kidman.  (heyuguys.co.uk, November 18, 2011)

Recorder Exam wins DGA Student Filmmaker Award
Korean filmmaker Bora Kim-s The Recorder Exam won the Directors Guild of America (DGA) award for Best Woman Student Filmmaker in the East Region.  A 28-minute short film, The Recorder Exam follows a nine-year-old girl as she learns to play the recorder for a test.  The film portrays the contradictions in Korean society in 1988, conflict between family members, and the girl’s inner development.  (KOBIZ, November 16, 2011)

Rotterdam Claims Asian Trio
A trio of Asian films are among the first five films announced for competition at the upcoming International Film Festival Rotterdam (25 Jan – 5 Feb 2012).  It includes the festival's first 3-D film in competition, A Fish, also a first feature, by South Korea's Park Hong-min.  The film, an absurdist tale about a man seeking his shaman wife, first played in last month's Busan International Film Festival.
 (Film Business Asia, November 21, 2011)

CGV has recently opened two brand new multiplexes equipped with IOSONO’s 3D sound systems.  CGV Cheongdam Cinecity and CGV Yeongdeungpo become the flagship theaters for CGV’s 3D cinema sound.  (Iosono Sound, November 15, 2011)

Opening Gala + K-pop Concert, London Korean Film Festival 2011
A video of the opening proceedings of the recently wrapped London Korean Film Festival, which included a SHINee concert and a War of the Arrows screening. (youtube.com, November 18, 2011)

Kim Ki-duk's Arirang and Amen Both to Come Out Soon
Kim Ki-duk's Arirang and Amen are being released side by side.  This special event, which is being held at Cinecube in Seoul, will go on for two weeks from December 8th to the 21st.  (hancinema.net, November 22, 2011)

Cinema Nouveau Welcomes the Korean Film Festival
As the only dedicated ‘Art House’ movie complex in South Africa, Cinema Nouveau will screen independent, alternative and art cinema content from cultures all across the world. As such, Cinema Nouveau presents the 'Korean Film Festival', releasing exclusively at the Brooklyn Cinema Nouveau on 28 November and the V&A Cinema Nouveau on 5 December.  (mediaupdate.co.za, November 22, 2011)

South Korea’s Silenced Speak
South Korea’s patriarchal society has often pressured victims of sexual crimes to keep quiet.  But a blockbuster movie revealing the abuse of children could help change this.  (The Diplomat, November 22, 2011)



INTERVIEWS

LKFF: Ryoo Seung-wan Interview
Since the release of his first feature film, Die Bad, in 2000, Ryoo Seung-wan has regularly been referred to as the "Action Kid" of Korean Cinema.  However, though a number of his subsequent features could generally be described as action films, that description ultimately does the director and his work rather a dis-service.  (Hangul Celluloid, November 18, 2011)

Listening to Korean Cinema: Podcast Without Honor and Humanity
Launched in early 2011 Podcast Without Honor and Humanity hasn’t even celebrated its first anniversary but having reached its 39th episode has managed to spawn more episodes than some podcasts produce in two or three years.  A consistently entertaining show which has the occasional guest-host but is often helmed solely by self-effacing host Jake Feltner (aka Jake McHugeLarge), Podcast Without Honor and Humanity provides a knowledgeable perspective on Asian cinema in a manner which manages to be both accessible and – on occasion – is unashamedly geeky.  (New Korean Cinema, November 21, 2011)
In just a little over a decade, Korean filmmaker Bong Joon-ho has achieved no mean feat: with the most minimal filmography among his filmmaker colleagues – only four feature films – he has made his mark as one of the most exciting, articulate, and multifaceted directors, not only of his generation but of contemporary world filmmakers today. (asia pacific arts, November 18, 2011)

Yunjeong Kim, Director of International Sales, Finecut
It’s been 11 years since Yunjeong Kim at Finecut, a Seoul-based film company specializing in overseas sales and financing, has joined the Korean film industry.  From her earlier days at Cineclick Asia to her current title as the Director of International Sales, Kim still enjoys every bit of her job discovering new films.  KOBIZ caught up with Kim after her recent trip to the American Film Market(AFM).  (KOBIZ, November 18, 2011)

Animation Is the Future: Yeun Sang-ho
It is a bright Wednesday morning in Seoul, and a man wearing a pair of thick-framed glasses walks into the quiet cafe near Hongdae.  In spite of his toned-down manner and geek-like vibe, director Yeun Sang-ho cannot hide the twinkle of excitement in his eyes.  (The Korea Herald, November 21, 2011)

Honorary BIFF Chief Awaits His Film Debut
He is soft-spoken, extremely polite and remembers your name only after a quick phone call.  Meet Kim Dong-ho, the founding director of Busan International Film Festival and one of the pioneer figures in the Korean film industry.  (The Korea Herald, November 23, 2011)


TRAILERS








POSTER



BOX OFFICE

(Modern Korean Cinema, November 21, 2011)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, October 12, 2011

Korean Cinema News (10/06-10/12, 2011)

Lots of news stemming from the Busan International Film Festival, which is currently underway and will wrap up on Friday.  Also a number of great features and analyses peppered throughout. 


KOREAN CINEMA NEWS

In Review: 2011 Busan International Film Festival
The 2011 Busan International Film Festival (now known as BIFF) began last Thursday and continues until this Friday.  I was able to attend 12 films over the course of the weekend, catching many of the movies I most wanted to see.  Overall the quality was quite strong, with a number of great films that will certainly be among my favorites in what has already been a very good year in world cinema.  (The One One Four, October 12, 2011)

Han Ga-in Returns After Seven Years With Architectural Theory
Actress Han Ga-in, who hasn't starred in a film since Once Upon a Time in High School (2004), will make her comeback with Architectural Theory, the new film from the director of Possessed (2009), Lee Yong-joo-I.  (hancinema.net, October 11, 2011)

Asia’s Directors Embracing 3-D
A 3-D horror movie set in a public toilet block is part of a revolution underway in the Asian film industry as low-budget 3-D productions take on the big studios at their own game.  At the 16th Busan International Film Festival, audiences have been lining up to see the likes of multimillion dollar 3-D productions The Three Musketeers and the reimaged version of the local monster hit The Host (2006).  (Joong Ang Daily, October 12, 2011)

What's Missing from Busan This Year? Hollywood
Notice anything different about the Busan International Film Festival this year?  Actually, there are many changes.  There's a new festival director, Lee Yong-kwan; there's a new venue, the Busan Cinema Center; and the Asian Film Market has moved to the Busan Exhibition and Convention Centre.  But amid all the changes, something's missing: Hollywood.  (The Hollywood Reporter, October 9, 2011)

Korea Contents Fund Showcase at Busan
At the 16th Busan International Film Festival (BIFF) and the 6th Asian Film Market, fund managers presented a variety of options for filmmakers at the Korea Contents Fund Showcase yesterday.  BIFF Festival Director LEE Yong Kwan opened the event with a message of welcome and thanks.  “It’s a wonderful thing to have these leading investment funds presenting here at the Busan International Film Festival today.  It is one of our goals to support filmmakers to find financing and distribution means, in addition to screening their films in our festival.”  (KOBIZ, October 12, 2011)

BIFF Closing Ceremony Selects Hosts
Director Jang Jin and actress Ryu Hyun-kyung will host the closing ceremony for this year’s Busan International Film Festival.  The ceremony will begin at 8 p.m. on Friday and will signal the end of the nine-day event, now Asia’s largest film festival.  The festival’s opening ceremony was hosted by two actresses, Ye Ji-won and Um Ji-won - representing the first time in history two women had hosted the opening event.  (Joong Ang Daily, October 12, 2011)

Ordinary people presented iPhone-made shorts on the sidelines of the Busan International Film Festival over the weekend, demonstrating even a 12-year-old can venture into filmmaking as the high-tech handset lowers the age threshold.  Despite featuring no film luminaries and drawing much smaller audiences than the festival’s official selections, these smartphone flicks show how amateurs can take advantage of technology to turn their mundane life into cinematic art.  (Joong Ang Daily, October 12, 2011)

Chapman University Presents The Busan West Asian Film Festival Nov. 11-13, 2011 in Orange, CA
Chapman University's Dodge College of Film and Media Arts, recognized as one of the premiere film schools in the United States, in continued partnership with South Korea's Busan International Film Festival (BIFF), Asia's largest film festival, is proud to announce the Busan West Asian Film Festival, November 11-13 in Orange, Calif.  Busan West presents a unique filmmaker showcase that brings select Asian films and filmmakers from BIFF to the U.S. to create a new platform for heightened recognition outside of Asia.  This year the festival organizers are excited to welcome internationally acclaimed writer/director Bong Joon-ho (Mother, 2009; The Host, 2006; Memories of Murder, 2003), as the Busan West Icon Award recipient.  (hancinema.net, October 10, 2011)

Busan’s Asian Film Market Opens at New Venue
The Busan International Film Festival (BIFF)’s Asian Film Market opened yesterday for the first time in its new venue at the Busan Exhibition Convention Center (BEXCO). The market has reported a 67% increase in sales booths and a 24% increase in participant registration since last year.  (KOBIZ, October 11, 2011)

Little Wonders - The Child Actors of South Korea
The way people perceive of child actors can be guessed by the term itself. "Child actor" instead of "actor", as it is for everyone else.  Whether the world likes it or not, Western cinema, and mainly Hollywood, is the one that is available everywhere and so in our faces that we are often having trouble finding anything else.  So the usual idea people have about child actors as well, comes from Hollywood.  (Orion 21, October 9, 2011)

Showbox Sells Busan Opening Film Always to Japan
Major Korean distributor Showbox/Mediaplex has sold Song Il-gon’s melodrama Always, the 16th Busan International Film Festival (BIFF) opening film, to Japan’s Pony Canyon.  The film tells the fatal story of a former boxer and a blind girl who fall in love. It stars heartthrob So Ji-sub, who has built a fan-base in Asia after the hit TV series I Am Sorry, I Love You and Jang Hun’s debut feature Rough Cut (2008).  Opposite him stars Han Hyo-joo who swept up drama awards last year for her performance in the TV series Dong-Yi.  (KOBIZ, October 9, 2011)
Two months after the fact, it has been revealed that actress Han Chae-won killed herself on Aug. 25 at her home in Yeonhui-dong, central Seoul. Han was 31 years old.  The Seoul Seodaemun Police Station announced Saturday that Han appeared to have committed suicide since they discovered no signs of murder at the scene.  They did, however, report a suicide note, which said, “I want to die. I’m really sorry for my parents.”   (Joong Ang Daily, October 10, 2011)

Netflix Expanding Asian Movie Selection in Deal with Korea's Top Studio CJ E&M
CJ E&M today announced an agreement to feature twenty of its acclaimed Asian movies on Netflix, the world's leading Internet subscription service for enjoying movies and TV shows.  Beginning in October 2011, Netflix members in the US will be able to instantly watch the twenty titles multiple platforms, including TVs, popular tablets, key gaming consoles, computers and mobile phones.  (hancinema.net, October 7, 2011)

Local Heroes Heed the Call
Films from South Korea had a quietly successful year in the first eight months of 2011, despite a lack of high-profile titles on the international stage.  The industry is set to finish the last quarter in strength with a series of high profile releases.  For the first eight months of the year, local films enjoyed a 49% market share by admissions (47% by box office), a steady increase on the 42% (and 39%) achieved in the first eight months of 2010.  Overall admissions during the period were fractionally up at 107 million with box office at W838 million ($735m).  (Film Business Asia, October 10, 2011)
With a new name, a new venue and an emphasis on actors and directors from lesser-known parts of Asia, this South Korean port city is moving decisively to assert its status as the region's pre-eminent film industry destination.  (Reuters, October 10, 2011)

Kim Kee-duk Back in Director’s Chair
Kim Kee-duk, the 1960s cineaste who is not to be confused with the younger film maverick Kim Ki-duk (Arirang), was honored with a special award from Hermes Korea, Friday.  Kim appeared thoroughly moved as he received the Hermes Director’s Chair, a handsome piece of luxurious leather furniture monogrammed with his name.  (The Hollywood Reporter, October 8, 2011)

Bong Joon-ho’s The Host Gets Converted Into 3D, Sequel Still In The Works
While it’s never been a better time for the crossover of Asian cinema to audiences on this side of the ocean, none have been quite as big as Bong Joon-ho‘s The Host.  The 2006 film became a sensation, not only smashing box office records at home in South Korea, but becoming a must see film stateside, breaking out of its genre niche and finding a larger audience than this kind of flick normally would.  It seems that producers around the world all share the common trait of milking a hit movie for all it’s worth, as not only is there a long gestating sequel to the movie still on the table, until that arrives, The Host has gotten a brand new 3D makeover.  (indieWIRE, October 11, 2011)

Actors Buy 1,000 BIFF Tickets for Underprivileged
Actress Kong Hyo-jin and actor Cha Seung-won purchased 1,000 tickets to the Busan International Film Festival and donated them to organizers to hand out to socially marginalized groups.  (The Chosun Ilbo, October 12, 2011)

Korean WWII Film Promises Big Action, Bigger Drama
A new World War II action drama with an Asian perspective promises never before-seen battle scenes rife with humanist messages.  After holding a large-scale press junket at the Cannes Film Festival in May, the makers of My Way held the first Asian media showcase in Busan on Saturday.  Footages of the 28 billion-won Korea-China co-production were revealed during the event, featuring exquisite period details of 1930s Seoul to bloody battle sequences on European battlegrounds.  (The Hollywood Reporter, October 8, 2011)

Korean Animators Face Screen, Financing Barriers
Leafie, A Hen into the Wild was nicknamed “the emperor of the matinee” in Korea when the film first hit theaters this summer.  An animated film directed by Oh Seong-yoon with the budget of 3 billion won ($2.5 million), it is one of the few Korean animated films that broke 2.5 million admissions domestically. Still, theater owners refused to screen the film during the evening hours.  And when it did, the film was given screens left over by 3D Korean blockbusters such as Sector 7.  (The Hollywood Reporter, October 11, 2011)

Korean Summer Box Office Analysis
It was a summer of higher expectations than ever before.  People wondered if this year might be one that produced another film that clocked up the watershed number of 10 million admissions.  This year, an impressive number of big-scale Korean films were making their debut, including Quick and Sector 7, produced by Haeundae director J.K. Youn; The Front Line directed by Jang Hun, who had shot to stardom with popular films Rough Cut (2008) and Secret Reunion (2010), and War of the Arrows (a.k.a. Arrow, The Ultimate Weapon) by Kim Han-min (Paradise Murdered, 2007;  Handphone, 2009).  (Korean Cinema Today, October 7, 2011)


INTERVIEWS
Actor Song Kang-ho
Not many would dispute the statement that actor Song Kang-ho is one of the best, if not the best actor currently working in the Korean film industry.  He’s always met our expectations and Hindsight is no exception.  Du-heon (Song) has left a gang to start a new life by opening a restaurant when a girl comes into his life.  (Korean Cinema Today, October 7, 2011)

Always Busan Q&A
Press conference took place after a press screening of Always at the 2011 Busan International Film Festival on October 6, 2011.  Appearing as speakers are the movie's director Song Il-Gon, lead actress Han Hyo-Joo and lead actor So Ji-Sub.  AsianMediaWiki editor Ki Mun was there and transcribed/translated the session.  (asianmediawiki, October 6, 2011)


TRAILERS







POSTERS


You Pet


(Modern Korean Cinema, October 10, 2011)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, October 5, 2011

Korean Cinema News (09/29-10/05, 2011)

Big news week for Korean cinema, a good portion of it for the incoming Busan Film Fest and the controversy surrounding new film The Crucible. A number of trailers this week as well as a brief new section to showcase new posters.


KOREAN CINEMA NEWS

Extreme-Short Film Festival Opens in Seoul
Last Thursday, the 3rd Seoul International Extreme-Short Image and Film Festival opened in Guro, Seoul. 387 short of about three minutes are being featured at this year's edition. 144 films are competing across the six categories . The festival openers were A Pale Purple Bird directed by actor Oh Kwang-rok, The Diner directed by Korean singer Horan, and Curse direct by Korean comedian Park Seong-gwang. (KBS.co.kr, September 29, 2011)

Always, which is opening the 16th edition of the Busan International Film Festival, sold out online in a staggering seven seconds. This marks an improvement over the already impressive 18 seconds achieved by Hawthorne Tree Forever, last year's opener. (enewsworld.net, September 27, 2011)
It's been a tough year for the folks running the Busan Intl. Film Festival. Following the retirement of former director Kim Dong-ho it has been a difficult year for those running the Busan International Film Festival. Some critics from within the domestic film industry and the international community wonder whether the fest can continue without Kim's leadership. However, the 16th edition of Asia's largest film festival is gearing up for change, with a new name and new headquarters. (Variety, October 3, 2011)

Arrow, the Ultimate Weapon – The Historical Background
Kim Han-min’s Arrow, the Ultimate Weapon historical action flick is set to get the London Korean Film Festival 2011 underway in a few weeks. Director Kim, whose previous features are Paradise Murdered (2006) and Handphone (2009), sought to attempt something more historical with his third film, and chose this interesting period in the early 17th century. Philip Gowan explains the background to the film. (London Korea Links, September 29 2011)

DMZ Docs 2011 Closes With Tiniest Place Top WinnerThe 3rd DMZ Korean International Documentary Film Festival (DMZ Docs 2011) closed with a screening of The Tiniest Place. Directed by Tatiana Huezo, the international competition top award winner. The Mexican film was the recipient of the White Goose Award which comes with KW15 million and the honor of screening as the festival’s Closing Film. The documentary film festival, which ran for seven days, took place around Paju City, led by co-festival directors Cho Jae-hyun and Yoo Ji-tae. (kobiz, September 30, 2011)

Sector 7 and Five Other Korean Films to Screen at Tokyo
Six Korean films have been invited to the upcoming 24th Tokyo International Film Festival (TIFF)  including the sci-fi film Sector 7 as a Special Screening. The other Korean films include Kong Quee-hyun’s mystery U.F.O. and Na Hong-jin’s thriller The Yellow Sea, which will both feature in the Winds of Asia section. The 3D underwater creature feature Sector 7 is due for release in Japan on Nov. 12, 2011. (kobiz, September 30, 2011)

The 16th Busan International Film Festival (BIFF)’s Asian Cinema Fund (ACF) will join the World Documentary Exchange (WDE), a documentary network between Europe, the Americas, and henceforth Asia. The expanded network aims to create more opportunities for documentaries around the world. (kobiz, September 30, 2011)

Stateless Things and The Day He Arrives Continue Fest Rounds
Kim Kyung-mook’s Stateless Things has been invited to the Vancouver International Film Festival (VIFF), which runs in Canada until Oct. 14. Kim’s independent film is in the Dragons and Tigers competition. Stateless Things has also been invited to the upcoming 55th BFI London Film Festival’s World Cinema section, along with Hong Sang-soo’s The Day He Arrives. The London Film Festival will run Oct. 12 – 27 this year. (kobiz, September 29, 2011)
The Busan Cinema Center, which features a huge roof shaped in a wavelike pattern, opened Thursday in Busan. It is propped up by a single pillar built to resemble a pair of ice-cream cones. The center will be the main venue of the annual Busan International Film Festival, previously known as the Pusan International Film Festival. With the completion of the center, the southern port city wants to be recognized not only as a regional cinematic hub but also as the home of key architectural landmarks. (The Chosun Ilbo, September 30, 2011)
A movie currently running in cinemas is sparking a growing call for the revision of laws governing sexual crimes against the disabled and minors. The Crucible, a film based on the true story about school staff sexually assaulting hearing impaired students, is adding mounting pressure on policymakers and politicians to change the laws on sexual assaults on children and welfare foundations. (The Korea Times, September 29, 2011)

Song Stars as Grieving Documentary Maker
After starring as the famous Joseon gisaeng - female entertainer - Hwang Jin-i and the mysterious daughter of a Korean shaman, Song Hye-kyo is returning to the big screen as a documentary filmmaker mourning the death of her fiance. "When I pick movies, I don't really think about whether the film I'm going to shoot is going to be a commercial one or an art house one," Song told reporters at a press conference promoting the film, A Reason to Live, on Monday. (asiaone.com, September 27, 2011)
Fans of Oldboy star Choi Min-sik have had to face rather a lot of downtime for the actor in recent days, Choi first withdrawing from the film industry entirely to protest proposed changes to the screen quota system in 2006 and then working only sparingly since his return. Kim Ji-Woon's 2010 effort I Saw The Devil was just Choi's second lead role since 2005 effort Crying Fist and his only work since that effort was to contribute his voice to an animated feature. But Choi will be back in 2012 in the lead role of Yun Jong-bin's The War Against Crime (aka Nameless Gangster) in which he will play opposite Ha Jung-woo as a government official in Busan during a very public and hard fought war against organized crime in the early 1990s. (Twitch, October 3, 2011)

Pan-Asian Youth Film School Opens in Busan
A film academy inviting young aspiring filmmakers from across Asia began last week ahead of the opening Thursday of the Busan International Film Festival (BIFF). The Asian Film Academy (AFA) opened for the seventh time Thursday as part of the country’s largest cinema event. This year’s installment has invited 24 men and women from 17 countries to take part in workshops, master classes, mentoring sessions and other educational initiatives. (The Korea Times, October 3, 2011)

How a New Cinema Center Could Change the Busan Film Festival
Organizers hope the $15 million Busan Cinema Center, designed by Coop Himmelblau, will dazzle festgoers arriving for one of Asia's most important film events. Destination architecture is hitting the film festival world with the opening of the Busan Cinema Center. Designed by influential contemporary architects Coop Himmelblau of Austria, the building will serve as the home of Asia's largest cinema event, the Busan International Film Festival, which opens Oct. 6 in South Korea's second-largest city after Seoul. (The Hollywood Reporter, Ocotber 1, 2011)

Korean Film Archive Showcases 'Radio Days'
Throughout October, the Korean Film Archive (KOFA) is holding a free VOD retrospective on films from the golden era of the 60s that were originally based on popular radio programs called “Radio Days”. The program will feature 10 films. In Korea, the 1950s and 60s were the heyday of not just films but of radio, too, and a lot of radio programs that were popular hits were then adapted into films and plays. The classic films A Romantic Papa, directed by Shin Sang-ok in 1960, and The Sea Knows (a.k.a. Hyunhaetan Knows), directed by Kim Kee-duk in 1961, were both based on radio serial shows. (kobiz, October 4, 2011)

Busan International Film Festival to Amuse Movie Fans With 307 Films
Busan is set to thrill movie lovers from around the world when the 16th Busan International Film Festival gets underway on October 6 for nine days. Over 300 films from 70 countries, as well as a plethora of famous movie stars from both Korea and overseas, will be featured at the festival this year. A number of films have already sold out their screenings in record times. (korea.net, October 5, 2011)

In the aftermath of the box-office hit Dogani (aka The Crucible/Silenced), depicting the true tale of sexual abuse in a school for hearing-impaired students, the Gwangju Metropolitan Office of Education determined Monday that it would force the Inhwa School to shut down. Gwangju officials convened an emergency meeting to discuss measures against the school for disabled students and will require all 22 students to be transferred to another establishment soon. (Joong Ang Daily, October 5, 2011)

Actress Kang Soo-yeon has been chosen as one of the judges of this year’s Asiana International Short Film Festival. Along with the actress, four other prominent film industry names, including Japanese director Isshin Inudo, chief director of the festival Seigo Tono, director of Guanajuato International Film Festival Sara Hoch and director Kim Tae-yong, have been selected as judges this year, according to the festival organizers. (Joong Ang Daily, October 5, 2011)
The 2nd Gwacheon International SF Festival in Korea opens today (Sept. 30) with the Japanese animation Ghost in the Shell: Stand Alone Complex – Solid State Society 3D directed by Kenji Kamiyama. The festival will run until Oct 16 at the Gwacheon National Science Museum. It aims to encourage creativity and imagination in children by combining "scientific imagination and filmic imagination". (kobiz, September 29, 2011)

Korean High-Schooler Wins Int'l Animation Award 
A Korean high school senior has won a prize at the 2011 Ottawa International Animation Festival. Kim Bo-won of Korea Animation High School in Hanam, Gyeonggi Province was given the 2011 Adobe Prize for Best High School Animation for her work titled I'm Sorry, beating about 2,000 entries from around the world. (The Chosun Ilbo, September 30, 2011)

Another Film Shows Sexual Abuse of the Disabled in N. Jeolla Area
With the hit Korean movie The Crucible fueling public outrage against sexual abuse of the disabled, another film about sexual violence against the disabled in Gimje, North Jeolla Province, is drawing keen attention. The Crucible, a 125-minute commercial feature, includes descriptions of sexual assault in Gwangju, but Sum, an 89-minute independent film, describes the pain and love of the heroine and the rape victims. Park Ji-won, a 30-year-old disabled woman, played the heroine in Sum and more than 20 other people with disabilities also performed as supporting cast. (The Dong-a Ilbo, October 1, 2011)

Korean Animation Waddles Into China
The first Korean animated film to play at Chinese theaters opened at 3,000 screens yesterday and is about the adventures of a hen who escapes a chicken farm to realize her dream of hatching her own egg. Leafie, A Hen Into The Wild is based on the hit teenage novel of the same name and has a running time of 93 minutes. The 3-billion-won ($2.5-million) film is currently showing nationwide in China with dubbing in mandarin. It earlier became the first Korean animation to draw 1 million viewers domestically, experts said, where it posted box-office receipts in excess of 2.2 million after it was released in July on 350 screens. (Joong Ang Daily, October 1, 2011)

Pres. Lee Calls for Measures to Prevent Sexual Crimes Against Disabled & Minors
President Lee Myung-bak recently got to watch the much-talked about Korean movie The Crucible which is based on a true story about school staff sexually assaulting hearing impaired students. After watching it, the President said that our society needs to be more conscious of sexual crimes against the disabled, and that he will work to better protect people with disabilities and minors from becoming victims of such crimes. (arirang.co.kr, October 4, 2011)

Film Picks for 2011 Busan Film Fest
The 16th annual Busan International Film festival, one of the world’s most prestigious, will once again kick off on the 1st Thursday of October. The sheer amount of film options can seem a bit overwhelming. Approximately 300 movies from 70 different countries with 135 world premiers will be screened in Haeundae, Centum City, and Namp-dong. Here is a "lockdown" list of picks. (The Vanguard Element, October 5, 2011)

IMAX Signs Revenue Share Deal in China With CJ CGV Holdings, Ltd
IMAX Corporation today announced that CJ CGV Holdings, LTD, a subsidiary of Korean media conglomerate CJ CGV Co. Ltd., has signed a revenue share agreement to add 15 new IMAX(R) digital theatre systems in the People's Republic of China. Under the terms of the agreement, CJ CGV Holdings, LTD is scheduled to install the first IMAX systems in 2011, with all remaining installations expected to be completed between 2013 and 2017. (Market Watch, October 4, 2011)
Spike Lee is set to direct an American version of the South Korean favorite Oldboy, withJosh Brolin looking like the guy to play the lead role. Brolin would be a man who is kidnapped one night and imprisoned for fifteen years for reasons unknown to him. Released back into society just as abruptly as he was snatched, he begins to look for the person or persons responsible for his incarceration. Along the way he meets a young chef who becomes his partner in the search. And now there’s a report that Rooney Mara, of The Social Network (2010) and The Girl With the Dragon Tattoo (2011), is the choice to play that role. (/Film, September 28, 2011)


INTERVIEW

Metamorpheses Director Oh In-chun
Inchun Oh is a Korean filmmaker, director and screenwriter. Born on August 30, 1980, he studied filmmaking at Korea National University of Arts, where he wrote and directed A Moment - a collaboration between Korea National University of Arts and Beijing Film Academy, filmed entirely in Beijing. His latest short film Metamorphoses (2011) has been screened internationally at a number of film festivals. (Hangul Celluloid, October 3, 2011)


TRAILERS









POSTERS







You Pet


(Modern Korean Cinema, October 3, 2011)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, September 28, 2011

Korean Cinema News (09/22-09/28, 2011)

Another light week for Korean cinema news but in my searching I did uncover a large amount of Fantastic Fest korean film reviews which will be features in Friday's WEEKLY REVIEW ROUND-UP, maybe that explains it.


KOREAN CINEMA NEWS

Online Smiles for Sunny
CJ E&M Pictures has scored strongly with the multiple online releases of its hit film SunnySunny was released for download via portals and cloud services on 8 Sep, shortly before the Chuseok public holidays, and achieved $597,000 after 10 days. Separately it earned $511,000 on Korea Telecom's IPTV service. Taken together with revenues from other IPTV outlets, CJ estimates that Sunny earned $1.28 million over the Chuseok period and is on course for total ancillary revenues of $2.56 million. (Film Business Asia, September 23, 2011)

Bae Doo-na Ice Cool Ahead of Hollywood Debut
All it took was a video call and a short home movie, and the Wachowski brothers -- the brains behind The Matrix trilogy -- were sold on actress Bae Doo-na. The Wachowskis had been looking around for someone to fill a role in their upcoming movie, Cloud Atlas. (The Chosun Ilbo, September 24, 2011)

LKFF: Festival News from Mayfair, First Impressions & a Salute to Curatorial Ambition
A preview of the London Korean Film Festival courtesy of Ian London over on the New Korean Cinema site. (New Korean Cinema, September 25, 2011)

HK Film Archive's "Restored Treasures" to Feature Korean Director Shin Sang-ok's Masterpieces
An accomplished director and producer, Shin Sang-ok, nicknamed the 'Prince of Korean Cinema', was one of a handful of directors who were instrumental in making the 1950s and '60s a golden age for Korean cinema. The Hong Kong Film Archive (HKFA)'s "Restored Treasures" series in October and November will screen two of his masterpieces. The two selected films were also the first and third restored treasures of the Korean Film Archive (KOFA). (7th Space, September 26, 2011)

Unsettling Dogani Revisits School Horror
A new film based on a true story is stirring up anger and a sense of helplessness among Korean moviegoers. The movie, called Dogani or The Crucible in English, is adopted from the bestselling book of the same name by Gong Ji-young, one of the most prominent and respected female writers in Korea (The Wall Street Journal, September 27, 2011)

Top Actor Jang Dong-gun Set to Star in Foreign Film
Top Korean actor Jang Dong-gun is set to star with Zhang Ziyi and Cecilia Cheung in director Hur Jin-ho’s adaptation of the French novel Les Liaisons Dangereuses. Jang is fresh off the shoot of Kang Je-kyu’s sweeping WWII film My Way which wrapped recently. (kobiz, September 27, 2011)

5-Day Korean Film Fest in Cebu Starts
A five-day Korean Film Festival in Cebu will be held starting tomorrow September 28 until October 2 with top-grossing films to be shown for free at the SM Cinema. (Philippine Information Agency, September 27, 2011)

American Professor Loves Korean Movies
'Korean movies are humanistic and deal with human existence, and that makes us watch them. I think they are this way because of the huge tragedies of the Japanese occupation and the Korean War.' 53-year-old Earl Jackson, a professor at the Korean National University of Arts, told Yonhap News on the 22nd that Korean movies have unique characteristics compared to the cinema of other nations. (asiancorrespondent.com, September 28, 2011)


INTERVIEW

Interview With Director LIM Woo-seong
Up-and-coming Korean director Lim Woo-seong, whose Scars is screening in the San Sebastian International Film Festival Zabaltegi-New Directors Section, speaks to Cine21’s SHIN Dooyoung about his work. (kobiz, September 23, 2011)


TRAILERS




(Modern Korean Cinema, September 26, 2011)



Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Tuesday, August 30, 2011

Korean Cinema News (08/22-08/28, 2011)

KOFFIA

KOFFIA began last Thursday and ended last night for the Sydney portion of its run. It will start up again in Melbourne on September 10. Below are plenty of reports and videos from the festival to keep you occupied in the meantime.






KOREAN CINEMA NEWS

Sector 7 Fades Away
After less than a month in theaters, the much-ballyhooed 3D blockbuster Sector 7 will disappear from multiplexes with its meagre takings. (hancinema.net, August 28, 2011)

Secret Sunshine: A Cinema of Lucidity
Dennis Lim's essay from last week's Criterion Release of Lee Chang-dong's Secret Sunshine (2007). (Criterion.com, August 2011)

Busan Film Festival and the Emergence of Asian Cinema
The increasing links between Hollywood and China have been a big source of film industry news in Asia this week, but there's been some pretty big news coming out of South Korea too, as it starts to gear up for the region's most prestigious festival. (The Independent, August 26, 2011)

Kim Tae-hee Takes on TV Role in Japan
Last Thursday, Kim Tae-hee's Agency announced that she will take the lead role in Fuji TV's new romantic comedy, tentatively titled Me and My Star's 99 Days. (The Chosun Ilbo, August 26, 20110)

Kim Jee-woon's The Last Stand Will Begin Principal Photography in October
Director Kim Ji-woon's Hollywood debut and Arnold Schwarzenegger's comeback The Last Stand is set to start shooting this October in New Mexico. (hancinema.net, August 25, 2011)

The Front Line Selected as Korean Oscar Contender
South Korea has selected The Front Line as its national contender for the foreign-language Academy Award. Directed by Jang Hoon the film is a war-is-hell treatment of the Korean War that takes as its focus a complicated skirmish for a hill in 1953. (Film Business Asia, August 24, 2011)

The Yellow Sea Scores US Release
Fox International, the arm of the studio that deals with overseas releases, will give Na Hong-jin’s The Yellow Sea stateside releases, although no date is set as of yet. (indieWIRE, August 24, 2011)

Sunny Ends its Run at No. 11 on All Time Chart
Following a long run in theaters Sunny has finished at 11th place on the alltime Korean box office chart with 7.44 million admissions. (hancinema.net, August 24, 2011)

Busan Announces Competition Lineup
The Busan International Film Festival has announced its main competition lineup for this year's edition. Included in the Asian lineup are two Korean films, from Kim Joong-hyun and Stanley Park. (Film Business Asia, August 24, 2011)

Hindsight Premieres Music Video
Shin Se-kyeong, star of Hindsight, stars in a music video being release in anticipation of the film's imminent release. (Asian Media Wiki, August 24, 2011)

How Will Marrying the Mafia IV Fare?
Given the enormous success of its predecessors, will Marrying the Mafia IV reaps similar rewards? (hancinema.net, August 24, 2011)

An Examination of Hong Sang-soo's Body of Work
Over on Little White Lies, Yusef Sayed takes a look at the films of Hong Sang-soo. (Little White Lies, August 23, 2011)

Pathfinder to Release 5 Korean Movies on DVD in US/Canada
Five critically-acclaimed Korean films will finally find their way to the North American home video market courtesy of Pathfinder Pictures. The titles include: The King and the Clown (2005), I'm a Cyborg but That's Okay (2006), The Servant, The Recipe, and Magic. (Asian Pop Shock August 22, 2011)

Korean TV Station Tussles Start Afresh
After the political maneuvering which led to the creation of new TV stations that have yet to start operations, tensions are growing now that the first effects of these nascent entities are rippling through the industry. (The Wall Street Journal, August 22, 2011)


INTERVIEWS

Lim Woo-seung Talks About His New Film
Director Lim Woo-seung opens up about filmmaking with the release of his sophomore film Scars. (The Korea Herald, August 24, 2011)

Ryoo Seung-wan at KOFFIA Press Conference
As the Korean Film Festival in Australia opened last week, Ryoo Seung-wan discussed his films The Unjust and No Blood No Tears (2002), both screening. (Inside Film, August 24, 2011)

IFFR Sitdown with Lee Chang-dong
A wondeful and in depth interview with Lee Chang-dong, during his stop at the International Film
Festival Rotterdam. (Twitch Film, August 22, 2011)


TRAILERS



Quick (eng subs)



BOX OFFICE

Arrow Scores for a Third Straight Weekend

Arrow had another big weekend adding 706,000 for a total 4.4 million admissions to date. Both Blind and Leafie held well with 257,000 and 137,000 respectively, they will likely cross the 2 million mark shortly. (hancinema.net, August 28, 2011)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.