Showing posts with label war of the arrows. Show all posts
Showing posts with label war of the arrows. Show all posts

Friday, November 4, 2011

Weekly Review Round-up (10/29-11/04, 2011)

A few reviews for Silenced (aka The Crucible/Dogani) this week as it opened in select locations in the US.  A variety of other pieces, including some on Sector 7 and The Yellow Sea.  I imagine that next week we will be seeing a lot of write-ups coming in from the London Korean Film Festival, which opened last night.


CURRENT KOREAN RELEASES


RECENT RELEASES
(Film Business Asia, October 28, 2011)

Hero
(Modern Korean Cinema, November 1, 2011)

(unseen films, October 30, 2011)

Poongsan
(Modern Korean Cinema, November 3, 2011)

(hancinema.net, October 29, 2011)

Stateless Things
(Anikor, November 1, 2011)

Sunny
(japancinema.net, November 3, 2011)

(hancinema, October 29, 2011)

The Yellow Sea
(The Student, October 29, 2011)
(Varsity, November 2, 2011)

War of the Arrows
(Every Film in 2011, November 2, 2011)


PAST FILMS

(Init_Scenes, November 1, 2011)

Family Ties, 2006
(Otherwhere, November 2, 2011)

Take Care of My Cat, 2001
(Otherwhere, October 28, 2011)

(Hangul Celluloid, October 30, 2011)


The Weekly Review Round-up is a weekly feature which brings together all available reviews of Korean films in the English language (and sometimes French) that have recently appeared on the internet. It is by no means a comprehensive feature and additions are welcome (email pierceconran [at] gmail [dot] com). It appears every Friday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News, and the Korean Box Office UpdateReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, November 2, 2011

Korean Cinema News (10/27-11/2, 2011)

A number of items on the London Korean Film Festival, which is opening tomorrow night with War of the Arrows, including a piece in HuffPo from the festival's director Jeon Hye-jung.  A number of other good features (and also one comparing Korea's two big monster movies that I wholly disagree with) and some great interviews.  I've also decided to add box office back to this update, this returning feature will simply include a link to MKC's weekly box office analysis, out every Monday.

Enjoy!


KOREAN CINEMA NEWS

The London Korean Film Festival
Korean film has always been an important player on the World cinema scene with many of the most acclaimed and successful directors and films coming from the country.  Over the last ten years the industry has exploded with films from directors, Park Chan-wook (Oldboy, 2003), Bong Joon-ho (The Host, 2006) and Kim Jee-woon (I Saw The Devil) finding success in America and Europe with their gritty, box office films while Hong Sang-soo and Kim Ki-duk have found acclaim in Europe and the festival circuit for their soulful stories.  (The Huffington Post, October 28, 2011)

SHINee to Perform at the London Korean Film Festival
SHINee will be making an appearance at the London Korean Film Fesival.  According to the Korean Cultural Center in England, SHINee has been recognized as England’s top K-Pop star, and were thus invited to perform.  (allkpop, October 27, 2011)

TIFFCOM Market Wraps in Tokyo With Meetings Still Going On
The KOFIC pavilion, with seven Korean companies under its umbrella, had been doing good business.  9ers Entertainment sold Late Blossom to Japan and Ryang-kang-doc: Merry Christmas North! to Taiwan.  Finecut landed a Japan deal for its North-South Korea film Poongsan and Mirovision signed an agreement for Mr. Perfect for an undisclosed Asian territory.  (The Hollywood Reporter, October 26, 2011)

Korean Film Industry at the 8th TIFFCOM
The Korean film industry is strongly represented at the Tokyo International Film Festival’s content market TIFFCOM, which opened yesterday to run until Oct 26 in the Roppongi Hills complex.  The Korean Film Council (KOFIC) has opened an umbrella stand with seven sales companies - CJ Entertainment, Showbox / Mediaplex, Finecut,M-Line Distribution, 9ers Entertainment, Lotte Entertainment, and Mirovision.  (KOBIZ, October 25, 2011)

Korean Films Set for Stockholm Festival
The 22nd Stockholm International Film Festival has announced its line-up to include a slew of films from the Republic of Korea including Hong Sang-soo’s The Day He Arrives, which previously screened in Cannes.  (KOBIZ, October 28, 2011)

Halloween Scary Movie Recommendation: Oldboy
Oldboy is a 2003 South Korean revenge thriller (yes, you have to read subtitles).  It's actually the second part of a trilogy, but I haven't seen the first, Sympathy for Mr. Vengeance (2002), or the final, Sympathy for Lady Vengeance (2005), installments.  (ledger-inquirer.com, October 27, 2011)

Korean Movies Go Global
On October 21st, a meaningful gathering among members of the Korean movie industry took place.  (arirang, October 27, 2011)

The Host Vs. Sector 7 - Monsters, Assume Your Positions!
Ever since I have been into Korean entertainment, The Host has hovered over my head like a majestic high bar that other things are apparently too short to reach.  I had heard the best things about it and I knew it as some legendary movie, a masterpiece of Korean cinema.  (orion21.blogspot.com, October 30, 2011)

Critics' Choice Awards 2011 Winners
AsiaMediaWiki presents the winners to the 31st Korean Critics' Choice Awards.   (AsianMediaWiki, October 31, 2011)

"Spotlight on Contemporary Korean Cinema" in Los Angeles
Spotlight on Contemporary Korean Cinema - including Jang Hoon Retrospective.  Event, held from 11/2/11 to 11/5/11.  This event is sponsored by KOFIC and presented to you by KCCLA.  5505 Wilshire Blvd., Los Angeles, CA 90036 Map Phone: (323) 936-7141 Fax: (323) 936-5712.  (hancinema.net, October 28, 2011)
In a near unanimous vote, South Korea’s parliament approved a tougher law against sex crimes Friday, inspired in part by a recent movie based on a real-life case of sexually abused deaf children.  (The Washington Post, October 28, 2011)

VIDEO - Facing (about the "Hope Bus" events in Busan)
I took these images in Busan, Korea, on october 8th. Some filmmakers and people related to movies took buses to see the female worker Kim Jin-suk, who's occupying a crane of her factory, Hanjin, since more than 8 months (from beginning january).  (vimeo, October 17, 2011)

VIDEO - Greeting Message from Jonathan Ross to London Greeting Message from Jonathan Ross to London Korean Film Festival 2011
A messade from Jonathan Ross on the upcoming London Korean Film Festival.  (youtube.com, October 28, 2011)

The Day He Arrives and Dance Town Screening at Cork Film Festival
Hong Sang Soo's The Day He Arrives and Jeon Kyu-hwan’s Dance Town will be screening at the Corona Cork Film Festival running November 6-13. (Cork Film Festival, October 2011)

D-War Director Banned From Leaving Country
Film producer and director Shim Hyung-rae has been banned from leaving the country on suspicions that he embezzled 4.1 billion won ($3.7 million) of his company’s money and remodeled manufactured firearms.  (Joong Ang Daily, November 1, 2011)

Dogani School to Be Shut Down
Gwangju City will officially shut down the so-called Dogani school for the disabled today, roughly two months after a film based on events there sparked public furor over teachers’ sexual assaults against students at the regional school.  (The Korea Times, October 21, 2011)

Korean Films Set for Stockholm Festival
In the Asian Images section along with The Day He Arrives, the festival has selected up-and-coming director Jeon Kyu-hwan’s Dance Town, about North Korean escapees, Kim Ki-duk’s self-portrait documentary Arirang, and Na Hong-jin’s brutal thriller The Yellow Sea.  (KOBIZ, October 28, 2011)

Busan West Reveals Selection
Busan West (11-13 Nov 2011), a new film festival being organised by South Korea's Busan International Film Festival (BIFF) and Chapman University's Dodge College of Film and Media Arts in the US, has unveiled an 11-title inaugural line up.  (Film Business Asia, November 1, 2011)

The Final Schedule For the 2011 London Korean Film Festival
Here are the screening details for the 2011 London Korean Film Festival, including the screenings in Cambridge, Sheffield and Newcastle.  For the events at the KCCUK, book by emailing [email protected].  (London Korea Links, November 2, 2011)

KOFIC Success at Tokyo Market
The Korean Film Council (KOFIC) has announced successful results from the 24th Tokyo International Film Festival and 8th TIFFCOM market after a presentation on co-productions and locations incentives, the Ko-production in Tokyo project meetings, and film sales at the KOFIC umbrella stand.  (KOBIZ, October 31, 2011)

Korean American Film Festival New York Urban 2011
Some high-profile directors involved include Korean actress Ku Hye Sun, Cannes Film Festival veteran Soopum Sohn, and father of video art, Nam June Paik.  The mini multi-medium fest will also have live performances by Misnomer(S), a hip-hop duo featuring sisters Knewdles (MC), Sos (Violin), and VongKu Pak, who will be playing the Korean traditional drums with a jazz ensemble.  (Korean Beacon, October 31, 2011)

Bleak Night and The Journals of Musan to screen at Reel Asian Film Fest. in Toronto
A couple of Korean films which have already met with great success on the international festival circuit will be presented at the Reel Asian Film Fest. in Toronto.  They are Yoon Sung-hyun's Bleak Night and Park Jung-bum's The Journals of Musan.  (reelasian.com, October 2011)

Head to South Korea for Seoul Independent Film Festival
The Seoul Independent Film Festival will return to the South Korean capital in December to showcase a selection of productions from local screenwriters.  Cineastes will have the opportunity to watch a diverse range of films across three categories - shorts, lasting for less than 60 minutes, features of an hour or more and invitational movies.  (The Open Press, November 1, 2011)

Korean Stars’ Surprise at Dedicated Myanmar Fans
South Korean movie stars, Mr. Choi Soo-jong and Ms. So Yi-hyun, arrived in Yangon to the sound of a crowd screaming their names and holding aloft photos on October 20.  (The Myanmar Times, October 31, 2011)

Korean Film Festival: East Meets West
The inaccurately-named London Korean Film Festival has expanded this year to include Sheffield and Cambridge, and with new Korean films that have never been seen before in the UK, Q&A sessions with well and not so well-known directors, and even a KPop group called 'SHINee' giving a live performance on the opening night, it really is bigger than ever.  (The Independent, November 1, 2011)

‘Barrier-Free’ Films Offer Universal Experience
Blind becomes first local barrier-free film for people with hearing or visual impairments.   The new version is accompanied by a descriptive audio feature and subtitles that narrate each and every action of the film.  It was first screened during the first Barrier-Free Film Symposium in Seoul at Korean Film Archive from Oct. 28-31.  (The Korea Times, October 31, 2011)

Lee Chang-dong to Meet Fans at Taipei Golden Horse Film Festival
Lee Chang-dong will attend the screening of his film Secret Sunshine (2007) at the Shin Kong Cineplex in Taipei.  Winner of the Special Director Prize at the 2008 Asian Film Festival, Lee served as South Korea’s Minister of Culture and Tourism in 2003 and 2004.  (Taiwan News, November 2, 2011)


INTERVIEWS

Extraordinary Expats: Filmmaker NJ Calder
American filmmaker talks zombies, Korean cops, and sleepless nights in Seoul leading to his first feature film.  (seoulistmag.com, October 23, 2011)

Barbie - Q&A (Busan International Film Festival)
Q &A for Barbie took place after a screening of the movie at the 2011 Busan International Film Festival on October 7, 2011.  Appearing as speakers are actor Jo Yong-Seok, actress Kate Tebow, actress Kim A-Ron, actress Kim Sae-Ron, actor Lee Chun-Hee, and director Lee Sang-Woo.  AsianMediaWiki editor Ki Mun was there and transcribed/translated the session. (Asian Media Wiki, October 7, 2011)

Thai Director Gives a Strong Kick to New Taekwondo Film
Although taekwondo is a popular sport, it has not fared well at the box office and many a taekwondo film has flopped.  But Thai martial arts film director Prachya Pinkaew, famous for his Ong-Bak films, is hoping his latest film The Kick will not follow the footsteps of its predecessors.  (Joong Ang Daily, October 28, 2011)

Poongsan - Q&A (Busan International Film Festival)
Q&A for Poongsan took place after a screening of the movie at the 2011 Busan International Film Festival on October 10, 2011.  Appearing as speakers are actor Kim Jong-Soo & director Juhn Jai-Hong.  AsianMediaWiki editor Ki Mun was there and transcribed/translated the session.  (AsianMediaWiki, October 10, 2011)

The Front Line - Q&A (Busan International Film Festival)
Press conference for The Front Line took place at the 2011 Busan International Film Festival on October 8, 2011.  Appearing as speakers are actors Ryu Seung-Soo, Ko Soo (pictured), Lee Je-Hoon (pictured), Ko Chang-Seok (pictured), Lee Da-Wit (pictured) and director Jang Hun.  AsianMediaWiki editor Ki Mun was there and transcribed/translated the session.  (AsianMediaWiki, October 8, 2011)

“It’s Technically Very Difficult Getting a Tiger Into a Film:” a Conversation on Kim Han-min and His Film, War of the Arrows
Kim has said he considers the bow and arrow to be the vital element of his film.  It is a pitch I hear first hand in interview—“I wanted to make a historical drama which introduced and focused on the arrow and the bow”—and again later at the press screening where he fields questions from the audience.  (New Korean Cinema, November 1, 2011)


TRAILERS







POSTERS






BOX OFFICE

Korean Box Office Update (10/28-10/30, 2011)
(Modern Korean Cinema, October 31, 2011)



Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, October 26, 2011

Korean Cinema News (10/20-10/26, 2011)

Not quite last week's haul but nonetheless a lot of great features and interview (and a comprehensive academic thesis!) this week on a variety of topics.

Enjoy!


KOREAN CINEMA NEWS

Director's Cut of War of the Arrows Hits Theaters
An extended version of Korean action film War of the Arrows was released in Korea last thursday.  The new cut features an additional six minutes of footage, primarily in the action sequences.  (10 asia, October 20, 2011)

Filmmaker Im Kwon-taek: Master of Mirrors
At 75, the filmmaker continues to explore new ground.  “I don’t lie in my movies... I simply try to capture what we feel in our everyday lives.”  (The Korea Times, October 20, 2011)

Punch Pushes Actor Into Next Phase of His Career
The new film Punch does not have an exciting story line, a swirling climax nor a vengeful villain at its center.  But it does have the talents of an engaging young actor named Yoo Ah-in, who appears to have lost a bit of his boyish arrogance and is entering a new, more serious phase of his career.  (Joong Ang Daily, October 21, 2011)

A New Era for Asia’s Biggest Film Festival
When a small film festival opened at an outdoor market in Nampo-dong, Busan, during the mid-90s, few expected it to make a mark in the industry amid more prominent competition in Asia.  Back then, the Asian festival circuit was based mostly on two strongholds – the Tokyo International Film Festival, located in the second-biggest film market on the globe, and the Hong Kong International Film Festival, located in the world’s fastest-growing film market.  (Joong Ang Daily, October 21, 2011)

The Original Murder 2 Director in Town!
South Korean filmmaker Na Hong-Jin isn’t a big talker.  Maybe because he doesn’t speak English, and it was his translator who was doing all the chatting.  But uttering the key words ‘Murder 2’, ‘inspired from’ and ‘your debut film The Chaser (2008)’ immediately got us a response in the form of a visible nod.  (Hindustan Times, October 20, 2011)

New Council to Address Monopoly in Domestic Film Industry
A new council has been launched to resolve the issue of monopoly by large companies in the domestic film industry.  (KBS, October 21, 2011)

Korean Talent Agency Cuts IPO Size After Key Star’s Drug Scandal
Korean talent agency YG Entertainment, which manages the popular boy band Big Bang, has cut the size of its planned initial public offering, citing a drug scandal involving a key star as a risk factor.  (Joong Ang Daily, October 21, 2011)

Real-life Poongsan Dogs Deliver Items to Separated Families
The protagonist of Poongsan, a South Korean film released last summer and named after a breed of hunting dog from North Korea, is a person who goes between the two Koreas via China to transport things or people.  (The Dong-a Ilbo, October 21, 2011)

The Yellow Sea Playing at Philadelphia Film Festival
The Yellow Sea: South Korean director Hong-jin Na follows up his explosive debut, The Chaser (2008), with a crime drama about a cabbie who is forced to become a hit man to pay off his wife's debts.  An action film to match any of Hollywood's biggest blockbusters, The Yellow Sea "is a true epic," says Lerman. "It has huge set pieces, huge car chases, and amazing plot twists."  (philly.con, Ocotber 21, 2011)

Song Hye-kyo Returns with New Movie
After vanishing from the public's view for the last three years, actress Song Hye-kyo has returned to the silver screen with A Reason to Live, a story about a woman who forgives a boy for killing her fiancé.  (The Chosun Ilbo, October 22, 2011)

Rooney Mara Says No to Oldboy
Variety's Justin Kroll tweeted yesterday that Mara has passed on the part, so producers will have to keep making their way down the wishlist to land someone opposite Josh Brolin.  (Twitch, October 20, 2011)

Planet of Snail to Compete at Amsterdam Doc Fest
Korea-Japan-Finland documentary Planet of Snail, directed by Yi Seung-Jun, will be in the prestigious International Documentary Film Festival Amsterdam (IDFA) Competition for Feature-Length Documentary.  (KOBIZ, October 23, 2011)

Lee Man-hee classic A Day Off + Mark Morris talk at KCC
Lee Man-hee’s classic film A Day Off (1969) will be screening as part of the London Korean Film Festival this year, with a talk by Dr Mark Morris.  A Day Off is part of the Lee Man-hee DVD box set which might be in your to-watch pile.  This is your opportunity to see it.  The screening and talk is on 11 November at the KCC at 7:30pm. Book your place via [email protected].  (London Korea Links, October 22, 2011)

Lee Seung-gi And Ha Ji-won Receive National Merit Awards
The multi-faceted entertainer Lee Seung-gi along with top actress Ha Ji-won both received national merit recognition at the 48th Savings Day event.  (KBS, October 25, 2011)

Political Ideology and Culture in Film
Movies are one of the most effective media for disseminating and propagating political ideologies to people.  In communist countries where propaganda is imperative, the government controls the movie industry in order to produce and promote movies filled with propaganda.  (The Korea Herald, October 25, 2011)

Museum of Fine Arts Houston to Host Series of Korean Films
The Museum of Fine Art Houston will screen a series of Korean films from Nov. 4 to Nov. 6 at the museum, located at 1001 Bissonnet.  The screenings are part of the museum's Spotlight on World Cinema program, which looks at films from different parts of the world.  The focus of the upcoming program is South Korea and will include The Housemaid, The Day He Arrives, Finding Mr. Destiny, and Secret Sunshine (2007). (ultimatewestu.com, October 24, 2011)

Well Go Takes Korean Oscar Contender, The Front Line
North American rights to South Korea’s entry for Best Foreign Language Oscar consideration, The Front Line have been picked up by Well Go USA Entertainment.  Directed by Jang Hun (Secret Reunion), Well Go plans a January release in major markets.  (indieWIRE, October 25, 2011)

Who's Afraid of Lady Vengeance?
This Halloween, take a break from your chainsaw massacres and nightmares on Elm Street and try some horror with an Asian flavour.  Horror movies from East Asia have a lot going for them.  Aside from offering a glimpse into unique cultural mythologies and traditions, you'll find a greater emphasis on supernatural forces in the real world, compared to western horror, and more fatalism where individual agency is concerned.  (The Vancouver Sun, October 25, 2011)


ACADEMIC ESSAY

In this study, See He Han analyzes how recent Korean cinema has responded to the forces of globalization by appropriating these influences both on and off screen. (University of Texas, 2011)


INTERVIEWS

BIFF - Q&A With Director Kang Hyung-Chul & Cast of Sunny
Q&A for Sunny took place after a screening of the movie at the 2011 Busan International Film Festival on October 7, 2011.  Appearing as speakers are (listed in order of picture above) director Kang Hyung-Chul and actresses Kang So-Ra, Jin Hee-Kyung, Yoo Ho-Jeong, Park Jin-Joo, Min Hyo-Rin, Kim Min-Young.  AsianMediaWiki editor Ki Mun was there and transcribed/translated the session.  (Asian Media Wiki, October 7, 2011)

Actress Jeon Do-youn - Part 1
Jeon plays Cha Ha-yeon, a femme fatale con artist who sneers at the world with her beauty and brains until she gets taught her lesson, in movie Countdown.  However, Jeon herself does not live her life so moderately.  Below is a record of her life, in no way moderate, where she pours the energy she will use to feel regret about her past or worry about her future, into what is most current.  (asiae.co.kr, October 21, 2011)

Q&A for Punch took place after a screening of the movie at the 2011 Busan International Film Festival on October 10, 2011.  Appearing as speaker is the movie's director Lee Han.  AsianMediaWiki editor Ki Mun was there and transcribed/translated the session.  (Asian Media Wiki, October 10, 2011)

Heo Jong-ho, director of Countdown
He has a mere 10 days. Ruthless debt collector Tae Geon-ho (Jung Jae-young) can only survive if he can get a liver transplant from compulsive scam artist Cha Ha-yeon (Jeon Do-youn).  This is the set-up of newcomer Heo Jong-ho’s crime thriller Countdown, a film that made its world premiere at the Toronto International Film Festival.  (KOBIZ, October 24, 2011)


TRAILERS



Spellbound - ENGLISH


POSTERS



Too Many Villains


(Modern Korean Cinema, October 24, 2011)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Monday, October 17, 2011

48th Daejong Film Awards

The Daejong film awards are the oldest and most prestigious film industry awards in Korea.  They are essentially the Korean oscars and they will soon be celebrating their 50th edition.  Just like the Oscars, they feature musical performances, celebrity presenters, and a host of other similarities.

Tonight the ceremony for the 48th Daejong film awards took place in Seoul.  A very even field battled it out this year as many films walked away with multiple awards and there was no outright champion of the event.  That said, while the films represented in this year's nominations were more-or-less all worthy contenders, they did not compare favorably to the stellar lineups of years past.  Last year's big winner was Lee Chang-dong's formidable Poetry,  while Kim Jee-woon's I Saw the Devil and newcomer Jang Cheol-su's Bedevilled were among the other films that ranked high on the nominations list.

This year, the most nominated films were (wins in parentheses):

The Front Line - 12 (4)
The Yellow Sea - 11 (2)
Sunny - 9 (2)
War of the Arrows - 8 (4)
Blind - 7 (2)
The Unjust - 7 (0)
Hindsight - 5 (0)
Late Autumn - 4 (1)
Hello Ghost - 4 (0)
Late Blossom - 4 (0)
Detective K - 3 (1)
Moby Dick - 3 (0)
Poongsan - 3 (0)
The Last Blossom - 3 (0)
Bleak Night - 2 (2)

The six most nominated films were all big performers at the box office, each scored over two million admissions.  Currently I have only seen seven of the films listed above but it does seem like a poorer than usual roster.  As excited as I am to see The Front Line, War of the Arrows, Sunny, and Blind, I am not expecting them to make significant impressions on me like other Korean films have, but I hope I am wrong!

That said, this year's films are all solid and I am especially happy that Ryoo Seung-wan's brilliant The Unjust wound up with 7 nominations, although it is unfortunate that it wasn't able to bag a single win.  I thought it would pick up Best Screenplay at the very least but this went to Blind.  

I was also happy to see that  Late Blossom score 4 nominations even if it didn't win anything.  Personally I think it should have been nominated for Best Cinematography which  is always a great category for Korean film.  So far I've only seen one of the nominees so I'm exited to how the rest look, including winner The Front Line.

I was surprised that neither Quick nor the much-Ballyhooed Sector 7 managed to score nominations for Best Visual Effects.  The films were not well-received but by all accounts the effects were very impressive. War of the Arrows ended up taking the prize.

The biggest successes of the night were the big blockbusters The Front Line and War of the Arrows with 4 wins each, including Best Film for the former.  That result was not surprising as it is also the Korean selection for next year's Oscars.

In the face of some pretty stiff competition, Kang Hyung-chul won Best Director for the small but wildly popular Sunny, which also won Best Editing.

The acting categories all went to different films this year. Best Actor and Actress went to Park Hae-il for War of the Arrows and Kim Ha-neul for Blind, while Jo Sung-ha and Shim Eun-kyun walked away which the Supporting Actor/Actress prizes for The Yellow Sea and Romantic Heaven.

Bleak Night, which has very well-received critically but failed to draw much of an audience in Korea, was a big success tonight, winning its two nominations for Best New Director (Yoon Sung-hyun) and Best New Actor (Lee Je-hun, also nominated for The Front Line).  Meanwhile, best New Actress went to Moon Chae-won for War of the Arrows.

Best Production and Best Lighting went to The Front Line, Best Song went to Late Autumn, Best Costume Design went to The Yellow Sea, Best Art Design went to Detective K, and Best Sound Effects went to War of the Arrows.

Won Bin, who won last year's Best Actor for his role in The Man From Nowhere, was the recipient of the  Popularity Award.  This year's Lifetime Achievement Award went to actor Lee Dae-Geun.

Special thanks to Asian Media Wiki, which live-tweeted the results.


48th Daejong Film Awards Winners and Nominees:


Best Film
Winner:The Front Line
Nominees:
The Front Line
The Unjust
Sunny
War of the Arrows
The Yellow Sea

Best Director
Winner: 
Kang Hyung-chul (Sunny)
Nominees:
Jang Hun (The Front Line)
Kim Tae-yong (Late Autumn)
Ryoo Seung-wan (The Unjust)
Kang Hyung-chul (Sunny)
Na Hong-jin (The Yellow Sea)

Best Actor
Winner: 
Park Hae-il (War of the Arrows)
Nominees:
Kim Yun-seok (The Yellow Sea)
Ryoo Seung-beom (The Unjust)
Park Hae-il (War of the Arrows)
Yoon Kye-sang (Poongsan)
Lee Soon-jae (Late Blossom)
Cha Tae-hyun (Hello Ghost)

Best Actress
Winner: 
Kim Ha-neul (Blind)
Nominees:
Kim Ha-neul (Blind)
Kim Hye-soo (Villain and Widow)
Bae Jong-ok (The Last Blossom)
Yun So-jeong (Late Blossom)
Choi Gang-hee (Petty Romance)

Best Supporting Actor
Winner: 
Jo Sung-ha (The Yellow Sea)
Nominees:
Ko Chang-seok (The Showdown)
Kim Sang-ho (Moby Dick)
Ryoo Seung-ryong (The Front Line)
Yu Hae-jin (The Unjust)
Jo Sung-ha (The Yellow Sea)
Jo Hie-bong (Blind)

Best Supporting Actress
Winner: 
Shim Eun-kyung (Romantic Heaven)
Nominees:
Kim Soo-mi (Late Blossom)
Kim Ji-young (The Last Blossom)
Seo Young-hee (The Last Blossom)
Shim Eun-kyung (Romantic Heaven)
Jang Yeong-nam (Hello Ghost)
Cheon Woo-hee (Sunny)

Best New Director
Winner: 
Yoon Sung-hyun (Bleak Night)
Nominees:
Kim Sung-hoon (Ryang-kang-do: Merry Christmas, North!)
Kim Young-tak (Hello Ghost)
Min Yong-keun (Re-encounter)
Park In-je (Moby Dick)
Yoon Sung-hyun (Bleak Night)

Best New Actor
Winner: 
Lee Je-hoon (Bleak Night)
Nominees:
Kim Hwan-young (Ryang-kang-do: Merry Christmas, North!)
Yoo Yeon-seok (Re-encounter)
Lee Je-hoon (The Front Line)
Lee Je-hoon (Bleak Night)
Jang Ki-beom (GLove)

Best New Actress
Winner: 
Moon Chae-won (War of the Arrows)
Nominees:
Kang So-ra (Sunny)
Moon Chae-won (War of the Arrows)
Baek Jin-hee (Foxy Festival)
Shin Se-kyung (Hindsight)
You Da-in (Re-encounter)

Best Screenplay
Winner:
Choi Min-suk (Blind)
Nominees:
The Unjust
Blind
Sunny
The Front Line
Hello Ghost

Best Cinematography
Winner:
The Front Line (Joo Woo-hyung)
Nominees:
The Front Line
Late Autumn
War of the Arrows
Hindsight
The Yellow Sea

Best Lighting
Winner:
The Front Line (Kim Min-jae)
Nominees:
The Front Line
Blind
Hindsight
Poongsan
The Yellow Sea

Best Production
Winner:
The Front Line (Lee Woo-jung)
Nominees:
The Front Line
Moby Dick
The Unjust
Sunny
Poongsan

Best Editing
Winner:
Sunny (Nam Na-young)
Nominees:
The Front Line
The Unjust
Blind
Sunny
The Yellow Sea

Best Music
Winner: Late Autumn (Woo & Choi Young-rak)
Nominees:
Late Blossom
Romantic Heaven
Late Autumn
Sunny
Hindsight

Best Art Design
Winner:
Detective K: Secret Of Virtuous Widow (Chae Gyung-sun)
Nominees:
Late Autumn
Detective K: Secret Of Virtuous Widow
War of the Arrows
Hindsight
The Yellow Sea

Best Costume Design
Winner:
The Yellow Sea (Chae Kyung-hwa)
Nominees:The Front Line
Sunny
Detective K: Secret Of Virtuous Widow
War of the Arrows
The Yellow Sea

Best Visual Effects
Winner:
War of the Arrows (Han Young-woo)
Nominees:
The Front Line
Romantic Heaven
Blind
War of the Arrows
The Yellow Sea

Best Sound Effects
Winner:
War of the Arrows (Choi Tae-young)
Nominees:
The Front Line
Blind
Detective K: Secret Of Virtuous Widow
War of the Arrows
The Yellow Sea

Popularity Award
Winner: 
Won Bin

Lifetime Achievement Award
Winner: 
Lee Dae-geun (actor)

Korean Box Office Update (10/14-10/16, 2011)

Weekend of October 14-16, 2011:


Title Release Date Weekend Total
1 Real Steel (us) 10/12/11 590,043 789,230
2 The Client 9/29/11 282,910 2,013,874
3 The Three Musketeers (uk) 10/12/11 258,299 376,220
4 Silenced 9/22/11 235,977 4,331,176
5 Punch 10/20/11 56,116 65,408
6 Always 10/20/11 45,687 46,606
7 Fighting Spirit 10/6/11 29,617 192,831
8 Hit 10/13/11 21,284 29,041
9 War of the Arrows 8/10/11 19,810 7,430,360
10 Countdown 9/29/11 10,324 461,704
- Leafie, A Hen Into the Wild 27/7/11 1,300 2,195,700
- The Day He Arrives 8/9/11 510 42,983
- Ordinary Days 29/9/11 98 1,517
- Scars 13/10/11 81 132


After 11 weekends with a Korean release claiming the top spot at the box office, this week's usurper is Real Steel, Hollywood's new blockbuster which played well in previews last week.  This shouldn't come as too much of a surprise as there was no major Korean release this week and also given the fact that the year's other robot themed tentpole release is Korea's top grosser of the year (Transformers 3 with 7,790,426).

The Client clung to the number two spot for its third straight week with a 282,910 take.  This represents a drop slightly over 40% and puts into doubt whether it can join the 3 million club as it has only just cracked the two million mark.

Silenced (aka The Crucible) took another big tumble (52%) as its mass media exposure begins to fade.  It took 235,977 this weekend and dropped three places.  It had already crossed the four million mark before the weekend but its chances of cracking five look precarious, especially if it keeps suffering such steep falls.

Punch and Always were next at 56,116 and 45,687 respectively as they played in previews.  These are both strong figures for the recent Busan Film Fest features.  They open wide next week and will likely battle it out for first place.  Kim Sang-jin's Fighting Spirit took a big 70% dive after its lackluster opening.  It added 29,617 for a 192,831 total, a disappointing result and this may drop out of the top 10 as early as next week.

Hit, a new film starring Han Jae-suk also had a limited opening this past weekend but its 21,284 admissions does not bode well for its chances.  War of the Arrows added 19,810 admissions to its massive total which now stands at 7,430,360.  Finally Countdown crumbled again with 10,324 tickets sold.

This weekend's take amounted to 1.58 million tickets, a healthy increase over both last weekend (22.5%) and last year's comparable frame (50%).  The bad news is that that increase benefited a major Hollywood release.  Despite having 8 of the top 10 spots, this weekend's Korean market share was only 45%, down a little from last years's 55% but a lot from the last two weekend's 87% and 81%.  Somewhat ironic given that Busan just wrapped up. However the festival's releases will soon be inundating theaters and will likely post strong numbers.


The Korean Box Office Update is a weekly feature which provides detailed analysis of film box office sales over the Friday to Sunday period in Korea. It appears every Monday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Friday, October 14, 2011

Weekly Review Round-up (10/08-10/14, 2011)

A number of reviews covering a wide array of films coming in from the just wrapped-up Busan International Film Festival, although not quite as many as I would have thought. I imagine that given how Asia-centric the festival was this year, not too many English-language publications sent a critic. Also a few reviews from this year's Sitges Film Festival this week.


RECENT RELEASES

(Blog About Everything, October 6, 2011)

Amen

(The Hollywood Reporter, October 8, 2011)

(The Hollywood Reporter, October 11, 2011)

(Variety, October 13, 2011 - Subscription Required)

(Pop Matters, October 6, 2011)

Choked

(The Hollywood Reporter, October 11, 2011)

End of Animal

(The Hollywood Reporter, October 11, 2011)

(Modern Korean Cinema, October 12, 2011)

(Hangul Celluloid, October 10, 2011)

(hancinema.net, October 8, 2011)

Pink

(Twitch, October 12, 2011)

(The Hollywood Reporter, October 10, 2011)

(Modern Korean Cinema, October 9, 2011)

(East Asia, October 3, 2011 - French)

(Twitch, October 7, 2011)

The Yellow Sea

(Japan Cinema, October 5, 2011)


PAST FILMS

Black Hair, 1964
(New Korean Cinema, October 8, 2011)

(Kim Bong Park, October 13, 2011 0 French)

(dramabeans, October 11, 2011)


The Weekly Review Round-up is a weekly feature which brings together all available reviews of Korean films in the English language (and sometimes French) that have recently appeared on the internet. It is by no means a comprehensive feature and additions are welcome (email pierceconran [at] gmail [dot] com). It appears every Friday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News, and the Korean Box Office UpdateReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Monday, October 3, 2011

Korean Box Office Update (09/30-10/02, 2011)

Weekend of September 30 - October 2, 2011:


Title Release Date Weekend Total
1 The Crucible 9/22/11 911,179 2,501,300
2 The Client 9/29/11 480,049 640,454
3 Countdown 9/29/11 145,775 219,271
4 Arrow, The Ultimate Weapon 8/10/11 91,886 7,245,651
5 Abduction (us) 9/29/11 64,972 82,045
6 From up on Poppy Hill (jp) 9/29/11 61,370 65,924
7 Mr. Popper's Penguins (us) 9/7/11 30,086 916,939
8 Contagion (us) 9/22/11 21,501 207,766
9 The Killer Elite (us) 9/22/11 12,828 147,049
10 Marrying the Mafia IV 9/7/11 11,227 2,345,076
- Leafie, A Hen Into the Wild       7/27/11 4,435 2,183,191
- Pained         7/9/11 3,658 696,117
- Champ         7/9/11 1,215 530,801
- The Day He Arrives         8/9/11 1,013 37,169



Business picked up a little this week over the last two with nearly 1.9 million admissions counted over the weekend. Two big Korean film opened wide and while only five films in the top 10, four of those led the marketplace and took a hefty 87.2% of business. Of the other five films, three were American holdovers (Mr. Popper's Penguins, Contagion and The Killer Elite), and the two midlevel openers were Abduction from Hollywood and the new Studio Ghibli film From Up on Poppy Hill from Japan.

Once again The Crucible (aka Silenced) dominated the marketplace with a staggering 911,179 tickets sold, this represents a huge 33% increase over last week's already impressive opening. With 2.5 million already tucked away (which puts it at No.7 on the yearly domestic chart), The Crucible should well in the coming weeks and may finds itself very high up the chart before long.

Last week yielded some solid preview figures for The Client, and it looked like a good bet to come in first this week. It managed 480,049, a strong number for this kind of film and this time of year but it barely managed to earn half of The Crucible's second weekend, which clearly ate into its potential earnings. However the buzz has been building on this film due in large part to an agressive marketing campaign so it may yet conjure up some big numbers.

The other wide Korean release this week was Countdown, the new thriller starring Jeon Do-yeon and Jang Jae-yeong. Reviews have been good but the film only managed a disappointing 145,755 admissions in its first frame despite the strong pedigree attached. This kind of figure seems to reinforce the notion that star wattage is dwindling at the Korean box office in favor of strong ensemble cast. Last month's Hindsight seemed to suffer a similar fate.

Arrow, The Ultimate Weapon dropped 38% this week for a 91,886 weekend. Its total, which stands at 7,245,651 is within 130,000 of Sunny's chart-topping performance. It should pass it within the next two weeks unless it crashes out very quickly but will not go any further.

Marrying the Mafia IV all but disappeared from the marketplace with a minuscule 11,227 as it finished out its run. Leafie, A Hen Into the Wild, Pained and Champ are still hanging around with very small takes while Hong Sang-soo's The Day He Arrives added another 1,013 to brings its total to 37,169.

The Crucible is all but guaranteed to stay up top next week as there will be no significant openings. The only wide Korean release will be Kim Sang-jin's new film Fighting Spirit, a baseball-themed comedy-drama.


The Korean Box Office Update is a weekly feature which provides detailed analysis of film box office sales over the Friday to Sunday period in Korea. It appears every Monday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.