Showing posts with label lee joon-ik. Show all posts
Showing posts with label lee joon-ik. Show all posts

Wednesday, August 16, 2017

Review: ANARCHIST FROM COLONY Gets Lost on the Way Home


By Rex Baylon

Lee Joon-ik’s latest film Anarchist from Colony is a continuation of the director’s fascination with the grand events of Korean history. From King and Clown, a film about the relationship between a Joseon dynasty king and a troupe of street performers, to Blades of Blood, about a Zatoichi-esque character during the early days of the Imjin War, Lee has focused on the perspective of the marginalized. This continues with the story of Park Yeol, a Korean anarchist who had grand designs on killing the Japanese emperor Hirohito, all in the hopes of freeing Korea from Japanese control, but was arrested and tried for treason before he could put his plan into action.

Friday, February 3, 2017

Review: DONGJU: THE PORTRAIT OF A POET Offers Sober and Compelling Look at Korean History


By Pierce Conran

During the last year, the floodgates have opened for the Japanese Occupation Period in mainstream Korean cinema, yet The King and the Clown (2005) helmer Lee Joon-ik, arguably Korea's top purveyor of commercial period fare, has opted to tackle the period with his first ever indie film, and shot in black and white no less. A sober account of a difficult time in modern Korean history, Dongju: The Portrait of a Poet combines a young cast with a literary script, delivering one of the most unique Korean period films of recent memory.

Monday, February 16, 2015

Review: THE KING AND THE CLOWN is a Bawdy, Heartfelt Period Classic


By Chris Horn

There’s no question that Korean period films have continued to increase in popularity in recent years as three of the top ten grossing Korean films by ticket admissions are set during the Joseon dynasty. As Korean studios allocate increasing resources to the next big period films they would do well to study Lee Joon-ik’s masterful The King and the Clown. Not only does Lee capture a thematically interesting story rounded out by compelling performances, but The King and the Clown is brilliant in its sympathetic look at all levels of Joseon society.

Monday, September 1, 2014

KOFFIA 2014 Review: HOPE Is An Obvious Yet Successful Tearjerker


By Hieu Chau

It wouldn’t be entirely wrong to say that Korean film has some affinity for children. Whether it’s a crowd-pleasing comedy like Miracle in Cell No. 7 or something a bit darker like Silenced, there really isn’t much of a shortage when it comes to stories about children in Korean cinema. Hope, last year’s recipient for Best Film at the Blue Dragon Awards (beating out films including Snowpiercer, New World, The Berlin File and The Face Reader), is one other such film with a story that’s motivated by children.

Wednesday, July 11, 2012

Korean Cinema News (07/05-07/11, 2012)

Plenty of news this week so dig in! PiFan is just around the corner by the way, get started next Thursday!

PIFAN


Check out the following previews for this year's PiFan, written by myself and James Marsh over on Twitch:

PiFan 2012 Preview Part 3: Vision Express 
PiFan 2012 Preview Part 4: Strange Homage, Forbidden Zone & More

Monday, July 25, 2011

Korean Cinema News (07/18-07/24, 2011)

Lots of news this week including some interviews with directors Jang Hoon and Lee Joon-ik, casting news, festival items, and english-language home market release announcements.


KOREAN CINEMA NEWS

After recently blasting past the 7 million viewer mark, Sunny is set to reappear in cinemas with a special director's cut on the 28th. It will feature 10 minutes of additional footage and will screen in roughly 30 theaters around the country. (hancinema.net, July 24, 2011)

A number of sports film are set to hit Korean screens throughout the remainder of the year, including Fight, Pacemaker, Champ, Korea, and The Perfect Game. (Joong Ang Daily, July 18, 2011)

Popular Korean actress Bae Doona, of Sympathy for Mr. Vengeance (2002) and The Host (2006) fame, has been cast in the hotly anticipated adaptation of Cloud Atlas. (slashfilm.com, July 18, 2011)

After recently acquiring a Vietnamese exhibition chain, CJ has also inherited the company's legal troubles as many companies sued it for allegedly setting minimum prices and other conditions. (The Hollywood Reporter, July 19, 2011)

Eros International, the Indian film producer and exhibitor, is planning to release Endhiran in South Korea on 50 screens. (Media Mughals, July 19, 2011)

Moon Si-hyun, one of Kim Ki-duk's former assistant directors, has just revealed her debut film at PiFan. The film, Sins of Fathers deals with broken families and the disillusioned middle class. (The Hollywood Reporter, July 20, 2011)

The world's first QR Code Film Festival will make content available online and accessible through the use of QR codes, a new form of digital bar codes that can be scanned by smartphones. (PC Advisor, July 21, 2011)

The Korean Film Council (KOFIC) recently suggested a contract for cinemas and distributors that aims to ensure a minimum screening period for films and alter the proportion of profit shares. It is not a recommendation and sanctions will not be imposed. (The Korea Times, July 21, 2011)

Kwak Kyung-taek (Friend, 2001; Typhoon, 2005) cast Kwon Sang-woo in a new melodrama which is due to hit screens in September. Kwak is normally known for action films but admits a soft side for melodrama which he wishes to explore in his new film Painted. (The Korea Times, July 21, 2011)

Korea has been selected as the guest country for the Guanajuato International Film Festival in Mexico, which will be held July 22 – 31. A whopping 76 Korea films will be on display, including retrospectives on Bong Joon-ho and Kim Dong-won. (hancinema.net, July 21, 2011)

Hong Sang-soo's recent Cannes entry The Day He Arrives is set to open the 5th Cinema Digital Seoul Film Festival. The festival will screen 98 films from 32 countries. (hancinema.net, July 21, 2011)

Elizabeth Shim reflects on the Sea of Revenge spotlight at the recent New York Asian Film Festival. In particular she discusses closing night film The Yellow Sea. (Korean Culture Service NY, July 21, 2011)

Terracotta, a great distributor for Asian films in the UK, is launching a new sub-label that will focus exclusively on horror. Terror-cotta will release the Korean Death Bell (2008) as its first title. (Twitch, July 22, 2011)

Winners were announced for the 15th Pucheon International Fantastic Film Festival and included: Best Film for Rubber, Best Korean Independent Film and Best Asian Genre Film for Bloody Fight in Iron-Rock Valley, and Best Director for Na Hong-jin. (Twitch, July 22, 2011)

Kim Jee-won's revered A Bittersweet Life  (2005) will be coming to Blu-ray on August 30th, courtesy of Korean distributor Content Zone. This English-subbed version has faced numerous problems before finally seeing the light of day. (Twitch, July 22, 2011)

Recently it is no longer marquee names that are attracting audiences in South Korea. Ensemble films and relatively low-budget have been competitive in securing a large share of the market. (The Hankyoreh, July 23, 2011)

After movies, TV, and pop, comics may be the next hook in the Korean Wave. Various comic book source materials have been made into films and TV shows and with the support of festivals and trade associations they seem to be on the rise again. (Arirang, July 23, 2011)


INTERVIEWS

Closer Look at The Front Line
The Joon Ang Daily provides more info on new War drama The Front Line and interviews its director Jang Hoon. (Joong Ang Daily, July 22, 2011)

Conversation with Lee Joon-ik
Lee Joon-ik discusses his retirement, his latest film Battlefield Heroes, and planting trees in the desert in Mongolia. (Twitch, July 22, 2011)


TRAILERS

A pair of new trailers this week including one for the director's cut of the enormously popular Sunny.




BOX OFFICE

Harry Potter held its lead in a crowded marketplace and has now accumulated close to 3 million admissions. Meanwhile The Front Line (550,000) and Quick (430,000) opened strongly even if they were unable to unseat the bespectacled wizard, look to them to perform strongly in coming weeks. Sunny is dying down after reaching the 7 million mark but still added 70,000 viewers this weekend to its tally. (hancinema.net, July 24, 2011)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

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