Berlinale 2013: Ten Korean Films on Show

The Berlin International Film Festival, one of the world's most prestigious film events, is getting underway today for its 63rd edition. As has been the case for the past few years, Korean cinema is featured prominently in this year's lineup, with no less than ten titles screenings across the fest's various sections. While not in attendance, MKC will highlight some of the films screening over the coming days, many of which previously screened at Korean festivals such as Jeonju and Busan.

Hong Sangsoo takes center stage as his latest film Nobody's Daughter Haewon will compete in the prestigious international competition. Following Pieta's win at Venice and Jiseul's triumph at Sundance, might Hong bring home the Golden Bear?

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Man on the Edge (박수건달, Baksoogeondal) 2012

The gangster comedy, once one the biggest money-spinners in the Korean film industry, has fallen out of favor recently. Truth is, most high concept comedies struggle in the Korean marketplace these days. Yet for many years they were the king of the charts. In 2001, the gangster comedies Kick the Moon, My Wife Is a Gangster, Hi Dharma and My Boss My Hero, as well as Jang Jin’s hitman comedy Guns & Talk, all featured among the year’s top seven films. A year later, the first entry in the Marrying the Mafia franchise (which would spawn five installments) rode its way to the top of the chart.

What is it about the mix between gangsters and comedy (frequently romantic comedy) that has so enticed Korean viewers? Narratives featuring organized crime have always been popular the world-over and things are certainly no different here. However, in a male-driven country dominated by social hierarchy, it could be that the infantilization of these hoodlums was a welcome source of respite within the safe confines of the country’s multiplexes. In any case this clever piece of genre hybridity burned bright for a number of years before suffering increasingly diminishing returns. A few months ago, the final installment in the Marrying the Mafia franchise failed to attract over a million viewers, demonstrating that the format was running on empty.

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The Berlin File (베를린, Bereullin) 2013

From North By Northwest (1959) all the way to Tinker Sailor Soldier Spy (2011), spy thrillers have long captured the imagination of filmgoers. Over time they have become more elaborate and their appeal has led to a number of blockbuster franchises. James Bond recently celebrated his most successful outing with the chart-topping Skyfall while both the Mission Impossible and Bourne series have also stirred up some serious business.

Korea is no stranger to the genre. Shiri was the country’s first blockbuster hit in 1999 and the country’s contentious relationship with its Northern neighbor has yielded many a spy narrative since then. Ryoo Seung-wan previously dabbled in spies with his deliriously playful and inventive (but financially poisonous) spoof Dachimawa Lee (2008). He found greater success with his next work, the tense thriller The Unjust (2010), through which he channeled New Hollywood works of the 1970s. Now he’s returned to the spy genre for his most ambitious and commercial work yet.

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KBO: Miracle in Berlin, Record 1-2 Finish at Korean BO (02/01-02/03, 2013)

Miracle in Berlin, Record 1-2 Finish at Korean BO

	Title	Release Date	Market Share	Weekend	Total	Screens
1	The Berlin File	13/01/30	43.40%	1,532,210	2,245,404	897
2	Miracle in Cell No.7	13/01/29	37.50%	1,360,776	4,191,854	869
3	Man on the Edge	13/01/23	6.20%	223,531	659,045	388
4	Pororo: the Racing Adventure	13/01/09	3.80%	137,896	3,826,738	367
5	Hotel Transylvania (us)	13/01/17	2.40%	93,290	868,382	297
6	Les Miserables (uk/us)	12/12/19	1.70%	62,422	5,785,971	208
7	Detective Conan (jp)	13/01/24	1.00%	39,576	165,382	127
8	Life of Pie (us)	13/01/01	1.40%	34,584	1,550,725	89
9	The Impossible (sp/us)	13/01/17	0.70%	25,772	617,916	118
10	The Life of Guskou of Budori (jp)	13/01/30	0.30%	12,778	16,251	113

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KCN: Jiseul Triumphs while CinDi Bites the Dust (01/24-01/30, 2013)

It's been a little over a month since the weekly Korean Cinema News has appeared on MKC. Apologies for not getting back to it sooner. Work has become a little trickier and I'm still trying to strike the right balance between my personal and work projects.

I've decided to shake things up a little with KCN and try something new. Researching news and then putting them together in an article that is little more than glorified formatting is not the most exciting way to deliver the news (for you as well as myself I imagine). What I will try to do is to sum up what has happened on a weekly basis, give a few of my opinions as well as a couple of links to particularly good articles if there are any. Let's see how it goes, feedback is welcome!

KOREAN CINEMA NEWS

This past week came with both good and bad news for the industry. As you may already be aware, O Muel's Jeju Massacre film Jiseul, which premiered at last October's Busan International Film Festival, has been awarded the Grand Jury Prize in the World Dramatic Competition of the Sundance Film Festival. It's the first time that a Korean film has won an award in Park City and the news concludes a particularly successful week for Korean filmmakers at the event following the positive reception of Park Chan-wook's US debut Stoker.

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Miracle in Cell No.7 (7번방의 선물, 7beonbangeui seonmool) 2013

The Korean film industry has many great supporting players but perhaps none more so than the versatile Ryoo Seung-ryong. The dependable and chameleonic performer has been active for many years, however, 2012 was by far and away his biggest. He was excellent as the King’s right-hand man in Masquerade and he shined as the Cassanova-esque next door neighbor in All About My Wife. So popular was his performance as the middle-aged lothario that he has reprised the character for a number of local advertisements (like this one), which I must say I have enjoyed quite a lot. Following all the attention he’s been getting, it’s about time he got his own vehicle, and that’s just what’s happened, or almost. Ryoo takes center stage for the first time in his new film Miracle in Cell No.7.

Yong-gu, a grown man with the mental capacity of a six-year old, is a loving father to Yesung who is falsely accused of killing a young girl. He finds himself in jail where more than anything he misses his daughter. As his cellmates gradually warm towards him, they concoct a scheme to bring his daughter into the prison under the nose of the watchful warden.

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MKC Thought Leaders' Corner: January 2013

Welcome to the first MKC Thought Leaders' Corner! We are thrilled to present this new feature where every month we will ask the top experts on Korean cinema a pressing question regarding the Korean film industry.

Without further ado, here is this month's question:

Given the enormous success of Korean cinema in 2012, is there any cause for concern over a rise in streamlined productions as quality gives way to financial interests?

Many to thanks to all the contributors for their time and insightful comments. Responses listed alphabetically, followed by the thoughts of MKC's teammembers.

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KBO: Miracle in Cell No.7 Dominates the Chart (01/25-01/27, 2012)

Miracle in Cell No.7 Dominates the Chart

	Title	Release Date	Market Share	Weekend	Total	Screens
1	Miracle in Cell No.7	13/01/23	42.00%	1,238,809	1,628,475	769
2	Man on the Edge	13/01/09	16.50%	482,961	3,469,054	542
3	Pororo: The Racing Adventure	13/01/23	10.30%	296,695	342,773	451
4	Hotel Transylvania (us)	13/01/17	5.70%	179,874	707,925	357
5	Les Miserables (uk/us)	12/19/12	5.40%	156,426	5,629,952	344
6	Jack Reacher (us)	13/01/17	4.00%	116,100	727,261	320
7	The Impossible (sp/us)	13/01/17	3.20%	97,402	559,576	242
8	Life of Pie (us)	13/01/09	4.60%	86,099	1,480,176	155
9	The Tower	12/25/12	2.80%	83,963	5,133,494	261
10	Conan: the Movie (jp)	13/01/24	2.50%	82,108	102,059	139

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Top 10 Korean Films of 2012

2013 has just gotten underway and what better way for MKC to ring in the new year than to reflect on what has simply been a gargantuan year for Korean cinema. The vaunted 10 million admissions club welcomed two new members as The Thieves and Masquerade rode their way into the top three of the all time Korean box office chart. Indeed commercial cinema across the board enjoyed spectacular success as well over 100 million tickets were sold to domestic films at the Korean box office, a first for the industry. As of this writing seven films have crossed 4 million admissions (with an eighth on the way in the form of The Tower). What's more Kim Ki-duk became the first Korean filmmaker to prevail at one of the big three European film festivals as he took home the Golden Lion from Venice for his 18th feature Pieta. Elsewhere on the festival circuit a flurry of Korean films took home big awards, including Juvenile Offender, Barbie, The Weight, Circle Line, and many more.

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The Tower (타워, Taweo) 2012

Following the biggest ever year for Korean cinema, it is perhaps fitting that the very last work to be released in 2012 was a spectacle-driven disaster film highlighting the industry’s technical proficiency. Likened to previous blockbuster failures such as Sector 7 (2011), My Way (2011) and this year’s R2B: Return to Base, there was a danger that The Tower could have made for a sour note to conclude Korean cinema’s fortuitous year. Any such qualms were quickly dispelled however as the film registered the industry’s all time second-biggest opening day and is well on its way to an enormous finish.

It’s Christmas Eve and the brand new Tower Sky complex, a brilliant pair of skyscrapers soaring over Seoul’s skyline, is busily preparing for its glitzy holiday party. During the festivities, a helicopter dropping artificial snow crashes into the building and ignites a fierce blaze, threatening the lives of hundreds. Now, a building technician, his daughter, a restaurant manager and a legendary firefighter must brave the flames.

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Top 10 Korean Films of 2011

All in all 2011 was a bit of a disappointing year for Korean cinema, at least as far as commercial cinema was concerned.  On the other hand, independent films continued to build on their success of the last few years.  However, I'm not overly worried about the state of the industry because at the end of the day it doesn't produce a huge amount of films and is more susceptible to the ebbs and flows of projects than a larger filmmaking centre like Hollywood.  In any case, 2012 looks to be a much stronger year for Korean film.

For a while I was getting very worried about what my top 10 for the year would like, a month ago I'd only seen four of the films listed here.  Thankfully a number of more recent releases became available and things suddenly started to look a lot better.  That being said, I've seen about 45 films from last year but there's a lot that I haven't had a chance to see yet so this list will likely look quite different six month down the line, and if I feel so inclined perhaps I'll change it!

In the below links are my top 10 Korean films for 2011, followed by honourable mentions and my bottom 5.  The only criteria I go by to consider a film from 2011 is if it was released in Korea during that calendar year.

Intro - 10 9 8 7 6 5 4 3 2 1 - Best of the Rest

Top 10 Lists

Year  2020 - 2019 - 2018 - 2017 - 2016
2015 - 2014 - 2013 - 2012 - 2011 - 2010

2010s (Top 50) - All Time (Top 25)

Genre

Gangster - Horror - Revenge