Wednesday, January 25, 2012

Korean Cinema News (01/19-01/25, 2012)

More casting news for Snow Piercer this week as Jamie Bell and John Hurt are added (though MKC originally reported the latter a few weeks ago).  A number of great features this week including one from VCinema (a site to which I contribute).  Another big piece of news is the status of Korean films at the local box office which broke the 50% mark last year, more on this in the box office section.  Finally a new section detailing Upcoming Releases of Korean films (which can be found in the above tabs) has been added to MKC and will be updated regularly.


The Celluloid Traveler: In Search of The Host on the Han River
The Han River splits the city of Seoul neatly in two. North of the river lies the city’s past: huge, stately palaces; winding neighborhoods full of handsome hanok (traditional Korean houses); and monolithic gates that mark where defensive walls once stood.  South of the Han is Seoul’s future: Yeoido, the financial center of Korea; endless high-rise apartment buildings marching through what just a few decades ago was sleepy farm land; and some of the most expensive real estate on the peninsula.  The Han River is where Seoul’s ten million plus inhabitants go to unwind on a weekend afternoon, taking advantage of the myriads of parks and recreational facilities that line its banks.  It’s also where Bong Joon-Ho set some of the key scenes in his 2006 film The Host.  (VCinema, January 24, 2012)

Bleak Blockbusters
Korea had a bad 20th century.  First Japan occupied the country, then Allied forces occupied it, then a war ripped it in half, then North Korea became a dictatorship, then South Korea experienced a coup followed by a decade of military rule, followed by another decade of martial law, followed by the assassination of the president, another coup, another military regime, and, finally, in 1987, a return to constitutional government.  (Slate, January 18, 2012)

Jamie Bell in Talks to Join Bong Joon-ho's Snow Piercer
Well, well. Bong Joon-ho's upcoming post apocalyptic feature Snow Piercer is shaping up to have quite a cast.  We've known for a long time that Bong regular Song Kang-ho would have a part and just days ago came word that Chris Evans was in talks to join the adaptation of French graphic novel Le Transperceneige.   And now here come two more, with Variety reporting that both Tilda Swinton and Jamie Bell are in talks for the picture as well.  (Twitch, January 18, 2012)

Kelly Masterson Shining up the Snow Piercer
Sometimes a fresh set of eyes is all you need to punch up and polish a script, and that's exactly what's happening when it comes to the latest film from the makers of The Host (2006), Snow Piercer.  According to Variety, the flick will now get a rewrite before it goes into production this spring.  Before the Devil Knows You're Dead (2007) scribe Kelly Masterson is doing the rewrite of the film that stars Chris Evans, Tilda Swinton, and Jamie Bell.  (Dread Central, January 18, 2012)

Jeonju Digital Project 2012 Trio Announced
The 13thJeonju International Film Festival (JIFF) has announced the three directors for this year’s Jeonju Digital Project short film omnibus. Raya Martin, one of the most prominent young filmmakers of the Pinoy cinema renaissance, Vimukthi Jayasundara, “a visionary poet” of contemporary Sri Lankan cinema, and Ying Liang, one of the most promising directors on the Chinese digital independent filmmaking scene.  (KoBiz, January 20, 2012)

Rotterdam Lab to Welcome Four Korean Producers
The International Film Festival Rotterdam has announced the final 78 young film producers who will take part in the 12th edition of the Rotterdam Lab at CineMart to include four Korean producers.  These are Dahci Ma of Real Black Chicken Film, Lee Young-mi of Film Front, Dave Kim of Rainbow Factory and Han  Sunhee of BOL Pictures.  Started in 2000, the Jeonju Digital Project is an annual production by the festival which gives KW50 million (about US $44,000) each to three directors to make short films.  (KoBiZ, January 19, 2012)

Udine Plans 70s Korean Film Showcase
The 14th Udine Far East Film Festival in Italy has announced a retrospective of South Korean cinema entitled “The Darkest Decade: Korean Filmmakers in the 1970s”.  Curated by Korean cinema expert Darcy Paquet (who is also a frequent writer on the KoBiz site and Contributing Editor to Korean Cinema Today), the retrospective will feature ten films that have yet to be screened in the West.   (KoBiz, January 19, 2012)

Four Korean nominations at the Asian Film Awards
The 6th Asian Film Awards has announced nominations in 14 categories including one for Park Hae-il, the star of period action thriller War of the Arrows, and three nominations for South Korea’s Academy Award Best Foreign Language Film submission The Front Line.   (KoBiZ, January 18, 2012)

Smartphones Help Directors Look at Films from New Angles
It’s cheap, it’s easy, and it’s accessible.  Welcome to smartphone-filmmaking, which has become the new trend for both amateur and professional filmmakers in the past year.  The trend – which started about a year ago upon the domestic release of Apple’s iPhone 4 and its local carrier KT’s aggressive-creative promotion of the products – is becoming even bigger as more capital and talents are getting involved.  (The Korea Herald, January 20, 2012)

Goo Hye Sun's Short Length Film You to Premiere in Russia
The actress Goo Hye Sun’s short length film You will premiere in Russia.  The film was given an invitation to show at the Moscow “Korean Short Film Special Showing Event” that will be held from January 19-22.  The group that runs the event “Cool Connections Art Group” is planning to introduce Korean films to Russia. Out of the event if a film is chosen, it will also be shown in 5 different Russian cities.  (soompi.com, January 18, 2012)

John Hurt Joins Snow Piercer
Bong Joon-ho's train-set thriller Snow Piercer continues to gain momentum with news that legendary English actor John Hurt has joined the cast that already includes Captain America: The First Avenger star Chris Evans and internationally heralded chameleon Tilda Swinton.  (Cinema Blend, January 23, 2012)

Movie Sheds Light on Distrust in Judiciary
The release of a new movie that is based on a “crossbow terror” case in 2007, in which a judge was attacked by a professor, is causing controversy among the general public and the judiciary here.  (The Korea Times, January 20, 2012)


INTERVIEW

Spotlighting South Korean Cinema
Kyung Hyun Kim spent his childhood in Indonesia and the Middle East due to the career demands of his father, a petroleum engineer for a South Korean oil company. He turned to movies at an early age to escape the stress of frequent moves and new schools.  “I think because of their unfamiliarity with American culture, my parents let me watch a lot of movies that weren’t made for children,” says Kim, a UC Irvine associate professor of East Asian languages & literatures and film & media studies.  (uci.edu, January 2012)

2012 Sundance Filmmakers: Kangmin Kim
Hyphen continues its interviews with the Asian American filmmakers attending this year's Sundance film festival. Kangmin Kim, like Andrew Ahn, is also a CalArts grad.  While Ahn's interest is in social realist cinema, Kangmin's interest occupies the completely opposite end of the cinematic spectrum -- stop motion animation.  (Hyphen Magazine, January 20, 2012)


TRAILER

Choked (eng sub)


Tarbosaurus 3D (eng subs)



POSTER




BOX OFFICE


(Modern Korean Cinema, January 22, 2012)


Local-made films grabbed more than half of the South Korean box office last year, the first time in six years.  According to preliminary data from the Ministry of Culture, Sports and Tourism, South Korean films enjoyed a market share of 51.9% in 2011, up from 46.5% the previous year.  (Film Business Asia, January 23 2012)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Sunday, January 22, 2012

Korean Box Office Update (01/20-01/22, 2012)

Dancing Queen Waltzes to First Place During Busy Lunar New Year Weekend



Title Release Date Market Share Weekend Total Screens
1 Dancing Queen 1/18/12 23.30% 508,463 632,457 520
2 Unbowed 1/18/12 17.60% 384,102 477,465 399
3 Journey 2: The Mysterious Island (us) 1/19/12 16.70% 327,053 373,288 392
4 Puss in Boots (us) 1/11/12 14.40% 287,000 1,199,347 450
5 Mission Impossible: Ghost Protocol (us) 12/15/11 7.20% 151,106 7,186,748 276
6 Pacemaker 1/18/12 5.70% 126,629 193,025 418
7 The Neverending Story 1/18/12 3.90% 88,741 139,138 267
8 We Bought a Zoo (us) 1/18/12 3.40% 77,834 106,745 236
9 The Girl With the Dragon Tattoo (us) 1/11/12 2.30% 47,509 349,206 151
10 Love On-Air 1/5/12 1.40% 31,095 891,921 150


Business came back in a big way over the Lunar New Year weekend after a bit of a slump for local releases of late but besides the holiday bump how did the frame fare?   Despite a strong 1-2 finish from local films, the results were decidedly mixed.  The total amount of tickets sold came in at 2.18 million, up over 20% from last weekend, but down nearly 25% from last year's Lunar New Year, which fell on the first weekend of February.   The market share for local releases jumped up to 53% but with four big new films this should come as a bit of a disappointment, not to mention that the last Lunar New Year boasted a commanding 72%.

The number one movie over the holiday was the Uhm Jeong-hwa and Hwang Jeong-min film Dancing Queen which had a strong 508,463 debut amid the crowded field.  Reviews have been on the positive side but it remains to be seen how it performs in subsequent weekends.

Opening at number two was the Ahn Sung-ki starring Unbowed with 384,102.  The film opened in Busan and has received strong notices.   It's second place finish is very encouraging as it was not expected to place so high, also good news is that its total is less than 25,000 away from breakeven point already.  It will be interesting to see how this performs further down the line, specifically wether it could unseat Dancing Queen in its sophomore run.

Journey 2, a Dwayne Johnson kids vehicle from the US had a strong opening at number with a surprisingly healthy 327,053.   Holiday weekends are always a good time for family fare and in truth there wasn't much else to choose from so perhaps this should come as no surprise.

Puss in Boots, dropped three spots to number four but nevertheless managed to retain a healthy amount of its audience as it ended the weekend with 287,000 admissions which puts it comfortably over the one million mark.

Mission Impossible: Ghost Protocol saw its biggest drop to date as it garnered an additional 151,106 admissions but no one will be laughing as it easily leapt over the seven million mark, the fourth film of 2011 to do so.  I believe this makes last year the first to reach that milestone.

Pacemaker was the next new Korean release to open wide but with only 126,629 tickets sold it was quite disappointing.   Given its big marketing push and positive reviews a lot more was expected of it, of course it could grow over the coming weeks but I would be surprised if this were to be the case.

The last new Korean release was romcom The Neverending Story which came in at number 7 with 88,741.  Another lacklustre result, even if this film was not the most anticipated of the weekend's new offerings.   I expect this particular film to swiftly exits theaters.

We Bought a Zoo also opened this weekend but could only muster a paltry 77,834.  The Matt Damon family film has not impressed in any of its markets to date so this just adds to its disappointing result.   Meanwhile The Girl With the Dragon Tattoo crumbled, losing three quarters of its business and winding up with only 47,509, this after a mediocre start.

Rounding out the Top 10 was Love On-Air in its third week with 31,095 which was a calamitous 85% drop from last weekend.   Clearly it couldn't cope with the new competition.   It's total stands at 891,921 but it will now be no small task to push it past the one million milestone.

It's early days for 2012 as this is only the third weekend but it's safe to say that January has not been a good month for Korean films. Hopefully a portion of the quartet of new releases will remain strong presences in theaters over the coming weeks but we may have to wait until February when we see some big new releases, specifically the Choi Min-sik and Ha Jung-woo gangster film Nameless Gangster and the Ha Yu directed, Song Kang-ho starring thriller Howling both of which could prove substantial hits. Meanwhile, next wek sees the release of Tarbosaurus 3D, though I'm not sure wether or not it will be opening wide.

Source: kobis.or.kr


The Korean Box Office Update is a weekly feature which provides detailed analysis of film box office sales over the Friday to Sunday period in Korea. It appears every Sunday evening or Monday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Friday, January 20, 2012

Weekly Review Round-up (01/14-01/20, 2012)

Lots of reviews this week with The Front Line being released in the US.  Four movies also came out this week in Korea though as of yet only review has surfaced, expect more to come.


CURRENT KOREAN RELEASES


(The Korea Times, January 19 2012)

(hancinema.net, January 14, 2012)


RECENT RELEASES


(Varied Celluloid, January 13, 2012)

(Init_Scenes, January 18, 2012)

(Film Business Asia, January 16, 2012)

(Hanguk Yeonghwa, January 13, 2012)

(Modern Korean Cinema, January 19, 2012)

(examiner.com, January 14, 2012)

(Hanguk Yeonghwa, January 16, 2012)

(Hangul Celluloid, January 18, 2012)

(Empire, January 18, 2012)

(Haunted Hell, January 19, 2012)

Spellbound

(Beyond Hollywood, January 13, 2012)

The Front Line

The Man From Nowhere

(Dramas Whoo!, January 16, 2012)

(The One One Four, January 14, 2012)

(Beyond Hollywood, January 19, 2012)


PAST FILMS


(Rainy Day Movies, January 13, 2012)

Chaw, 2009
(Movie Mobsters, January 15, 2012)

(Otherwhere, January 13, 2012)

(Hanguk Yeonghwa, January 18, 2012)

(boxofficebuz.com, January 16, 2012)

The Isle, 2000
(Hanguk Yeonghwa, January 15, 2012)


The Weekly Review Round-up is a weekly feature which brings together all available reviews of Korean films in the English language (and sometimes French) that have recently appeared on the internet. It is by no means a comprehensive feature and additions are welcome (email pierceconran [at] gmail [dot] com). It appears every Friday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News, and the Korean Box Office UpdateReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Thursday, January 19, 2012

Countdown (카운트다운, 2011) and the Rise and Fall of the Korean Star System


Around the same time that South Korea emerged as a global economic force in the early 1990s as it went about the process of shaking off the gloom from decades of authoritarian oppression, the film industry began to see a lot of changes.  Large corporations began to fund some projects and film production rapidly modernized.  The quality and budgets of films rose.  Another aspect of the industry that began to take shape was the star system.  Given the low market share of Korean films at that point, there weren’t many household names in the local film industry since the larger public would not have been aware of the films much less the stars.  As the 1990s progressed however, a few names became known to local film viewers.  Park Joon-hoon and Han Suk-kyu were some of the first major Korean stars.  To this day they are still popular draws at the box office but then again the rebirth of the industry didn’t happen that long ago.

In the late 1990s, when the domestic film market exploded, the star system blew up along with it.  Very quickly, talent and management agencies began to hoard and commodify promising talent, employing strategies pioneered by the Hollywood star system and its domineering power brokers in the talent management sector.  Soon the hallyu phenomenon added to this escalation of the importance of above the line talent and it was at this point that things began to spiral out of control.  Budgets for Korean films were quite low but agents had driven up the prices of top talent so production costs for the industry began to soar.  Filmmakers were not happy with the direction that the industry was taking but the grip that these agencies held over the entertainment industry proved very strong.


Around the peak of the Korean film industry’s dominance of the box office in the middle of the last decade there began to be a change in star power.  Up until then recognizable actors had proven big draws for audiences but there appeal was starting to diminish.  As the industry saw a dramatic fall in 2007 there was a shift in how projects were designed.  Budgets were too high and had to be slashed, and since top actors weren’t backing up their hefty fees with solid return on investment there weren’t deemed as essential as once was the case.

At the present time even more consternation has been expressed over the bankability of big stars.  Last year there were a number of big flops, some, like Sector 7 and My Way, were huge blockbusters that generated little interest but there were a number of mid-level productions, more modest in their ambition, which were mainly relying on the recognizability of their main stars.  One of these was Hindsight, starring Song Kang-ho, another was Countdown, which featured the promising pairing of Jeong Jae-yeong and Jeon Do-yeon.


Jeong Jae-yeong is the king of deadpan, I dare you to watch Going By the Book (2007), in which he expresses not a single emotion, without falling off your seat laughing.  Over the years he has amassed an impressive array of credits, which have included many recalcitrant gangsters and stoic antiheroes.  In time he has developed into one of Korea’s most dependable leading men and of late has moved audiences to laughter and tears with award-winning roles in Castaway on the Moon (2009) and Moss (2010).

Jeon Do-yeon may very well be the most versatile actress in Korea.  Starting off in TV, she got her start in movies with the successful romance films The Contact (1997) and A Promise (1998) before moving onto different roles such as a gangster’s girlfriend in Ryoo Seung-wan’s No Blood No Tears (2002) and a diffident mother in Lee Chang-dong’s Secret Sunshine (2007) for which she won Best Actress at Cannes.


In Countdown, Jeong plays Gun-ho, an efficient and stoic debt collector who discovers that he has liver cancer.  Five years ago his son died and his organs were donated to a number of people whom Gun-ho now approaches in the hopes of getting a liver transplant.  One of these beneficiaries is Ha-yeon, a con artist who is currently in jail.  She is about to be released and agrees to the operation on the condition that he finds someone for her, the man responsible for her incarceration.

The film boasts a terrific opening but it doesn’t take long for the melodrama signals to turn on.  The death of Jeong’s character’s son, who was afflicted with Down Syndrome, weighs heavily on him.  So much so that the memory of the loss has been suppressed by some sort of ‘han’-induced amnesia.  It should also be mentioned that his parents are disabled.  All this comes within the first 10 minutes.


Sadly, Jeong’s deadpan demeanor in Countdown comes off as glum and a little sleepy while Jeon admirably throws herself into a role that is underwritten and scarcely worthy of her talent.  It’s rather unfortunate that this is the case, especially since the film started out so well.  The problem with the film is that despite all its promise it is critically lacking in originality.  The set pieces are for the most part banal or rehashed car chases and standoffs.  The photography is competent but the editing sometimes leaves much to be desired.

The film is not as witty as it attempts to be and as a result it is far too dry and glum to ever be funny.  The local overcast weather is a also detriment in this film which by all rights should be colorful and exuberant, they should have played with lighting, locations and wardrobe more to counteract this.  It’s a sad state of affairs when the most interesting location is a Lotte department store.


Another issue is that the weight of inevitability looms over the narrative as we are just waiting for the backstory, the seeds of which have already been planted in the opening minutes, to kick in and hijack the narrative.  It’s a long time coming and though it is predictably melancholy and cloying, thankfully it works rather well.  This is due in large part to Jeong, who is afforded the opportunity to add more depth to his character and performance in these final stages.

At the end of the day, Countdown is a mediocre film with a humdrum narrative which happens to feature two big stars.  It’s like a song that thinks it’s cool and savvy, replete with self-assured lo-fi beats and interspersed instrumental bursts, but is really just elevator music.  I am a big fan of both Jeong Jae-yeong and Jeon Do-yeon but now I will need to count down until they both return in better films.


★★★☆☆



Reviews and features on Korean film appear regularly on Modern Korean Cinema.  For film news, external reviews, and box office analysis, take a look at the Korean Box Office UpdateKorean Cinema News and the Weekly Review Round-up, which appear weekly on Monday, Wednesday, and Friday mornings (GMT+1).

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, January 18, 2012

Korean Cinema News (01/12-01/18, 2012)

Lots of great features this week and a few more 2011 wrap-ups.  Also some casting news for Bong Joon-ho's hotly anticipated Snow Piercer, I certainly the Tilda Swinton piece materializes!  Some great trailers and more also featured featured this week.


KOREAN CINEMA NEWS

Korean Cinema 2011: the View from Here
How do you introduce new Korean films to an American audience?  US-based author and curator of film at the Smithsonian’s Freer and Sackler Galleries in Washington, DC, Tom VICK shares his views on recent trends he has noticed programming their Korean film festival.  Korea’s film industry produces a deluge of commercial and independent releases.  But recent years have brought a proliferation of young, talented filmmakers with only a film or two under their belts.  (Korean Cinema Today, January 5, 2012)

Director of My Sassy Girl to Take on a More Serious Movie
Korean director Kwak Jae-yong is perhaps best known for his romantic-comedy My Sassy Girl (2001), but he’s decided to try his hand at a more somber story and will take on a film about the so-called “comfort women” of World War II.  The movie, to be called Flower Shoes, will be set from 1930 to 1945 and will detail the experiences of the Korean women forced into sexual slavery by the Japanese during that time period.  (Joong Ang Daily, January 12, 2012)

New Stills for Ha Ji-won/Bae Doo-na Pic Korea
The first publicity stills have emerged for the upcoming film Korea (aka As One) which pairs Ha Ji-won and Bae Doo-na.  Based on the true story of the victory of the South and North Korean teams at the Chiba International Table Tennis Championships in 1991, Ha Ji-won represents Hyeon Jeong-hwa and Bae Doona represents Lee Boon-hee from the North.  (hancinema.net, January 12, 2012)

Cinema of Embodied Unpleasures
Rowena Santos Aquino takes an in depth look at the body of work of Korean auteur Kim Ki-duk in an engaging three part discussion called 'Spotlight on Contemporary Korean Cinema: Kim Ki-duk' over at Next Projection.

Part I - Filmmaker  (Next Projection, January 11, 2012)
Part II - Mentor  (Next Projection, January 12, 2012)
Part III - Subject: Arirang  (Next Projection, January 13, 2012)

Chris Evans in Negotiations to Star in Bong Joon-ho's Snow Piercer
Bong Joon-ho, one of South Korea's top directors, has not made one bad film so far in his career. In fact, at least two of his feature films, namely Memories of Murder (2003) and The Host (2006), are in my opinion masterpieces of modern cinema.  His last film was the 2009 critical hit Mother.  (Twitch, January 14, 2012)

Multiculturalism a New Theme in Korean Movies
More and more Korean movies, including Pacemaker by director Kim Dal-joong that opens next Thursday, are taking on the theme of multiculturalism that is changing the face of Korean society.  In 2010, one out of every 10 marriages involved a foreign spouse, while the number of children from multicultural families has grown seven-fold from 25,000 in 2006 to 160,000 in 2010.  And this trend is being portrayed more frequently on the silver screen.  (The Chosun Ilbo, January 13, 2012)

The History of Korean Cinema .... on screen
The fact of the matter is, outside of Korea, Korean cinema is still a very 'new' thing. Generally most people may have seen your Oldboy's and My Sassy Girl's but outside of that the earliest film that those in the West will have likely seen would probably be JSA (2000) or Shiri (1999).  This puts Korean cinema in an interesting position of only being around 14 years old (15 using the Korean birthday system!).  For a national cinema so young, it really has come along leaps and bounds, but the more interesting thing is what was it like before this point.  (Tully's Recall, January 14, 2012)

V-I-C-T-O-R-Y! Korean Sports Movies
Anyone who has seen the millions of Koreans flocking to the streets and plazas to cheer on the National Team during World Cup season would probably be aware how much Koreans love sports.  Korea is a highly competitive society where focus, diligent attitude, eagerness for hard work, and teamwork is highly valued; all elements that can be found in sports.  Add pursuit of honor to that mix and you’ve got a perfect combination for grabbing people’s attention.  (The Korea Blog, January 11, 2012)

A Class Apart: Why Im Sang-soo Loses to Kim Ki-young in the Battle of The Housemaids
Hong Nguyen takes a look at the two versions of The Housemaid.  The original from 1960 by Kim Ki-young and the remake which cam 50 years later at the hands of Im Sang-soo.  (London Korea Links, January 16, 2012)

Lee Chang-dong’s Poetry Set for Release in Japan
Korean auteur director Lee Chang-dong’s film Poetry is set for release in Japan on Feb. 11, 2012.  The Cannes Best Screenplay Award-winning film will be distributed by KinoEye Japan and Siglo, which released the film’s Japanese poster and trailer today.  The film’s Japanese title translates to “Poetry: Agnes’ Song”.  (KoBiz, January 16, 2012)

CJ CGV Opens Two More Vietnam Multiplexes
Leading South Korean exhibitor CJ CGV has opened two more multiplexes in Vietnam, bringing their total to nine cinemas with 69 screens in the country.   The two multiplexes are in the center of Ho Chi Minh City and Hanoi with two 3D screens each.  The Ho Chi Minh City cinema has eight screens while the Hanoi cinema has seven.   (KoBiz, January 16, 2012)

Romance Joe to Compete at Rotterdam Tiger Awards
This year’s International Film Festival Rotterdam (IFFR) has announced the complete line-up for its Tiger Awards Competition.   The 15-film selection includes Korean director Lee Kwang-kuk’s Romance Joe, which will make its international premiere.   Park Hong-min’s A Fish was announced earlier on as the competition’s first 3D film ever.   (KoBiz, January 12, 2012)

Tilda Swinton to Join Snow Piercer
Tilda Swinton is in talks to join post-apocalyptic thriller Snow Piercer.  The feature is based on the French comic Le Transperceneige created by Jean-Marc Rochette and is South Korean director Bong Joon-ho’s first foray into English language film.  Snow Piercer’s plot follows a group that is traveling by train together in a future ice age.  (film-news.co.uk, January 18, 2012)

New Thai Film Fest Set to Open with Always
The first edition of Thailand's Hua Hin Film Fest is set to bow Jan. 26 with the screening of South Korean pic Always, followed by the unspooling of 50 movies over four days.   (Chicago Tribune, January 17, 2012)

The director of Treeless Mountain is back with her third feature, an American independent produciton starring Paul Dano as a young rock musician whose divorce from his wife (Jena Malone) triggers a desire to bond with the 6-year-old daughter he's never really known.  (The Wall Street Journal, January 18, 2012)


INTERVIEWS

Interview With Director Kim Kyung-mook
One of the Korean independent film community’s most remarkable young directors, Kim Kyung-mook made his feature debut with the unconventional Faceless Things (2005). He broadened his sights with A Cheonggyecheon Dog (2008) and has most recently been doing the film festival rounds with his third feature Stateless Things. The film debuted at the Venice Film Festival’s Orrizonti competition and is set to screen in the upcoming Rotterdam film festival’s Spectrum section.  The film is about people who have no place to stay.  How did Kim come to take such an interest in these people? He met with Korean Cinema Today to tell us.  (KoBiz, January 16, 2012)

Park Hee-gon was in his last year of high school in May 1987 when he, like thousands of other South Koreans, watched a baseball game that became legendary.  The game between the Lotte Giants and Haitai Tigers was a pitchers’ duel that lasted for 15 innings before officials called it a draw.  The pitchers – Lotte’s Choi Dong-won and Haitai’s Sun Dong-yeol – had squared off before but both were near the end of their careers and fans knew it would be the last time they faced each other.  (The Wall Street Journal, January 17, 2012)


TRAILERS

2 Lines

Introduction of Architecture


Love Fiction

War of the Arrows



POSTER



BOX OFFICE

(Modern Korean Cinema, January 15, 2012)


Although the number crunchers in Hollywood estimate that US theatrical admissions sank to their lowest level since 1995, things were not so gloomy in Korea.  With an estimated 160 million tickets sold (more precise figures will become available at a later date), it appears that Korea has approached or broken the modern-day record for admissions.  (Korean Cinema Today, January 14, 2012)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Sunday, January 15, 2012

Korean Box Office Update (01/13-01/15, 2012)

Puss in Boots Holds Local Films at Bay


Title Release Date Market Share Weekend Total Screens
1 Puss in Boots (us) 1/11/12 33.80% 590,740 704,725 593
2 Mission Impossible: Ghost Protocol (us) 12/15/11 18.00% 362,326 6,914,588 461
3 Love On-Air 1/5/12 10.80% 225,174 781,810 358
4 The Girl With the Dragon Tattoo (us) 1/11/12 9.50% 185,758 228,385 321
5 Sherlock Holmes: Game of Shadows (us) 12/21/11 7.70% 154,399 2,160,333 270
6 Perfect Game 12/21/11 6.40% 128,734 1,392,738 266
7 The Outback 1/12/12 3.30% 70,297 87,383 234
8 White Vengeance (hk) 1/11/12 2.70% 55,498 70,345 163
9 My Way 12/21/11 2.20% 45,009 2,121,331 219
10 Friends: Naki on Monster Island (jp) 12/29/11 1.70% 36,930 496,880 191


For the fifth weekend in a row a major Hollywood release has trumped local fare at the Korean box office.  A new champion, of the animated variety, rose to the top this week.  Overall business was up from 1.47 to 1.75 million admissions year on year while once again the market share for Korean films tumbled to 24%, from last year's 43%.

Shrek spinoff Puss in Boots had a big weekend with 590,740 tickets sold.  That's a lot more than Megamind which took the top spot at the same time last year.

MI4 added another 362,326 tickets to its enormous haul as it dropped less than a third and is now inches from the 7 million mark an could still threaten another milestone, making it the biggest film released in 2011.

Love On-Air (aka Wonderful Radio) had an encouraging small drop (20%) in its sophomore frame which, given poor reviews, I wasn't expecting.  The future looks a little rosier for the midlevel film but after such a mediocre opening this is closer to damage control than success.  Still, if it continues like this it could end up well north of the one million mark.

The Girl With the Dragon Tattoo opened with 185,758 which is not a particularly encouraging figure for a film tat was expected to play strongly in international territories, maybe word of mouth will bolster its run further down the line.  Perhaps Sherlock Holmes sequel Game of Shadows dropped about a third as it crossed the 2 million mark with its 154,399 weekend, a good showing for a sequel that has underperformed elsewhere.

Perfect Game stayed more or less flat this weekend with 154,399, which is impressive.  It will come close to the two million mark but is unlikely to cross it.  Animated film The Outback, featuring a number of K-pop star on vocal duties, opened soft 70,297.  Truth be told I hadn't even heard of the film before this weekend, I'm not sue who else did.

Hong Kong period epic White Vengeance began its run with 55,498 while mega-blockbuster and equally large box office bomb My Way slowed to 45,009 in its probable final top 10 finish.  Friends: Naki on Monster Island Japanese anime roudned out the top 10 with 36,930.

Next Week:  Lunar day weekend is nearly upon us and it's about time as the tired current local fare is in desperate need of replacement.  Opening next week are Pacemaker, Dancing Queen, Neverending Story, and Unbowed. Pacemaker looks to come out on top but let's hope it can nudge out foreign competition for a much needed local win.

Source: kobis.or.kr


The Korean Box Office Update is a weekly feature which provides detailed analysis of film box office sales over the Friday to Sunday period in Korea. It appears every Sunday evening or Monday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Friday, January 13, 2012

Weekly Review Round-up (01/07-01/13, 2012)

A pair of reviews for last year's breakout debut Bleak Night and a number of writeups for various independent and classic Korean film to boot.


RECENT RELEASES


Bleak Night

(Modern Korean Cinema, January 10, 2012)

(hancinema.net, January 7, 2012)

(Flickering Myth, January 9, 2012)

(Rainy Day Movies, January 9, 2012)

(Modern Korean Cinema, January 12, 2012)

(Hangul Celluloid, January 9, 2012)

(Beyond Hollywood, January 10, 2012)

(Rainy Day Movies, January 11, 2011)

(Asian Movie Web, January 9, 2012)


PAST FILMS


(Rainy Day Movies, January 10, 2012)

A Day Off, 1968
(Init_Scenes, January 11, 2012)

Black Hair, 1964
(Init_Scenes, January 9, 2012)

(Hanguk Yeonghwa, January 11, 2011)

(DVD Talk, January 8, 2012)

(New Korean Cinema, January 12, 2012)

(BloggersBase, January 8, 2012)


The Weekly Review Round-up is a weekly feature which brings together all available reviews of Korean films in the English language (and sometimes French) that have recently appeared on the internet. It is by no means a comprehensive feature and additions are welcome (email pierceconran [at] gmail [dot] com). It appears every Friday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News, and the Korean Box Office UpdateReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.