KBO: Les Miserables Tunes Into First Place (12/21-12/23, 2012)

Les Miserables Tunes Into First Place

	Title	Release Date	Market Share	Weekend	Total	Screens
1	Les Miserables (uk/us)	12/19/12	30.80%	788,836	1,265,703	670
2	Love 911	12/19/12	16.00%	416,818	703,159	426
3	The Hobbit (us)	12/13/12	17.40%	396,913	1,988,600	585
4	Marrying the Mafia 5	12/19/12	12.00%	312,681	528,802	447
5	Wreck-It Ralph (us)	12/13/12	5.70%	148,804	289,468	361
6	My P.S. Partner	12/6/12	5.70%	134,911	1,584,404	245
7	26 Years	11/29/12	4.20%	110,130	2,874,679	293
8	Pokemon (jp)	12/19/12	1.90%	93,510	191,011	273
9	Pokemon (jp)	12/19/12	1.40%	79,331	159,450	227
10	Rise of the Guardians (us)	11/29/12	1.70%	48,584	1,001,379	175

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KCN: Korean Cinema to Invade Berlin and Rotterdam (12/13-12/19, 2012)

Numerous festival announcements this week as Korean films pick up more prizes at international film festivals and a number of prestigious events gorge on Korean cinema.

In addition to everything below, a few more fresh festival selections lacking full writeups:

Jiseul, Sleepless Night, The Russian Novel and Sunshine Boys heading to the Rotterdam International

Behind the Camera and Jury to officially take part in Berlin's Panorama section

KOREAN CINEMA NEWS

Berlin Invites Pluto to Generation Section
Next February’s Berlin International Film Festival is taking shape as a major discovery grounds for Korean cinema as a fourth Korean film has been invited to the prestigious event. Shin Su-won’s Pluto, one of the most talked about films at this year’s Busan International Film Festival, will have its international premiere during Berlin’s Generation programme. (KoBiz, December 18, 2012)

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KBO: The Hobbit Stands Tall at No.1 (12/14-12/16, 2012)

The Hobbit Stands Tall at No.1

	Title	Release Date	Market Share	Weekend	Total	Screens
1	The Hobbit (us)	12/13/12	45.20%	921,177	1,080,351	1,028
2	26 Years	11/29/12	17.10%	409,708	2,557,122	474
3	My P.S. Partner	12/6/12	15.90%	353,277	1,223,873	420
4	Rise of the Guardians (us)	11/29/12	6.70%	165,984	899,826	361
5	Werewolf Boy	10/31/12	4.10%	102,475	372,017	233
6	One Day (us)	12/13/12	3.50%	79,190	102,936	236
7	Power Rangers (jp)	11/29/12	1.90%	48,317	63,041	229
8	Confession of Murder	11/8/12	1.00%	22,544	2,720,064	114
9	Masquerade	9/13/12	0.90%	20,635	12,274,047	88
10	Wreck-it Ralph (us)	12/13/12	0.80%	19,179	33,623	118

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WKR: Confession of Murder, Pieta and More (12/08-12/14, 2012)

A trove of past Korean films reviewed in this week's roundup, along with a pair of writeups on Kim Ki-duk's Pieta and more.

CURRENT FILMS

Confession of Murder

(Modern Korean Cinema, December 13, 2012)

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Confession of Murder (내가 살인범이다, Naega Salinbeomida) 2012

The sound of torrential rain beating down during a pitch black night can be heard along with the heavy footfalls of boots stamping on the wet ground. The atmosphere is pregnant with a sense of unease; menace and frustration linger in the air. A weary and despondent detective chases after a despicable man: a monster with the blood of young women on his hands. But the lawman’s pursuit will prove fruitless, as this faceless ghost will vanish into thin air and into the forgotten recesses of history.

Such a passage could easily describe any number of narratives that have cropped up in all kinds of mediums across the world. As far as Korean cinema is concerned, it quickly brings to mind a handful of powerful works whose import cannot be dismissed in any serious consideration of the nation’s cinematic output. Chief among them is Bong Joon-ho’s Memories of Murder (2003), a transcendent genre piece that captured the anxiety and trauma of an entire nation and which is for many, including myself, the single greatest work that the country has ever produced. Another would be Na Hong-jin’s blistering The Chaser (2008), which deliberately trampled over every generic convention it could find and forged a new direction for one of the world’s most dynamic film industries in the process.

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KCN: New Projects from Park Chan-wook, Kim Jee-woon and Hong Sang-soo (12/06-12/12, 2012)

Lots of new projects or details of upcoming films announced this week, including the latest on Park Chan-wook, Hong Sang-soo and Kim Jee-woon's cinematic endeavors. The first teaser for Ryoo Seung-wan hotly anticipated spy thriller The Berlin File was also released today.

KOREAN CINEMA NEWS

Kim Jee-woon Plans Live Action Jin Roh: The Wolf Brigade
Get ready for something spectacular. Korea's Kim Jee-woon - soon to make his English language debut with Arnold Schwarzenegger starring The Last Stand - has big plans for his next Korean film and it's something that should leave anime fans very, very happy. (Twitch, December 11, 2012)

Director Hong Sangsoo’s Next Film Gets 19 Rating
Director Hong Sangsoo’s next film, Nobody’s Daughter Haewon, was given the 19 or above rating on December 6. The film finished shooting this past spring and is in the post production stage, awaiting a release date. The film stars Lee Sun-kyun who appeared in Hong Lost in the Mountains and Oki’s Movie. This will be the actor’s third collaboration with Hong. (KoBiz, December 11, 2012)

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KBO: 26 Years Steady at No.1 (12/07-12/09, 2012)

26 Years Steady at No.1

	Title	Release Date	Market Share	Weekend	Total	Screens
1	26 Years	11/29/12	31.10%	606,877	1,815,877	610
2	My P.S. Partner	12/6/12	25.40%	473,527	565,557	553
3	Rise of the Guardians (us)	11/29/12	13.60%	258,352	677,900	430
4	Werewolf Boy (Director's Cut)	10/31/12	8.10%	164,554	183,029	278
5	Twilight: Breaking Dawn Part 2 (us)	11/15/12	5.20%	104,602	2,578,609	305
6	Confession of Murder	11/8/12	5.10%	95,262	2,648,477	281
7	Tone Deaf Clinic	11/29/12	2.00%	42,000	303,714	212
8	Masquerade	9/13/12	1.60%	32,353	12,227,303	97
9	Don't Cry Mommy	11/22/12	1.30%	26,550	956,740	201
10	Judge Dredd (us)	12/6/12	1.40%	26,402	34,731	184

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WKR: Current Release and Much More (12/01-12/07, 2012)

Even spread of write-ups this week covering old and new releases.

UPCOMING FILMS

Tumbleweed

(Modern Korean Cinema, December 6, 2012)

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BIFF 2012: Tumbleweed (창수, Chang-su) 2012

Part of MKC's coverage of the 17th Busan International Film Festival.

The gangster film, a genre that has found its way into just about every national film industry on the planet, is no stranger to Korean cinema. While the country has produced its fair share of compelling gangland sagas, stretching from the 1997 trio of Beat, No . 3, and Green Fish to more glossy and baroque undertakings such as A Dirty Carnival (2006) and this year’s Nameless Gangster, some of the most memorable films have been those that have been filtered through the prism of Korea’s filmmaking mainstay, the melodrama. Romance and gangsters have been combined to great effect in films such as Kim Jee-woon’s A Bittersweet Life (2005) but some of the most surprising examples have featured criminals at the bottom end of the pecking order.

Song Sae-heun’s Failan (2001) featured Choi Min-sik as a hapless thug who develops feelings for his shame immigrant wife (Cecilia Chung) following her death. The film did away with the gloss and style we often associate with gangster films and instead focused on a bizarre relationship which in many ways acted as a path of redemption for Choi’s character. Similarly, Yang Ik-june’s Breathless (2009) followed a gruff and violent money collector in a rundown neighborhood who develops an odd friendship with a high school girl (played by Kim Kkottbi) that could become his salvation.

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KCN: Sundance Welcomes Korean Filmmakers, More Awards and Classic Korean Film (11/29-12/05, 2012)

More festival selections and awards this week, a lot of news relating to Park Chan-wook projects in the US and a raft of reviews as the new Korean Cinema Today webzine goes live (which yours truly contributed to).

KOREAN CINEMA NEWS

The Weight Wins Best Director at India Film Fest

Following a Best Director win last week at the Tallin Black Nights Film Festival, Jeon Kyu-hwan has once again struck gold (or rather silver) as his new feature The Weight earned him a Silver Peacock award for best director at the International Film Festival of India. The award came with a cash prize of INR 1.5 million (USD 27,600). Meanwhile, local film Anhey Ghorhey Da Daan picked up the Golden Peacock for best film. The 43rd IFFI, which ran from November 20th to 30th, screened around 300 films. (KoBiz, December 4, 2012)

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Miss Conspirator (미쓰 GO, Misseu Go) 2012

By Rex Baylon

Being an avid fan of anything, be it a film, a band, or an author’s work, comes at a price; a gnawing hunger to consume our drug regardless of the social, mental, and financial toll it might take. Aside from that overwhelming desire there is also a parallel drive to feel something new for a work that we have poured our heads and hearts wholeheartedly into. This soon breeds insular personalities who operate in a fantasy world where in our mind’s eye we hear Philip Glass's score from the Qatsi trilogy being played as we engage in the most banal of rituals like writing an e-mail or waiting for the bus.

For agoraphobic Chun Soo-roo (Ko Hyeon-jeong) her world is the heightened reality of the crime genre. A dual world of cops and robbers, heists, capers, and double and triple crosses, where money switches hands faster than henchmen switch sides. A farewell goodbye to a friend at the airport becomes the elaborate setup for a great story. However menacing serial killers and rabid gangsters do not populate these dark alleyways. Instead, director Park Chul-kwan borrows more from Ocean's Eleven (The original Sinatra version as well as the Soderbergh remakes) and Catch Me If You Can (2002) than from gritty crime dramas like The Yellow Sea (2010) or Nameless Gangster (2012). From the inspired faux-retro Saul Bass-inspired title sequences to the klezmer heavy score Miss Conspirator (2012) is a movie built firmly on the clichés of suspense pictures. Of course as any student of the genre knows there is no better master of suspense then Alfred Hitchcock, who invented the grammar of suspense for film.

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KBO: The Controversial 26 Years Shoots to the Top (11/30-12/02, 2012)

The Controversial 26 Years Shoots to the Top

	Title	Release Date	Market Share	Weekend	Total	Screens
1	26 Years	11/29/12	32.80%	663,704	803,186	609
2	Rise of the Guardians (us)	11/29/12	15.00%	277,161	361,738	472
3	Werewolf Boy	10/31/12	12.80%	265,304	6,519,784	415
4	Twilight: Breaking Dawn Part 2 (us)	11/15/12	10.70%	220,160	2,390,761	351
5	Confession of Murder	11/8/12	9.10%	176,703	2,471,307	315
6	Don't Cry Mommy	11/22/12	6.60%	136,890	883,290	339
7	Tone Deaf Clinic	11/29/12	5.90%	127,304	206,344	361
8	Masquerade	9/13/12	2.50%	54,186	12,167,317	128
9	National Security	11/22/12	1.50%	31,110	305,802	216
10	Trouble With the Curve (us)	11/29/12	0.50%	11,261	17,225	129

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WKR: Eungyo, Taste of Money and LeeSong Hee-il in the Spotlight (11/24-11/30, 2012)

A number of current releases covered this week, including three films by LeeSong Hee-il as well as writeups the LKFF selection Eungyo, the recently-released Taste of Money, and a pair of favorable reviews from Variety's Maggie Lee.

UPCOMING FILMS

Pluto

(Variety, November 25, 2012)

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KCN: Festivals Awards and Invitations Glut (12/22-12/28, 2012)

Festival awards for Korean cineastes dominate the news this week as well as the further high profile selections during what has been a banner year for every sector of the Korean film industry.

KOREAN CINEMA NEWS

Fatal Invited to Berlin International Film Festival
Lee Don-ku’s Fatal has officially been invited to the Berlin International Film Festival. Fatal, which debuted in the ‘New Currents’ section of the 17th Busan International Film Festival (BIFF), was invited to the ‘Panorama’ section of the 63rd Berlin International Film Festival, which is going to take place in February 7th to 17th next year. (KoBiz, November 28, 2012)

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White Night (백야, Baekya) 2012

South Korea’s rapid development over the past 20 years has been nothing short of an economic miracle but, though there’s no denying how far it’s come, not every element of society has progressed at the same breakneck pace. Various elements, particularly as they relate to social change, have stubbornly lagged behind. One such facet is the acceptance of homosexuality. As gay marriage is slowly becoming a part of daily life in various countries in the western world, gay rights are progressing haltingly in Korea. Given the nation’s advances in other areas, this, along with other social problems, seems a little incongruous when compared with the modern image projected through the nation’s media.

Through the prism of a highly developed film industry such as Korea’s, this divide seems that much more vivid. LeeSong Hee-il, Korea’s first openly gay filmmaker, has been busily working away on short films for quite some time but earlier this year he finally unveiled his sophomore feature White Night at the Jeonju International Film Festival, coming six years after his very well-received debut No Regrets. 

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KBO: A Werewolf Boy Claims 4th Win During Crowded Weekend (11/23-11/25, 2012)

A Werewolf Boy Claims 4th Win During Crowded Weekend

	Title	Release Date	Market Share	Weekend	Total	Screens
1	Werewolf Boy	10/31/12	24.80%	550,880	6,015,700	595
2	Twilight: Breaking Dawn Part 2 (us)	11/15/12	21.50%	468,965	1,940,783	536
3	Don't Cry Mommy	11/22/12	19.20%	425,916	538,138	444
4	Confession of Murder	11/8/12	15.10%	310,819	2,109,450	382
5	National Security	11/22/12	6.90%	147,759	188,020	310
6	Masquerade	9/13/12	2.80%	62,631	12,064,506	166
7	Rise of the Guardians (us)	11/29/12	2.80%	50,523	56,850	197
8	Iron Bag Man	11/22/12	1.20%	26,250	42,208	119
9	Tone Deaf Clinic	11/29/12	1.20%	25,876	42,251	203
10	Skyfall (us/uk)	10/26/12	1.10%	23,232	2,349,440	122

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BIFF 2012 Interview: Stepping Behind the Lens - Yu Ji-tae Discusses His New Career Path

Part of MKC's coverage of the 17th Busan International Film Festival.

One of Korea's most recognizable faces, actor Yu Ji-tae has been at the forefront of the Korean film industry since its renaissance in the late 1990s. He first made a splash in Kim Sang-jin's anarchic Attack the Gas Station (1999). Following his romantic roles in Ditto (2000) and Hur Jin-ho's One Fine Spring Day, Yu switched gears to play the villain in Park Chan-wook's seminal Oldboy (2003), elevating his visibility to a global level along the way.

Though still an active actor, over the last few years Yu has also forged a path for himself as a short filmmaker. At this year's Busan International Film Festival he finally unveiled his acclaimed debut feature Mai Ratima. He kindly took some time out of his busy schedule to talk with MKC about his new role behind the camera and the state of independent filmmaking in Korea.

And yes, he is quite tall...

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WKR: New Indie Releases Take Center Stage (11/17-11/23, 2012)

Juvenile Offender and National Security were both released and reviewed this week while Rain's R2B: Return to Base and The Thieves get a few writeups in this week's Weekly Korean Reviews update.

UPCOMING FILMS

El Condor Pasa

(Modern Korean Cinema, November 20, 2012)

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KCN: Korean Films Sell 100 Million Tickets in 2012 + New Footage for The Host 2 (11/15-11/21, 2012)

Korean film industry hits yet another major milestone in 2012 while some footage for the long-awaited sequel to The Host (2006) drops out of nowhere. However, outside of these items and a number of small festival tidbits, it wasn't a big week for Korean film news.

KOREAN CINEMA NEWS

First Horrific Footage for The Host 2
No beating around the bush here! A clip of the long-awaited Korean horror flick The Host 2 goes straight for the jugular with the hungry creature wrecking havoc upon an unsuspecting family, tearing up on a moving truck, and then chasing two innocent children for a quick snack. Oh my, I wouldn't want to be in the shoes of these kids when the shit hits the fan. (Twitch, November 20, 2012)

Korean Films Draw Over 100 Million Viewers This Year
Korean movies have drawn over 100 million viewers in 2012. The Korean Film Council on Monday said the number of people watching Korean films this year totaled 99.61 million as of Sunday. "Since at least 200,000 people on average watch Korean movies on a weekday, the 100-million mark will be reached on Tuesday," a council spokesman said. (The Chosun Ilbo, November 20, 2012)

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BIFF 2012: El Condor Pasa (콘돌은 날아간다, Kondoleun Nalaganda) 2012

Part of MKC's coverage of the 17th Busan International Film Festival.

A regular staple at the Busan Film Festival, Jeon Soo-il is a local filmmaker whose body of work has steadily brought him acclaim and accolades from around the world. He is not as famous as some of the more prominent arthouse Korean filmmakers but nonetheless he is an important figure from Korea’s independent film scene.

Now on his seventh feature, Jeon Soo-il’s style, which has always been unique but malleable, has of late, become more concrete. Last year’s Pink (also a Busan Film Festival selection) was a small breakthrough for him, earning him more recognition than his previous works. Though not an easy film (none of his works are), Pink was much more accessible, due in large part to the careful and gorgeous visual aesthetic through which he carved his narrative. With its muted, earthy color palette, and deliberate compositions, which emphasized the distance between the story’s various protagonists, his film, despite its frequent silences and stillness, teemed with life.

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