Writer-director Lee Jeong-beom made a big splash in 2010 when his confidently made action feature The Man from Nowhere became a box office hit in South Korea. It made a believable action star out of its lead, Won Bin, and had an emotional core that helped it lean closer towards other, well-established action films of its ilk such as Luc Besson’s Leon: The Professional (1994) or Tony Scott’s Man on Fire (2004). Lee follows a similar format with his newest ultraviolent follow up, No Tears for the Dead, which at times feels like it could have been another Tony Scott film.
Monday, January 26, 2015
Review: Straightforward Action in NO TEARS FOR THE DEAD
Writer-director Lee Jeong-beom made a big splash in 2010 when his confidently made action feature The Man from Nowhere became a box office hit in South Korea. It made a believable action star out of its lead, Won Bin, and had an emotional core that helped it lean closer towards other, well-established action films of its ilk such as Luc Besson’s Leon: The Professional (1994) or Tony Scott’s Man on Fire (2004). Lee follows a similar format with his newest ultraviolent follow up, No Tears for the Dead, which at times feels like it could have been another Tony Scott film.
Coming Attractions: A MATTER OF INTERPRETATION Leaves It Up To You
By Rex Baylon
Lee Kwang-kuk returns after a two year hiatus with his sophomore film A Matter of Interpretation. For those who might have forgotten, Lee spent his formative years as assistant director to festival darling Hong Sangsoo before finally debuting as director with 2012's Romance Joe.
Sunday, January 25, 2015
Reel Talk: GANGNAM BLUES and Korean Gangster Cinema
Every Friday I appear on a segment called Reel Talk for Arirang TV on the 2 o'clock news, mostly covering Korean cinema.
I've made no secret of my love for Yoo Ha's comeback Gangnam Blues (you can read MKC's review here) and this week on Reel Talk I took the opportunity to sing its praises and briefly look back over the rich history of Korean gangster cinema.
Saturday, January 24, 2015
Review: GANGNAM BLUES, a Gorgeously Overwrought Gangster Classic in the Making
By Pierce Conran
Yoo Ha returns to gangster cinema and knocks it right out of the park with his latest, an evocative and immensely entertaining saga that pits a common tale of brotherhood and betrayal against a thrilling period setting mired in violence and corruption. Nine years after A Dirty Carnival, Yoo has maintained his knack for combining genre filmmaking and subtle symbolism, while also elevating his craft to encompass the full range of Korean cinema’s technical knowhow in Gangnam Blues.
Friday, January 23, 2015
News: Kino Lorber to Give US Viewers A HARD DAY
By Pierce Conran
One of last year's best Korean films, the thriller A Hard Day is finally going to find its way to American theaters after being picked up by Kino Lorber. The film will be released this summer before hitting the home market in autumn.
Discover a Wealth of Upcoming Korean Releases in MKC's New Database
It's taken some tinkering but, finally, we've finished the new Upcoming Releases page. While many excellent databases exist online with information on future Korean films, many are hard to navigate or far from comprehensive. We wanted to provide an easy to use resource listing all Korean films on the horizon and we believe we've been able to do that.
Thursday, January 22, 2015
Review: THE ROYAL TAILOR Spins a Colorful Period Yarn
By Pierce Conran
Period dramas are all the rage in Korea at the moment, but while some have been setting records at the box office (such as Roaring Currents), not all have been successful. No film is a guaranteed hit but period productions are a costlier gamble than most and with those risks come certain strings. The Royal Tailor, a King’s court drama with a penchant for colorful fashion and plenty of humor, is a fine sophomore effort from Lee Won-suk, if one that feels bound by certain restrictions and obligations, particularly in its final act.
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