Showing posts with label my way. Show all posts
Showing posts with label my way. Show all posts

Wednesday, February 22, 2012

Korean Cinema News (02/16-02/22, 2012)

It's a very good week to be a Korean cinema fan with numerous big announcements including Classic Korean film channel on YouTube, the release of KOFIC's free 2011 Korean Cinema book and the announcement of the 2012 East Winds Symposium and Festival which I am thrilled to say to say I will be presenting at.  Lots more news, interviews, trailer, posters, and box office as usual.


SPECIAL ANNOUNCEMENTS

There’s been a big news story this week for anyone interested in classic Korean cinema: the Korean film Archive (KOFA) have announced a partnership with Google which will deliver a Video On Demand service through YouTube of seventy classic Korean films, ranging from 1949 to 1996 – seven of which will be of HD quality.  The answer to the big question is – yes – all of the films will have English subtitles.  (New Korean Cinema, February 18, 2012)
(Modern Korean Cinema, February 21, 2012)

Every year, the Korean Film Council compiles an exhaustive book on Korean cinema, with analysis of the year and profiles for every film released during that time.  It's a very useful resource and must for any Korean cinema fan, the 2011 edition is available to download for free now!
(KoBiZ, Febraury 2012)


KOREAN CINEMA NEWS

Daisy Entertainment Launches Sales with Taste of Money
South Korean company Daisy Entertainment, better known for their foreign film imports and increasingly visible distribution arm Cinergy, has launched international sales on director Im Sang-soo’s upcoming The Taste of Money.  From the director of Cannes competition film The Housemaid (2010), The Taste of Money stars veteran actress Youn Yuh-jung, who also played a supporting role in the former film.  (KoBiZ, February 9, 2012)

Lotte Announces New Jung Ji-woo Film
Major Korean investor and distributor Lotte Entertainment has announced Happy End (1999) director Jung Ji-woo’s upcoming film Eungyo (working title) at the European Film Market (EFM).  The film is currently in post-production.  Based on Park Bum-shin’s bestselling novel of the same title, Eungyo follows a 70-year-old poet who has an affair with a high school student and is inspired to write a book about her.  However, his best student, jealous of the relationship, steals this work.  The film stars Park Hae-il as the poet.  Park was most recently in War of the Arrows.   (KoBiz, February 10, 2012)

Lotte Sells Arrows in Berlin
South Korea’s Lotte Entertainment has done a raft of deals on Kim Han-min’s period action film War of the Arrows, including to Showgate for Japan.  Starring Park Hae-il as a man out to save his sister and her fiancĂ© from Northern invaders, the film was the biggest domestic film hit in Korea last year.  With 7.46 million admissions, it was second only to Transformers: Dark of the Moon, which took 7.79 million admissions.  (KoBiZ, February 14, 2012)

M-Line Launches Doomsday Book at EFM
South Korean film sales company M-Line Distribution has launched pre-sales on science fiction drama Doomsday Book, co-directed by Kim Jee-woon and Yim Pil-sung, according to the Screen International market daily at the European Film Market (EFM) in Berlin.  Budgeted at US$5m, is made up of three short stories.  (KoBiZ, February 15, 2012)

Annyeong Mate! Sydney Says Hello, Again, to Cinema on the Park
Every Thursday evening between April and December last year, people lined up on Elizabeth Street in Sydney to see what has been one of the steady driving forces behind the popularity of Korean culture -- movies.  When the Korean Cultural Office launched the inaugural "Cinema on the Park" program last year, organizers just wanted to give the locals a taste of Korea.  After drawing more than 1,000 attendees, the event is back this year, kicking off a season that will last until the end of June.  (The Korea Times, February 17, 2012)

Second Film Preservation Center Due By 2014
South Korea plans to establish a second site for preserving and restoring homegrown films by 2014, since the existing location in Seoul is already overflowing with materials, the national film archive said Friday.  The Korean Film Archive said during a news conference in Seoul that it will construct the second preservation center on land in the publishing town in Paju, some 50 kilometers northwest of Seoul, with a total budget of 33 billion won ($29 million).  (The Korea Herald, February 17, 2012)

Korean Films at Deauville Asian Film Festival
The 14th Deauville Asian Film Festival in France has unveiled their line-up this year to include Jang Hui-cheol’s Beautiful Miss Jin and Jeon Soo-il’s Pink from theRepublic of Korea.  A drama/comedy set around Busan’s busy Dong-rae station, director Jang Hui-cheol’s Beautiful Miss Jin previously debutedat last year’s Busan International Film Festival (BIFF) in the Korean Cinema Today – Vision section.  (KoBiZ, February 17, 2012)

My Way to Open Terracotta Far East Film Festival
Terracotta is London's premier celebration of the film and culture of the Far East. With a stunning line-up of films hand-picked from the best of the region, encompassing diverse genres from comedy to drama to horror and everything in between, an unbeatable programme of exclusive cast and crew Q&As, intro's and masterclasses and fabulous public parties the Terracotta Far East Film Festival really does have something for everybody.  (Terracotta Film Festival, February 21, 2012)

Private Equity Funds Invest in Korean Films, Real Estate
Private equity funds have increased their holdings in real estate assets and projects related to the boom of the Korean Wave data showed Tuesday.  According to the Korea Financial Investment Association, the country’s entire fund market estimated at 311.1 trillion won ($276.9 billion), with the share of private equity funds rising fast.  (The Korea Herald, February 21 2012)


The South Korean Film Industry in 2011
Made to support and promote South Korean films, the KOFIC has published this detailed overview of the year 2011*, trying to analyze trends & numbers.  Quite an interesting reading, here are some of the highlights.  (Wildgrounds, February 21, 2012)


INTERVIEWS

Lee Myung-se: Special Q&A Screening


Interview With Critic and Beijing Film Academy Professor Hao Jian
Film critic and Beijing Film Academy professor Hao Jian has written and talked about what he considers the little-known, real start of the Korean Wave in China.  At the International Film Festival Rotterdam while serving on the Network for the Promotion of Asian Cinema (NETPAC) award jury, he spoke to Jean Noh about it and his thoughts on Korea-China cooperation.  (KoBiZ, February 20, 2012)



TRAILERS

The Beat Goes On



POSTERS

Helpless

Introduction to Architecture

Over My Dead Body

Planet of Snail


BOX OFFICE



(Modern Korean Cinema, February 19, 2012)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.


Friday, February 17, 2012

Weekly Review Round-up (02/11-02/17, 2012)

Lots of big reviews for My Way this week as it played at the Berlin Film Festival and also a number of reviews for romance films coinciding with Valentine's Day this past Tuesday, including a series for Hanguk Yeonghwa.


RECENT RELEASES


(asianmovieweb.com, February 14, 2012)

(Beyond Hollywood, February 15, 2012)

Couples

(Beyond Hollywood, February 13, 2012)

(Beyond Hollywood, February 10, 2012)

My Way

(Modern Korean Cinema, February 16, 2012)

(Init_Scenes, February 15, 2012)

(Hanguk Yeonghwa, February 11, 2012)

(Korean Grindhouse, February 11, 2012)

(koreanfilm.org, February 2012)

(Twitch, February 12, 2012)

(Drama Beans, February 12, 2012)


PAST FILMS


(Hanguk Yeonghwa, February 15, 2012)

(Hanguk Yeonghwa, February 13, 2012)

(Otherwhere, February 13, 2012)

Gagman, 1989
(Mini Mini Movie, February 15, 2012)

(Korean Candy, February 17, 2012)

(Seen in Jeonju, February 12, 2012)

(Hanguk Yeonghwa, February 14, 2012)

Musa, 2001
(Subtitled Online, February 12, 2012)

(Hanguk Yeonghwa, February 16, 2012)

(Init_Scenes, February 10, 2012)


The Weekly Review Round-up is a weekly feature which brings together all available reviews of Korean films in the English language (and sometimes French) that have recently appeared on the internet. It is by no means a comprehensive feature and additions are welcome (email pierceconran [at] gmail [dot] com). It appears every Friday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News, and the Korean Box Office UpdateReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, February 15, 2012

Korean Cinema News (02/09-02/15, 2012)

Some good features this week and lots of news from the Berlin Film Festival as foreign rights to hot Korean films are getting snatched up.  Lots more news, trailers, interviews, and posters as well.


KOREAN CINEMA NEWS

Finecut Unveils Another Film by Hong
South Korean sales company Finecut Co Ltd has released the first images from In Another Country, the new Hong Sang-soo film that it is representing.  The film is the South Korean debut of leading French actress Isabelle Huppert.  She plays three characters each with the same name who each visit the same seaside town and meet the same local residents.  The rest of the cast, including Yu Jun-san, are South Korean, but much of the dialogue is in English.  (Film Business Asia, February 15, 2012)
The Korea Media Rating Board (KMRB) denied the poster for the movie Gabi for the reason that Kim Min-hee's topless pose is too raunchy.  Therefore, this poster can't be used in theaters or promotional uses.  There have been other cases where posters like these have been denied.  One it has been refused, the production has to go through the process of editing the poster and getting it re-examined by the KMRB.  The posters are usually denied because they are too erotic. 2009 movie Thirst by Park Chan-wook was denied because it was too erotic and was only passed when the KMRB re-examined it after editing.  (hancinema.net, February 8, 2012)

Full Lineup for the 10th New York Korean Film Festival (NYKFF) @ BAM Rose Cinema
This year's New York Korean Film Festival will take place at BAM in Brooklyn and the whole lineup is now available, featuring great films released over the past year including The Servant and Sunny. (BAM, February 8, 2012)

Popular Korean Films Reflecting Social Issues
Korean movies that tackle social issues head on have recently become the center of attention in the country.  They not only portray reality, but also provoke discussions.  Arirang News correspondent Park Ji-won analyzes two films that are now screening here in Korea, which are now raising questions about Korea's political and legal conditions.  (arirang, February 8, 2012)

Korea’s Most Anticipated Films of 2012
With the start of the new year, the Korean film industry looks to its brightest prospects. Kang Byeong-jin of Korean Cinema Today profiles eight highly anticipated films of 2012, including Ghost Sweeper, The Thieves, Korea, Howling, The Tower, The Masquerade King, and Hoogoong: Jaewang-eui chub.  (Korean Cinema Today, February 7, 2012)

Tom Giammarco considers the history of sport in Korean film over on Seen in Jeonju.  (Seen in Jeonju, February 5, 2012)

From Korea With Love
Bangkok-based writer and critic Kong Rithdee looks at the influence of Korean moving images in Thailand and gauges the depth of the Korean Wave.  In late January, So Ji-sub and Han Hyo-ju walked down the red carpet at HuaHin International Film Festival, the inaugural edition of the cinefest held in Thailand’s popular resort town.  (Korean Cinema Today, February 6, 2012)

Finecut Launches Sales on Kim Ki-duk’s Pieta
Seoul-based sales agent Finecut has picked up international rights to Pieta, the latest film from prolific Korean auteur Kim Ki-duk.  Scheduled to start shooting this month, the film tells the story of a cruel loan shark, who believes he doesn’t have any family or loved ones, so has no need to fear when committing brutal acts.  But one day a mysterious woman appears in his life claiming to be his mother.  (Screen Daily, February 10, 2012)

Finecut Adds Grand Heist, Ghost Sweepers to Berlin Slate
Seoul-based sales company Finecut has picked up two new Korean genre films – $10m period action adventure The Grand Heist, and $5m comic action horror Ghost Sweepers.  (Screen Daily, February 9, 2012)

Berlin 2012: Universal Pictures International Inks Multi-Territory Pact for My Way
Universal Pictures International Entertainment has taken multiple territories for the Korean war epic My Way, which has its world premiere Friday night at the Berlin international film festival.  UPIE snagged rights in the U.K., Australia and New Zealand for the film, a World War II epic directed by Kang Je-Kyu and featuring Asian stars Odagiri Joe, Jang Dong-gun and Fan Bingbing.  (The Hollywood Reporter, February 10, 2012)

Korea’s M-Line Opens Doomsday Book
Korea’s M-Line Distribution is launching sales on the sci-fi drama Doomsday Book, co-directed by Kim Jee-woon and Yim Pil-sung, at the EFM.  The $5m film comprises three short stories – the first about a robot achieving enlightenment, the second about a zombie invasion and the third about a meteor wiping out mankind.  (Screen Daily, February 11, 2012)

Korean Movies Reflecting Social Issues Fly High at the Box Office
Dancing Queen, a comedy about a middle-aged married couple who each pursue their lost dreams, and Unbowed, a low-budget courtroom drama based on a true story, have both broken the 3-million mark of viewers in less than a month of their release.  According to data compiled by the Korean Film Council, Dancing Queen and Unbowed attracted 3.09 million and 3 million viewers, respectively, as of Saturday since their release on Jan. 18.  (The Korea Times, February 12, 2012)

Drama Producer Son Committed Suicide Jan. 21
Hit drama maker Son Moon-kwon committed suicide last month, a local daily recently reported.  Family members told the Sports Chosun that Son hung himself Jan. 21 from a staircase at his house in Ilsan, Gyeonggi Province.  He was 40 years old. Son was married to famed script writer Im Seong-han, 52.  (hancinema.net, February 13, 2012)

Shout! Factory Takes Korean Creature Feature Sector 7
Shout! Factory announced today a multi-year agreement with CJ E&M, the leading film distribution and production company in Korea, to be the exclusive North American home entertainment distributor for two widely popular Korean motion pictures, including the creature feature Sector 7.  (Shock Till You Drop, February 14, 2012)


INTERVIEWS

Director Kim Joong-hyeon
Ahead of its international premiere in the Berlinale Forum, director Kim Joong-hyeon talks about his debut feature film Choked with Kim Seong-hoon.  A low-budget film made at the Korean Academy of Film Arts (KAFA), Kim Joong-hyeon’s Choked deals with economic troubles and the dissolution of the family in contemporary Korean society.  The film made its world premiere in the Busan International Film Festival’s New Currents competition and is due for an international premiere in the Berlinale Forum section.  (Korean Cinema Today, February 3, 2012)

Lee Na-young Faces Tough Challenge on New Movie
Actress Lee Na-young's latest film Howling, which will be released next Thursday, sees her take on the role of a rookie cop investigating a series of murders by a mysterious wolf-like creature.  In this action-thriller, Lee flexes her muscles as a hard-nosed police detective and even rides a motorcycle.  "This film had so many enticing factors. First of all, I wanted to play a part with many action scenes.  Veteran actor Song Kang-ho was already cast, so I had an even stronger interest in it when I read the script," said Lee.  (The Chosun Ilbo, February 11, 2012)


TRAILERS

Eighteen, Nineteen


Introduction to Architecture


Russian Coffee



POSTERS

Planet of Snail

Russian Coffee

Stateless Things


BOX OFFICE


(Modern Korean Cinema, February 12, 2012)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Friday, January 20, 2012

Weekly Review Round-up (01/14-01/20, 2012)

Lots of reviews this week with The Front Line being released in the US.  Four movies also came out this week in Korea though as of yet only review has surfaced, expect more to come.


CURRENT KOREAN RELEASES


(The Korea Times, January 19 2012)

(hancinema.net, January 14, 2012)


RECENT RELEASES


(Varied Celluloid, January 13, 2012)

(Init_Scenes, January 18, 2012)

(Film Business Asia, January 16, 2012)

(Hanguk Yeonghwa, January 13, 2012)

(Modern Korean Cinema, January 19, 2012)

(examiner.com, January 14, 2012)

(Hanguk Yeonghwa, January 16, 2012)

(Hangul Celluloid, January 18, 2012)

(Empire, January 18, 2012)

(Haunted Hell, January 19, 2012)

Spellbound

(Beyond Hollywood, January 13, 2012)

The Front Line

The Man From Nowhere

(Dramas Whoo!, January 16, 2012)

(The One One Four, January 14, 2012)

(Beyond Hollywood, January 19, 2012)


PAST FILMS


(Rainy Day Movies, January 13, 2012)

Chaw, 2009
(Movie Mobsters, January 15, 2012)

(Otherwhere, January 13, 2012)

(Hanguk Yeonghwa, January 18, 2012)

(boxofficebuz.com, January 16, 2012)

The Isle, 2000
(Hanguk Yeonghwa, January 15, 2012)


The Weekly Review Round-up is a weekly feature which brings together all available reviews of Korean films in the English language (and sometimes French) that have recently appeared on the internet. It is by no means a comprehensive feature and additions are welcome (email pierceconran [at] gmail [dot] com). It appears every Friday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News, and the Korean Box Office UpdateReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Monday, January 9, 2012

Korean Box Office Update (01/06-01/08, 2012)

MI4 Takes Fourth Victory Lap, Closes in on Record



Title Release Date Weekend Total
1 Mission Impossible: Ghost Protocol (us) 12/15/11 477,851 6,243,796
2 Wonderful Radio 1/5/12 281,296 334,855
3 Sherlock Holmes: Game of Shadows (us) 12/21/11 223,500 1,862,606
4 Perfect Game 12/21/11 133,580 1,155,313
5 Friends: Naki on Monster Island (jp) 12/29/11 118,342 407,958
6 My Way 12/21/11 112,905 2,002,323
7 The Darkest Hour (us) 1/5/12 82,684 98,450
8 Lion King 3D (us) 7/9/94 46,257 270,993
9 Spellbound 12/1/11 46,231 2,945,469
10 Pokemon: White - Victini and Zekrom (jp) 12/22/11 30,116 345,153
- My Barefoot Friend 12/15/11 378 2,970
- Bleak Night 3/3/11 139 22,350
- Green Days 6/23/11 120 51,195
- King of Pigs 11/3/11 118 18,782
- Jam Docu KANGJUNG 12/22/11 68 502


Local business had another tough frame with only one midlevel opening and diminishing returns from holdovers as Hollywood continued to trump domestic offerings.  1.62 million tickets were sold this past weekend, a marginal increase of last year's comparable weekend whereas the Korean film market share was down to 35% from 75%.

Mission Impossible IV continued its remarkable run, banking another 477,851 admissions, though that was down a little over 50%.  With 6,243,796 tickets sold to date it's still another 1.5 million away from Transformers 3's 2011 crown which may be mission impossible but we'll see if Ethan Hunt and crew can pull it off.

Wonderful Radio, in the midst of terrible reviews had a so-so opening with 281,296.  Assuming a less than encouraging word of mouth, the picture may see a quick exit from theaters, especially as it loses screens and business in two weeks to lunar day releases.

The second Sherlock Holmes lost about half its business in its third outing, garnering 223,500 sales.  It looks set to cross the two million mark, which will likely be its last major milestone as it continues to diminish through the month.

Perfect Game has crossed the one million mark but has done so with little fanfare as the well-received baseball pic has added 133,580 to its total this weekend.  A mediocre performance for a big holiday release.

Meanwhile My Way dropped all the way to number 6 as it added 112,905 admissions and has now inched over the 2 million mark, so much for 10 million!

Spellbound at number 9 sold another 46,231 tickets as it winds down its run and is now very close to the 3 millin mark.

Jesus Hospital is the Korean film opening next week and I can't imagine it will be in any position to boost domestic ticket sales.  We'll have to wait until the following Lunar Day weekend when a number of high profile releases find their way into theaters.  MI4 may spend a fifth week on top, unless The Girl With the Dragon Tattoo opens big.


The Korean Box Office Update is a weekly feature which provides detailed analysis of film box office sales over the Friday to Sunday period in Korea. It appears every Monday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Wednesday, January 4, 2012

Korean Cinema News (12/29, 2010 - 01/04, 2011)

As 2012 gets underway there are many top 10 lists floating around, I was planning to include them all here but there are so many that I will only include a few and I will do a separate post on them a little later this month.  Plenty of other news this weeks, with some features, interview, and trailers to boot.


KOREAN CINEMA NEWS

The Year in Film: 2011 Brought Large Successes from Low-Budget Movies
It was another tough year for the film industry.  According to the Korean Film Council, 136 Korean films and 278 foreign films were released as of late November, but just a few of them became box office hits and a handful of them were remembered by the audience.  The most expensive film flopped, and the least-anticipated film became a sleeper hit of the year.  (Joong Ang Daily, December 30, 2011)

Jo In-seong Comes Back With Cold
Having finished his military duty, Jo In-seong is currently in the final stages of negotiating terms and conditions for a new project.  Cold is the first movie in nine years by director Kim Seong-su, who directed There is No Sun (1999), Beat (1997), Musa (2001) and 2003's Please Teach Me English.  Kim Seong-su had been making One-Armed Warrior, a Hong Kong co-production . Cold is going to be produced by Jo In-Seong and Sidus HQ.  It is about a man and a woman who look for the host of the virus that is fatally spreading.  (hancinema.net, December 29, 2011)

Spotlight on Indie Films
The Korean film industry was more diverse than ever before.  Amid an array of high-budget blockbuster films, a couple of Korean independent films achieved the10,000-audience mark, a figure compared to 1 million viewers for commercial films.  The rise of independent films started with Re-encounter in February.  (Joon Ang Daily, December 29, 2011)

Best of 2011: Korean Films
It has been a year of great debuts, be it in terms of format or first-time narrative feature helmers, coming from both the more established generation of filmmakers that emerged in the mid-1990s and those that represent the newest crop of interesting filmmakers to watch.  There were also surprising domestic box-office hits for small films this year.  Not small in terms of output or inferiority, but rather in blockbuster terms: low-key works that unlocked just as many – if not more – emotional keys and engaged the spectator in subtle and surprising ways.  (Asia Pacific Arts, December 28, 2011)

In a larger feature on 3D movie sand Hollywood, there was a quote from Choo Sang-sok, the director of Persimmon 3D:  “Budget doesn’t matter, it is story that matters in cinema and its the same when you are using 3D.”  After the high profile failure of Sector 7, perhaps Korean filmmakers could make a name for themselves by revolutionizing smaller-scale use of the de rigueur technology?  (The Malaysian Insider, December 27, 2011)

In its annual evaluation of the year's best and worst in film, the Austin Film Critics Association has seen fit to award Kim Jee-woon's I Saw the Devil with the Best Foreign Film Prize.  In addition, the revenge pic also landed at No. 8 on their top 10 list for the year.  (Film School Rejects, December 28, 2011)

My Way to Open in Japan
Kang Je-gyu’s World War II drama My Way is due to open in theaters in Japan on January 14, 2012.  Leading Korean distributor CJ E&M says the film will be released on 300 screens.  Starring Jang Dong-gun and Odagiri Joe with a strong supporting cast which includes Chinese star Fan Bingbing and Korea’s Kim In-kwon, the film is Korea’s most expensive – made for US$25 million.  Although My Way has been doing less business than expected in Korea, the film has so far taken in more than 1.17 million admissions for co-distributors CJ E&M and SK Planet. (KoBiz, December 30, 2011)

Arirang Invited to Kuestendorf Film Festival
Kim Ki-du's comeback film Arirang will be playing at yet another film festival, this time invited to screen at the Kuestendorf Film Festival in Serbia.  (AFP, December 28, 2011)

Major South Korean exhibition chain and affiliate of major Korean distribution company Lotte Entertainment, Lotte Cinema is opening its fourth theater in Vietnam on Dec. 31.  The new five-screen multiplex will be in Hanoi, with 848 seats and 3D projection.  Lotte Cinema has been in the Vietnamese exhibition sector since 2008 when it acquired the Diamond Cinema Joint Venture Company (DMC).  (KoBiz, December 30, 2011)

Who's the Busiest Actor of 2012?
Who is going to be the busiest actress or actor in 2012?  Looking at the movies that are being released or are planning to go into production this year, we can see several names that appear often.  (hancinema.net, January 2, 2012)

Martin Cleary over at New Korean Cinema is fielding questions on Korean film!  (New Korean Cinema, December 30, 2011)

Korea’s My Way Going to Berlin Film Fest
In a move that may come as a bit of a surprise given it's lukewarm reception from audiences and critics in its native Korea, Jang Je-gyu's mega WWII blockbuster My Way, starring Jang Dong-gun, Joe Odagiri, and Fan Binbin, will be featured as one of Berlin International Film Festival’s Panorama sidebars this year, the film’s distributor said Wednesday.  (The Korea Herald, January 4, 2012)

Director Kim Jee-woon comes back with The Fall of Humanity
A lot of news items have flown around the internet claiming that Kim Jee-woon is returning to Korea to film The Fall of Humanity, citing an piece by hancinema.net.  However the article is very unclear and from what I understand the film, wich is an omnibus comprising on short by Kim and two by Yim Pil-seong began filming in 2006 and was halted for financial reasons.  Not much else is known but since the release is slated for February/March, I can't imagine that Kim is heading back to shoot his segment.  (hancinema.net, January 2, 2012)

Korean Film Fiesta Dazzles Lagosians
The second Korea Film Festival in Nigeria was held recently in Lagos, with a refreshing experience for the Nigerian movie lovers who thronged the venue.  Korean films have benefited tremendously from the emergence of youthful, talented film directors, as well as the liberalization of the market, leading Hallyuwood to occupy a large percentage of the Korean domestic market and ever-increasing export.  (The Daily Sun, December 29, 2011)

South Korea’s leading film and entertainment magazine Cine21 has picked Hong Sang-soo’s The Day He Arrives as the Best Film of 2011. In their annual survey, the magazine with its 33 journalists and critics also picked Hong as the Best Director of the Year.  The magazine lauded The Day He Arrives as “a singular experience of time and space and memory”.  (KoBiz, January 3, 2012)

Over at koreanfilm.org, Darcy Paquet has offered up his top 10 for the year which by his admissions is very weighted towards low-budget fare this year.  This seems to be the consensus as independent films were strong this year but commercial fare was weaker than in other years.  (koreanfilm.org, January 3, 2012)


INTERVIEWS

Director Explores Childhood Betrayal
For anyone who has seen Park Chul-soon’s feature debut Lovable, a moving portrait of a young girl with Savant syndrome, it wouldn’t be surprising to discover the director full of playfulness.  The 28-year-old’s debut, which won the best screenplay prize at Persons with Disabilities Film Festival this year, is filled with childhood desires and imaginative adventures.  (The Korea Herald, December 26, 2011)

Michelle Son, Managing Director of M-Line Distribution
Heading up international sales company M-Line Distribution as Managing Director, Michelle Son has in a few short years positioned the company to handle a bulk of deals including foreign remake deals for major local titles.  She spoke with KoBiz over the phone about looking beyond feature films for exciting audiovisual content and the importance of facilitating international co-productions.  (KoBiz, December 29, 2011)


TRAILERS

Nameless Gangster

Papa


POSTERS


BOX OFFICE
Korean Films Outdone By Hollywood as 2012 Gets Underway
(Modern Korean Cinema, January 2, 2011)
We have seen Korean cinema succeed both locally and internationally this year, but which foreign films made it big in Korea in 2011?  Besides the few international films from Asia and Europe it has been Hollywood that has dominated Korea's consumption of foreign films.  War of the Arrows stood out as Korea's highest grossing domestic film of the year but even that was trumped by over 400,000 admissions to the third Transformers film.  (hancinema.net, December 31, 2011)


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