Wednesday, February 1, 2012

Korean Cinema News (01/26-02/01, 2012)

NY's Korean Film Festival is back and the KCCUK is holding 12 mini director's retrospectives through 2012 in London, so it's a good time to be a Korean film fan (at least if you live in a major metropolis).  Lots of interviews, including three for Lee Myeung-se, trailers, posters, and box office news this week.  

Don't miss MKC's own feature on How Korean Cinema Fared on 2011's Year-end Lists.


KOREAN CINEMA NEWS



“Should I put the word ‘arrowhead’ in a movie title?” joked a film producer during a recent meeting with the Hankyoreh.  The producer’s company certainly hit their target at the box office.  The follow-up to last year’s hit War of the Arrows, which drew 7.4 million viewers, Unbowed (the Korean title of which translates as Broken Arrow), passed the one million viewer mark just over a week after its debut early this year.  (The Hankyoreh, January 27, 2012)

Kwon Sang-woo Finishes Work on New Action Film with Jackie Chan
Hallyu star Kwon Sang-woo has finished work on the movie 12 Chinese Zodiac Heads with Jackie Chan.  The announcement was made yesterday by the actor’s agency, which also reported that Kwon had returned to Korea just before Lunar New Year.  “Currently, Kwon is taking a well-deserved break and is looking over some movie proposals from China, the United States and other countries,” said a representative from the agency.  (Joong Ang Daily, January 28, 2012)

NYC Happenings: NY Korean Film Festival 2012
Whether it's a full-on retrospective at Japan Society, a centennial celebration of studio giant Nikkatsu, or the annual wackiness of NYAFF, New York is a city never short on cinematic offerings from across East Asia, and that has always included a healthy helping of Korean cinema.  From February 24th - 26th, BAMcinématek and the Korean Society, along with Korean movie giant CJ Entertainment, will be presenting 7 contemporary features, big and small in the 10th edition of the New York Korean Film Festival.  (Twitch, January 30, 2012)

Unbowed, a low-budget South Korean film based on the true story of the so-called “crossbow terror” incident of a college professor, is heating up the local box office, drawing renewed public debate over the 2006 incident.  The movie claimed the No. 2 spot by bringing in more than 1 million viewers at local cinemas as of Wednesday, a week after making a robust debut, the Korean Film Council, a government agency in charge of promoting domestic films, said on Thursday.  (The Korea Herald, January 26, 2012)

Controversial Film on Gangjeong Village Finally Hits Theatres
An independent documentary film titled Jam Docu Gangjeong is finally showing in independent movie theaters 40 days after having been banned by the Korean Film Commission. Pressure from the film industry resulted in the film’s eventual release.  The film was reportedly delayed due to its controversial subject matter and the independent film industry is now calling for a policy reform to prevent the Korean Film Commission from banning films it finds politically objectionable.  (The Hankyoreh, January 26, 2012)

Korean movie and K-Pop stars united together for a new effort against piracy being led by Gaon Chartcalled the '2012 Good Downloader Campaign'.  Actors Ahn Sung Gi, Park Joong Hoon, Lee Min Jung, Jang Hyuk, and music stars Yoon Do Hyun (YB), Kim Yuna (Jaurim), Yunho (TVXQ), Nickhun (2PM), Sohee (Wonder Girls), as well as Sulli (f(x)) banded together for the campaign during a shoot yesterday, sending the message that pirating movies and music is illegal and wrong.  (allkpop, January 30, 2012)

Film of the Year Awards (Korea Film Reporters Association)

The Korea Film Reporters Association feted Korean cinema in its 3rd Film of the Year Awards last night.  Silenced picked up best film, with the director prize going to Kang Hyung-chul for Sunny.  Meanwhile Kim Yun-seok and Tang Wei were best actor and actress for their respective roles in Punch and Late Autumn.   (AsianMediaWiki, January 31, 2012)

Over on the Otherwhere blog, Alua has kindly transcribed the full 2012 programme for the Korean Film Nights at the KCCUK.  12 Korean directors will be featured with 4 films and a Q&A each month.  It's hard not to be incredibly jealous of anyone living in London right now.  (Otherwhere, January 27, 2012)


INTERVIEWS

In one excruciating scene of Kang Je-kyu’s new movie My Way, Soviet soldiers order two war prisoners of different nationalities to fight to the death, but the Korean one refuses to kill his fellow Japanese captive, who he had known as a rival in sports.  Instead, an unlikely alliance begins to form.  The movie is the most expensive ever made in South Korea, a fictionalized account of the real-life story of how a Korean man ended up fighting for the Germans in World War II and being found by American soldiers at the invasion of Normandy.  (The Wall Street Journal, January 26, 2012)

Thanks to her previous films In Between Days and Treeless Mountain, and a none-more-indie cast featuringPaul Dano and Jena Malone, So Yong Kim's latest For Ellen had to be one of the most anticipated films of the Sundance Film Festival. Forming one half of a power couple of indie cinema (with Bradley Rust Gray, director of The Exploding Girl and the upcoming Jack and Diane), it marks her first time working with more established names and proves to be her most accessible project to date.  (indieWire, January 25, 2012)

To the present day, Lee Myung-se is probably best known for his 1999 film Nowhere To Hide which was the first ever Korean film to be released on DVD in the UK.  Born on August 20th, 1957, his first directorial feature film was Gagman in 1989, and in 1991 he won the Best New Director award at the Asia-Pacific Film Festival for My Love My Bride.  Since then, he has gone on to make a number of iconic films, including Duelist (2005) and M (2007) - as visually stunning as they are narratively interesting.  (Hangul Celluloid, January 26, 2012)

For January’s edition the director in question was Lee Myeong-se in conjunction with his 2005 film Duelist.  Presiding over the event was Dr. Daniel Martin who introduced both the film and the director, giving the history and context to Lee Myeong-se’s illustrious career and auteuristic sensibilities.  (Hanguk Yeonghwa, January 27, 2012)

Taekwondo at the Apollo: Lee Myung-se and the Great Safety vs. Cinema Debate
The ‘Year of the 12 Directors’ idea is a wonderful one—what began as a series of film screenings in the Korean Cultural Centre has become, for 2012, a celebratory mini-series of director retrospectives which promises to roll on from now until December.  On Thursday night, we spent three engaging hours in the pleasant company of director Lee Myung-se, whose 1999 action/police procedural Nowhere to Hide officially opened the 12 Directors programme over three weeks ago.  (New Korean Cinema, January 30, 2012)


TRAILERS

2 Lines

Russian Coffee

Train



POSTERS

Doomsday Book







BOX OFFICE

(Modern Korean Cinema, January 30, 2012)

South Korean films enjoyed a 22% growth in revenue last year, according to new data from the Korean Film Council (KOFIC).  Nationwide, admissions grew by 8% to 158 million, while box office revenues grew in local currency terms by 7% to ₩1.23 trillion ($1.10 billion).  (Film Business Asia, January 30, 2012)


Korean Cinema News is a weekly feature which provides wide-ranging news coverage on Korean cinema, including but not limited to: features; festival news; interviews; industry news; trailers; posters; and box office. It appears every Wednesday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at the Korean Box Office Update and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Tuesday, January 31, 2012

How Korean Cinema Fared on 2011's Year-end Lists


Top 10 or end-of-year lists are one of my great guilty pleasures.  I know that ultimately they don't really mean very much and are guaranteed to be subjective, arbitrary, and divisive.  Yet I am always eager to discover other people's lists come year's end.  To see how my favorites films fared, to discover some things I may have missed and to generally scrutinize the palaver of this enduring critic's ritual.

I thought it would be fun to see how Korean films did on 2011's lists, if only to see what and how many Korean films generated international attention.  So I went ahead and tracked down every list I could find which featured a Korean film.  I found 70, including 7 which only considered Korean cinema, a pretty solid number which is spread over an impressive array of worldwide broadsheets, film websites, and a panoply of blogs.  I was also surprised to see over 30 films make it onto these diverse lists, a reflection of the depth of Korean cinema, from thrillers, horrors, and action films, all the way to melodramas and a large selection of low-budget indies.


The results of this ranking are in no way supposed to reflect some sort of objective standpoint of the best Korean films of last year.  For one thing, only a handful of films got any decent kind of exposure in the west and they were by and large 2010 releases.  Some of 2011's best films were only featured on a smattering of lists as they have not really been seen outside of Korea.  As I've said this is just a little bit of fun!

The system used for the below ranking is very simple.  1 point for making it onto a top 10 list (or the odd top 11), 2 points for a top 5 finish, and 3 points for taking first place.  The lists are available below, divided into Korean-only and international lists.  If you are aware of anything I've missed by all means let me know either here, on twitter, or by e-mailing me at pierceconran [at] gmail [dot] com.


How Korean Cinema Fared on 2011's Year-end Lists


1. Poetry (53)
2. I Saw the Devil (34)
3. The Yellow Sea (17)
4. Sunny (12)
5. The Day He Arrives (10)
6. The Journals of Musan (9)
7. Bleak Night (8)
8. Silenced (5)
9. Night Fishing (5)
10. Arirang (4)
10. King of Pigs (4)
10. Re-encounter (4)

13. Poongsan (3)
13. Punch (3)
15. Bedevilled (2)
15. Come Rain, Come Shine (2)
15. Dangerously Excited (2)
15. Pong Ddol (2)
15. Quick (2)
15. The Front Line (2)
21. Animal Town (1)
21. Barbie (1)
21. Blind (1)
21. Dooman River (1)
21. Haunters (1)
21. Invasion of Alien Bikini (1)
21. Late Autumn (1)
21. Late Blossom (2)
21. Leafie, A Hen Into the Wild (1)
21. Moby Dick (1)
21. Mother Is a Whore (2)
21. Out of the Cave (1)
21. Romantic Heaven (1)
21. War of the Arrows (1)


Lists of Korean Films

Asia Pacific Arts - Rowena Santos Aquino
Complex - Jaeki Cho
koreanfilm.org - Darcy Paquet
Modern Korean Cinema - Pierce Conran
Seen in Jeonju - Tom Giammarco

Lists Featuring Korean Films

Boston Globe - Wesley Morris
Chicago Reader - Ben Sachs
Chicago Tribune - Michael Phillips
Cineawesome! - Jeff
Cinema Salem - Kereth
Cinema Salem - Peter
Cinetology - Luke
Cleveland Plain Dealer - Clint O'Connor
CNN - Tom Charity
College Times - Aaron Tavena
Culture Mob - Matthew Wayt
Dad's Big Plan - Mr. Sparkles
Film Freak Central - Angelo Muredda
Film Freak Central - Walter Chaw
Film School Rejects - Brian Salisbury
Film School Rejects - Luke Mullen
Film School Rejects - Rob Hunter
Film Threat - Don Lewis
Film Threat - John Wildman
Film Threat - Mark Bell
Film Threat - Noah Lee
firstshowing.net - Jeremy Kirk
Front Room Cinema - Tom Bielby
Hollywood Hubbub - Frantic Monkey
Hydra Mag - Jose-Luis Moctezuma
indieWire - Anne Thompson
insidepulse - Robert Sutton
Left Field Cinema - M. Dawson
Los Angeles Times - Kenneth Turan
Living in Cinema - Michael Phillips
Miami Herald - Rene Rodriguez
Mile High Cinema - Jason Cangialosi
MSN Movies - Sean Axmaker
NOW Magazine - Radheyan Simonpillai
Palo Alto Online - Susan Tavernetti
playbackstl.com - Pete Timmermann
playbackstl.com - Sean Lass
Rich on Film - Rich
Salon - Andrew O'Hehir
Shock Till You Drop - Jeff Alard
Slant - Diego Costa
Slant - Nick Schager
Sounds Like Cinema - Greg Bennett
southcoasttoday.com - Alexis Hauk
St. Louis Today - Joe Williams
The Austin Chronicle - Marc Savlov
The Daily Texan - Alex Williams
the-dispatch.com - Matthew Lucas
The Globe and Mail - Liam Lacey and Rick Groen
The Guardian - Peter Bradshaw
The Hollywood Reporter - Todd McCarthy
The Montreal Gazette - T'cha Dunlevy
The New York Times - Manohla Dargis
The Screening Room - Mark Humphreys
Time Out New York - Keith Uhlich
Total Film - Sam Ashurst
Twitch - James Marsh
Twitch - Kwenton Bellette
Wildgrounds - Ki Mun


Reviews and features on Korean film appear regularly on Modern Korean Cinema.  For film news, external reviews, and box office analysis, take a look at the Korean Box Office UpdateKorean Cinema News and the Weekly Review Round-up, which appear weekly on Monday, Wednesday, and Friday mornings (GMT+1).

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Upcoming Releases: February 2012

This monthly features previews the coming month's attractions in Korean cinema.  All of these monthly posts are available in an archive on the Upcoming Releases page.


February 2

Nameless Gangster
Papa

February 9

Two Lines

February 16

Howling

February 23

The Angel's Breath

February 29

Comic Book Store 3D
Love Fiction


Nameless Gangster


Director:  Yun Jong-bin
Screenwriter:  Yun Jong-bin
Cast:  Choi Min-sik, Ha Jung-woo
Synopsis:  Nameless Gangster chronicles the happenings in Busan, South Korea when the government in 1990 declared its war against crime. A corrupt public official (Choi Min-sik) faces criminal charges and meets Choi Hyung-bae (Ha Jung-woo), a mysterious man with connections to the Yakuza.
Release date:  February 2

Anticipation is riding high for young Yun Jong-bin's third feature after The Unforgiven (2005) and Beastie Boys (2008).  The period set gangster film pairs veteran thespian Choi Min-sik (Oldboy, 2003; I Saw the Devil, 2010) and up-and-coming star Ha Jung-woo (The Chaser, 2005; The Yellow Sea, 2010).  Numerous impressive stills and some promising trailers have already appeared on the web.  Nameless Gangster is shaping up to be one of the 2012's early hits.

Reviews:

enewsworld
Seongyeong's Private Place




Papa


Director:  Han Ji-seung
Cast:  Park Yong-roo, Ko Ah-ra, Daniel Henney
Synopsis:  Choon-Sub  (Park Yong-roo) is a talent manager who goes to the US after a client runs off.  To stay he must get married for a visa and soon he ends up with six new children.
Release date:  February 2

Papa is Han Ji-seung's second film following Venus and Mars in 2007.  90% of the film is said to have been filmed in America and it follows a rash of multicultural Korean films that have appeared recently, such as He's On Duty (2010).  Originally slated for the Lunar New Year holiday weekend, Papa was rescheduled due to an overcrowded field.




Two Lines


Director:  Ji Min
Synopsis:  Ji Min and Cheol met in university ten years ago and now live together as roomates and lovers.  People ask them why they won't get married since they're at that age but they've never seen the reason to.  Life was happy enough as it was until they come face to face with two dark red lines on a home pregnancy test.
Release date:  February 9

New documentary which premiered at the 13th International Women's Film Festival in Seoul last March from Ji Min.   Her previous film won the Ock Rang Award at the same festival and she had previously also been involved with docs To Live - Save Our Saemankum (2006) and The War, You and I (2010).  



Howling


Director:  Ha Yu
Cast:  Lee Na-young, Song Kang-ho
Synopsis:  A man dies by spontaneous combustion.  Animal teeth marks are discovered on his body.  A veteran male cop (Song Kang-ho) and rookie female (Lee Na-young) start to investigate.
Release date:  February 16

Without a doubt one of the most promising projects of 2012, Howling is acclaimed director Ha Yu's (Once Upon a Time in High School, 2004; A Dirty Carnival, 2006; A Frozen Flower, 2008) fifth feature.  As well as boasting a top cast with Song Kang-ho and Lee Na-young, the film has an intriguing premise which starts off with spontaneous combustion.  The moment this project came to light I was already very excited and there are few films I am more eager to discover.

Reviews:

The Korea Herald
Yonhap News Agency



Angel's Breath


Director:  Han Ji-won
Screenwriter:  Han Ji-won
Cast:  Kim Yeong-seon, Han Ji-won
Synopsis:  Jae-min's (Han Ji-won) dream is to become a super star.   His sick mother Yeong-ran (Kim Yeong-son) does what she can to support him. 
Release date:  February 23

Bar the information provided above and the trailed posted below, I have no further information on this low budget release.




Love Fiction


Director:  Jeon Kye-soo
Screenwriter:  Jeon Kye-soo
Cast:  Ha Jung-woo, Kong Hyo-jin
Synopsis:  A shy novelist falls for a beautiful, confident woman.
Release date:   February 29

Jeon Kye-soo's third feature, after Midnight Ballad for Ghost Theater (2006) and Lost and Found (2009).  Ha Jung-woo has been very busy of late, racking up an impressive set of credits including The Yellow Sea (2010) and The Client (2010) and has a lot coming up including Breakfast at Tiffany'sThe Berlin File, and Nameless Gangster which will be released the same month.  The film also stars Kong Hyo-jin who has been equally impressive of late with stand out turns in Crush and Blush (2008) and Rolling Home With a Bull (2010).




Comic Book Store 3D


Director:  Heo Jae-hyeong
Cast: Lee Eun-mi, Lim Ah-yeong, Jang Sang-jin, Jeong I-gyeol
Synopsis:  So-ra has tough luck with her auditions and she blames the directors for her rejections. One She runs into Seung-hyeon, someone she used to act with.  He invites her to a film set and So-ra gets to fill in for an actress fails to show up.
Release date:  February 29


Reviews and features on Korean film appear regularly on Modern Korean Cinema.  For film news, external reviews, and box office analysis, take a look at the Korean Box Office UpdateKorean Cinema News and the Weekly Review Round-up, which appear weekly on Monday, Wednesday, and Friday mornings (GMT+1).

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Monday, January 30, 2012

Hindsight (푸른 소금, Poo-reun-so-geum) 2011


A few days ago, I saw Lee Hyeon-seung’s new film Hindsight and as I’m sitting at my computer, trying to gather my thoughts on it, I’m beginning to realize just how conflicted I am about it.  As a result I’m having a little trouble figuring out how to begin this review.  I suppose I could start off by saying that it was an admirable effort.  The film is a curious concoction of tropes and devices which are individually recognizable but combine into an unfamiliar whole.  I love to cook and I am a keen admirer of beautiful cinematography so the film already ticks a few boxes for me.  What’s more, it has some incredible moments and above all ambition.

Hindsight was mostly derided upon its release, in large part due to its poor returns, in spite of its major star (Song Kang-ho) and it being the long-awaited return of Lee Hyeon-seung (Il Mare, 2000) to the director’s chair.  Critics were eager to point out its unfocussed narrative and facile portrayal of gangsters, and I can’t fault them for that.  Hindsight becomes almost opaque in its relentless pursuit of aesthetic gratification and desire to be cool.


However, 2011 was a frustrating year to be a fan of Korean film.  While a number of fantastic independent films and a few surprise hits saw the light of day, the majority of last year’s releases were mired in the trudge of routine and by-the-numbers filmmaking.  At worst, a number of last year’s offerings were pedestrian and uninvolved.  While Hindsight is not among the year’s best releases, it does stand out from most Korean films made in 2011.  The reason for this is its ambition to be something different and the care and craft that goes into its making.

Doo-heon (Song Kang-ho) is a retired mob boss who has moved to Busan and enrolled in cooking classes with the aim of opening his own restaurant.  His cooking class partner is the young and stoic Se-bin (Sin Se-kyeong) who little does he know is keeping tabs on him for a rival gang.  She and her friend owe money to a local gang and perform odd jobs as a form of repayment.  Doo-heon’s former gang undergoes a power struggle and the paranoia that ensues ends up on his front door.  Se-bin is a former champion sharpshooter and before long she is ordered to take out Doo-heon despite having grown quite friendly with him.


The main focus of the film is the odd bond between Doo-heon and Se-bin and a lot of the machinations that serve to conflagrate their relationship stem from the overloaded but simplistic side plots involving gangsters and gun dealers.  Doo-heon is not your typical gangster, which you would expect given that he’s played by Song Kang-ho, one of Korea’s great actors who came to prominence after embodying one of the most bizarre gangsters I can remember in No. 3 (1997).  In many ways, his portrayal of Doo-heon reminds of his earlier role as In-goo in The Show Must Go On (2007).  He seems awkwardly charming and harmless, yet he was chosen to be his gang’s next boss.  Se-bin is similarly conflicted as she tails him, she knows who he is but is unable to reconcile his reputation with her image of him.

The mise-en-scene of the film is especially pronounced and sets it apart from the run-of-the-mill productions that were released around the same time.  Lee employs a lot of blue in the art design which showcases the sterile modernity of the rapidly changing environment surrounding the characters.  The Seoul sequences are shot with an eye towards formal compositions while the Busan segments are warmer and more organic in their staging.  The cinematography, lighting, and art design are irreproachable and indeed were recognized at Korea’s industrial awards as Hindsight scored five nominations in technical categories at the 48th Daejong Film Awards.


To me it seemed like Lee was making a commentary on the shifting priorities of modern Koreans by employing the not-so-subtle metaphor of the corrupt, power-hungry Seoulite gangsters.  Even Doo-heon is forced into an empty tower of solitude as he waits out the contract on his head.  By contrast, the more colourful aspects of the film tend to be scenes featuring cooking.  The broths and soups that are concocted are traditional and cobbled together with the ingredients immediately available to hand.  One ramshackle shack in Busan even forces its patrons to make their own food with the fresh ingredients and old cookware made available to them.  Doo-heon is learning to cook throughout the film and gradually, as he improves, you feel his attitude change.  At one point in the film Doo-heon and Se-bin go and see Sunny (2011) in the theater, which renders the past very colourfully in comparison with the present.

Despite its visual splendour, Hindsight often peters out as it seesaws between its lumpy plot strands.  It’s a shame really because one has the sense of a subcutaneous beauty that is only hinted at from our surface vantage point.  There is much passion woven into the fabric of this film but it is haphazard and scattershot and fails to draw you in.  I would say that Hindsight is worth a look, if only for its magnificent allure and the always welcome presence of Song Kang-ho but be prepared to be dissatisfied and left wanting by its end.

★★★☆☆



Reviews and features on Korean film appear regularly on Modern Korean Cinema.  For film news, external reviews, and box office analysis, take a look at the Korean Box Office UpdateKorean Cinema News and the Weekly Review Round-up, which appear weekly on Monday, Wednesday, and Friday mornings (GMT+1).

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.


Korean Box Office Update (01/27-01/29, 2012)

Unbowed Shoots to the Top During Big Weekend for Korean Film 



Title Release Date Market Share Weekend Total Screens
1 Unbowed 1/18/12 28.0 % 717,580 1,874,338 528
2 Dancing Queen 1/18/12 23.0 % 598,192 2,100,968 543
3 Tarbosaurus 1/26/12 15.6 % 330,411 366,523 454
4 Puss in Boots (us) 1/11/12 10.7 % 260,898 1,852,530 375
5 Journey 2: The Mysterious Island (us) 1/19/12 9.2 % 216,196 1,029,499 369
6 Mission: Impossible - Ghost Protocol (us) 12/15/11 3.7 % 92,673 7,490,425 259
7 Pacemaker 1/18/12 2.3 % 60,634 429,413 309
8 We Bought a Zoo (us) 1/18/12 1.8 % 47,485 252,149 197
9 Never Ending Story 1/18/12 1.2 % 30,886 264,891 229
10 The Girl with the Dragon Tattoo (us) 1/11/12 1.2 % 27,326 422,390 109


Local business finally found itself back in the driver's seat this past weekend as its market share soared to 71%.  That on top of the fact that total admissions were 2.56 million, 30% higher than last year's comparable weekend, and suddenly things are starting to look a lot rosier for Korean films in early 2012.

After a very strong start, Unbowed has taken over first place by jumping nearly 100% to 716,945.  Though it is not the only Lunar New Year's release on the path to success, it looks like the first major hit of the year.  It looks to continue the trend of strong small releases outperforming expectations that we saw so much of last year.

Meanwhile, Dancing Queen built on its successful opening by rising slightly to 597,666 and has now crossed the 2 million mark.  Competition from Unbowed and next week's opener Nameless Gangster will be tough, but it's already a hit.

The highest opener this week was another local release, the animated dinosaur feature Tarbosaurus 3D which wound up with an decent 329,625.  Though this film has managed to generate some buzz and has been presold to a number of markets, this probably wasn't the best time to release it.  The market has been flooded with children's fare recently and after the holidays, it's hard to imagine that this will pick up steam in February.

Puss in Boots remained steady at number 4 with 260,898 and looks to cross the 2 million mark before the end of its run.  Journey 2: The Mysterious Island dropped three places to number 5 but was able to hang on to nearly two thirds of its business as it finished the weekend with 216,196.  Mission Impossible 4 fell one spot to number 6 with 92,673.  It has now crossed War of the Arrows to become the second highest grossing film of 2011 and its total, which is inches from 7.5 million may come excruciatingly close to Transformers 3's chart topping tally, which stands at 7,790,434.

The other two Korean Lunar New Year's releases did not fare so well.  Pacemaker has simply failed to impress as it has receded 50% after a lackluster opening, its most recent take was 60,634. The marketing team behind the film desperately tried to increase awareness in interest in the film last week with a number of promotional tactics but these seem to have fallen flat.

Meanwhile, The Neverending Story, which no one seems to be talking about, finished at number 9 with 30,886 after losing 65% of its business.  It has barely managed to scrabble together a quarter million admissions to date and looks likely to finish with less than 500,000.

We Bought a Zoo stayed at number 8 as it added 47,485 to its paltry total while The Girl With the Dragon Tattoo rounded out the top 10 with 27,326.

Next week sees the release of the much anticipated Nameless Gangster starring Choi Min-sik and Ha Jung-woo but I am starting to wonder if it may fall short of expectations.  It will be hard enough to unseat Unbowed, which has taken over the public consciousness, but I'm wondering wether the film itself will fail to live up to the hype.  Papa will also be opening and will likely do so in the top 5 while the major US release will be Happy Feet 2 but after so much kids fare of late, I think this may be one too many.

Source: kobis.or.kr


The Korean Box Office Update is a weekly feature which provides detailed analysis of film box office sales over the Friday to Sunday period in Korea. It appears every Sunday evening or Monday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News and the Weekly Review Round-upReviews and features on Korean film also appear regularly on the site. 

To keep up with the best in Korean film you can sign up to our RSS Feed, like us on Facebook, or follow us on Twitter.

Saturday, January 28, 2012

Weekly Review Round-up (01/21-01/27, 2012)

Another slew of The Front Line reviews and much else besides including a number for current Korean films and the longest review of Penny Pinchers that is ever likely to be written!

This edition of the Weekly Review Round-up marks the 6-month anniversary of the weekly feature and I'm happy that it has met with such a strong reception over that time.  Thank you all for supporting it!


CURRENT KOREAN RELEASES


(The Jeju Weekly, January 20, 2012)

(Seongyong's Private Place, December 24, 2012)

(Seongyong's Private Place, January 18, 2012)


RECENT RELEASES


(Hanguk Yeonghwa, January 22, 2012)

(Film Business Asia, January 22, 2012)

(Hanguk Yeonghwa, January 24, 2012)

(Film Smash, January 22, 2012)

(dramabeans, January 24, 2012)

(Business Week, January 19, 2012)

(The Banana Times, January 25, 2012)

(Modern Korean Cinema, January 25, 2012)

The Front Line


PAST FILMS


(Init_Scenes, January 20, 2012)

Failan, 2001
(New Korean Cinema, January 26, 2012)

M, 2007
(Hanguk Yeonghwa, January 25, 2012)

Pulgasari, 1985
(London Korea Links, January 23, 2012)

Rough Cut, 2008
(flixist, January 23, 2012)

Save the Green Planet, 2003
(New Korean Cinema, January 24, 2012)

The Chaser, 2008
(blogcritics.org, January 22, 2012)

(Hanguk Yeonghwa, January 23, 2012)


The Weekly Review Round-up is a weekly feature which brings together all available reviews of Korean films in the English language (and sometimes French) that have recently appeared on the internet. It is by no means a comprehensive feature and additions are welcome (email pierceconran [at] gmail [dot] com). It appears every Friday morning (GMT+1) on Modern Korean Cinema. For other weekly features, take a look at Korean Cinema News, and the Korean Box Office UpdateReviews and features on Korean film also appear regularly on the site. 

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