Tuesday, August 5, 2014
Review: Strong Effects Play Second Fiddle to Patriotism in ROARING CURRENTS
By Pierce Conran
When making films based on significant milestones in a country’s history, nationalism can be a great asset in a filmmaker’s arsenal but it’s also a tool that must be handled carefully, as too much patriotic bombast can mar an otherwise captivating story. Alas, the new period epic Roaring Currents, which chronicles one of Korea’s most famed victorious, falls into that category. Formidable effects and a fascinating historical event, akin to a Korean version of 300 on boats, plays second fiddle to sensationalized heroism in this epic war reenactment.
Monday, August 4, 2014
PiFan 2014 Review: MY ORDINARY LOVE STORY Is Not Your Ordinary Rom-Com
By Pierce Conran
Expectations play a large role in how we consume and react to cinema, particularly in the commercial realm. Genre formulas are so clearcut than any deviation is immediately noticeable. Some variation is required to prevent things from getting stale but anything too jarring and you run the risk of alienating your audience. The new Korean romcom (or is it?) My Ordinary Love Story takes such a risk as it veers way off course, but this is one gamble that pays off in spades.
Expectations play a large role in how we consume and react to cinema, particularly in the commercial realm. Genre formulas are so clearcut than any deviation is immediately noticeable. Some variation is required to prevent things from getting stale but anything too jarring and you run the risk of alienating your audience. The new Korean romcom (or is it?) My Ordinary Love Story takes such a risk as it veers way off course, but this is one gamble that pays off in spades.
Sunday, August 3, 2014
News: ROARING CURRENTS Lays Waste to Korean Box Office Records
By Pierce Conran
Roaring Currents has turned the Korean opening weekend record to rubble with 3.34 million admissions ($25.65 million) during its first weekend, which accounted for 65.7% of the marketplace. That represents a 41% increase over the former record, set by Transformers 3 in 2011 (2.37 million). The film has already banked 4.75 million viewers and $35.4 million since its debut five days ago.
News: Korean Film Festival in Australia 2014 Lineup Announced!
The Korean Film Festival in Australia returns for its fifth year, bringing with it a slate of the country’s must-see films from the past year. KOFFIA will be touring across six cities this year, and the festival will kick off in Sydney on August 31st and finish up in Adelaide in late September.
Friday, August 1, 2014
Review - Cool KUNDO: AGE OF THE RAMPANT Has Some Swagger In Its Step
By Pierce Conran
Thursday, July 31, 2014
Review: Bleak And Gripping, HAEMOO Prizes Character Over Spectacle
To date, the summer of 2014 has seen the majority of mainstream Korean films fall into either of two categories: the noir thriller or the period blockbuster. While a handful of terrific genre pieces, namely A Hard Day and Confession, have succeeded in spite of this inertia, it's been high time for something a little different. Along comes Haemoo, a character-driven blockbuster set on a boat that is based on a play which is itself drawn from a real life incident.
Wednesday, July 9, 2014
News: Korean Films At Melbourne International Film Festival 2014
As part of MIFF's yearly Accent on Asia program, organisers have selected four South Korean features for the annual film event: A Girl At My Door, A Hard Day, Han Gong-Ju and Our Sunhi.
Thursday, May 22, 2014
News: A GIRL AT MY DOOR acquired by UK's Peccadillo Pictures
By Hieu Chau
After an impressive showing at this year’s Cannes Film Festival, July Jung’s film, A Girl At My Door (Doheeya), has been picked up by independent UK distributor Peccadillo Pictures, according to Screen Daily.
Competing in the Un Certain Regard section of Cannes, the film stars MKC favourite Bae Doo-na and Kim Sae-ron, with acclaimed auteur Lee Chang-dong serving as producer.
Monday, May 19, 2014
Cannes 2014 Review: A HARD DAY Is Easy-to-Love Genre Cinema
By Pierce Conran
Sunday, May 18, 2014
Cannes 2014 Review: A GIRL AT MY DOOR Is Korean Cinema At Its Finest
By Pierce Conran
Screening in the Cannes Film Festival's Un Certain Regard section this year is A Girl at My Door, a film that is so well-wrought that one can't help but be swept up in its artistry, which effortlessly plunges us into an intellectual reverie. The film features the return of Bae Doo-na, following back-to-back Hollywood blockbusters, and teenage actress Kim Sae-ron. It also boasts Lee Chang-dong as a producer, whose influence over the film will not go unnoticed.
Saturday, May 17, 2014
Review: Lee Jang-ho's Mysterious and Magnificent THE MAN WITH THREE COFFINS
By Pierce Conran
Though oppressed by Chung Doo-hwan's administration throughout much of the decade, the Korean film industry was nevertheless able to produce some remarkable films in the 1980s. However, for all their social gravitas and literary refinement, rarely was it the case that films from this period were praised for their technical achievements. Classics from this time such as The Ball Shot by a Midget (1981), The Oldest Son (1985) and Chilsu and Mansu (1988) shone a sober and somber light on the nation's dark social realities but few sought to experiment with the medium. However, this past Sunday, following a special screening at the Korean Film Archive (KOFA), I discovered that within all the weighty and poignant films of the era, there were indeed some people attempting to redefine the boundaries of cinema.
Monday, May 12, 2014
Review: Strong Scenes Doth Not a Narrative Make in Genre-Hopping COMMITMENT
By Pierce Conran
After his father's failed mission in the South, Myung-hoon and his sister are sent to a prison camp in North Korea. Accepting his own mission as an undercover spy to protect his sister from further harm, Myung-hoon infiltrates the south, where he poses as a high school student. He ends up helping a bullied girl in his school while going out interrogating people to learn what happened to his father during his free time. Soon his government learns what he is up to and sends someone to kill him.
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