Korean Box Office Update (07/06-07/08, 2012)

Deranged Beats Spidey in Massive Debut

	Title	Release Date	Market Share	Weekend	Total	Screens
1	Deranged	7/5/12	39.20%	1,128,335	1,323,523	755
2	The Amazing Spiderman (us)	6/28/12	42.90%	1,059,076	3,362,773	896
3	A Letter to Momo (jp)	7/5/12	3.30%	102,728	114,887	252
4	Madascar 3 (us)	6/6/12	2.80%	83,087	1,545,255	247
5	The Raven (us)	7/5/12	2.40%	65,946	87,472	264
6	Midnight in Paris (us)	7/5/12	2.30%	61,735	80,391	187
7	All About My Wife	5/17/12	2.00%	56,070	4,516,210	184
8	The Emperor's Concubine	6/6/12	1.60%	44,226	2,569,270	252
9	Haywire (us)	7/5/12	0.90%	26,675	34,093	199
10	Cabin in the Woods (us)	6/28/12	0.80%	20,773	211,874	184

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Weekly Review Round-up (06/30-07/08, 2012)

Sorry for the delay, it's been a busy week. Not too many writeups this week but a few from NYAFF and TKFF which are both underway.

CURRENT FILMS

Dangerously Excited

(The Korean Times, July 2, 2012)

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NYAFF 2012: King of Pigs (돼지의 왕, Dwaejiui Wang) 2011

Part of MKC's coverage of the 11th New York Asian Film Festival.

(by Peter Gutiérrez)

I’m not sure what the current cultural status of bullying in is South Korea these days – are public policy steps being taken to curtail it, as is the case here in the U.S.? – but certainly anyone who has followed Korean cinema knows that it has provided the thematic backbone to films which cut across several genres. I’m a bit partial to A Bloody Aria (Won Shin-yeon, 2006), and Yeun Sang-ho’s The King of Pigs shares something of its beyond-bleak tone and emotionally raw approach. Just don’t look for any of the former’s dark humor: Yuen has crafted that rare film that effectively plunges head-first into the abyss and never really allows the audience to come up for air, let alone laughs.

So don’t expect a slow and “tasteful” build to the film’s often unforgettable moments of psychological and physical violence. Right away we see our point-of-view character Kyung-Min experience a form of workplace bullying… and then immediately turn around and take out his feelings of shame and powerlessness on his wife in a dynamic that strongly recalls that of James Joyce’s classic Dubliners short story “Counterparts.” But can all of his present-tense troubles really account for the way that Kyung-Min seems to be so haunted? This question is soon answered as he meets up with middle school classmate Jong-Suk for the first time in years, and it becomes clear to us that something happened back in their early adolescence that shaped both men… something that neither seems eager to discuss directly.

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July 2012 Korean Releases

This monthly features previews the coming month's attractions in Korean cinema. All of these monthly posts are available in an archive on the Upcoming Releases page.

July 5

Deranged

July 12

Bloody Fight in Iron-Rock Valley
Dangerously Excited
Sex, Lies and Videotape
Two Moons
Venus in Furs

July 19

Tears of the Antarctic
The 5-Million-Dollar Man
Ukelele Love Together

July 25

The Thieves

July 26

Horror Stories

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NYAFF 2012 Retrospective: A Legend in the Flesh - The Life and Career of Choi Min-sik

Part of MKC's coverage of the 11th New York Asian Film Festival.

Biography

In discussing the life and works of South Korea’s legendary actor Choi Min-sik, who is making a special appearance at this year’s New York Asian Film Festival, I feel the first thing that should be mentioned is how very lucky we are that he was given a chance to make any films at all. Choi was born in 1962 in Seoul and during his early childhood he was diagnosed with tuberculosis. His doctor’s prognosis was that he wouldn’t make it but following a lengthy convalescence in the mountains, he beat the disease. I know that I and many others are very glad that he did!

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Korean Cinema News (06/28-07/04, 2012)

Some good news for the state of Korean box office this week as well as some features on this year's PiFan. In addition, yours truly was interviewed by hancinema.net recently about Korean film and my recent move to Korea!

Ten Questions for the KOREAN CINEPHILE

PIFAN

I'm covering this year's PiFan on MKC and over at Twitch with James Marsh where we're currently breaking down the program for everyone in a series of previews, check out the first two parts below:

PiFan 2012 Preview Part 1: Puchon Choice (Main Competition)
PiFan 2012 Preview Part 2: World Fantastic Cinema

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NYAFF 2012: Honey PuPu (消失打看 - Taiwan, 2011)

Part of MKC's coverage of the 11th New York Asian Film Festival.

Honey PuPu is one of the most singular works to come out of Asia in quite some time.  Its take on the modern world is fiercely original and, by employing a dizzying array of different formats and techniques, it seeks to recount its philosophical and energetic tale of how people’s identities are shaped and disrupted by the world’s aggressive virtualization. Chen Hung-i’s film combines gorgeous and whimsical cinematography with other techniques such as a futuristic platform for social media, photography and a veritable bounty of editing techniques.  It features a terrific soundtrack, quickly oscillating between classical pieces and modern electro music, and is a film unlike any other.

Vicky is a radio hostess who is searching for her lover who has disappeared.  She seeks the help of a number of young people she has encountered through social media with monikers like Cola, Assassin, Money and Playing.  They are all lost souls, seeking answers through the hyperkinetic communication networks of the modern world.

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NYAFF 2012: Couples (커플즈, Keo-peul-jeu) 2011

Part of MKC's coverage of the 11th New York Asian Film Festival.

Mainstream cinema has the potential to demonstrate both the best and the worst that the medium has to offer.  Concerning the latter, any number of criticisms can be leveled at the swill and drivel that the world’s film industries will subjects us to and while they are often besides the point, they are just as frequently justified.  When money is involved projects must inevitably revolve around profit, so at one end of the spectrum you will always find shallow and consumerist works versus the riskier ventures, often from established talents, that you will sometimes witness at the other. 

Between these two extremes there lies an uneasy middle-ground, which is expansive and marked by slippery definitions.  Within this domain, there are filmmakers that strive to make something worthwhile from within the strict confines of commercial filmmaking and they sometimes achieve it, indeed every once in a while they might even make something transcendent.  Then there exists the studio hands who, despite working from a seemingly routine template with the assistance of unexceptional pedigree, every so often happen upon something that works.

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Korea Blog Week IV: Birthday, Meetings and Getting Used to Life in Seoul

Part of an ongoing series about my trip to and discovery of Seoul...

As I near the one-month mark in Korea I can definitely say that I've really begun to settle in and already things seem very familiar. I suppose that in some way this is a testament to my nomadic life up until this point. It was also my birthday this past week and as I reflected for a spell I realized that I have almost been in a different city for my last seven birthdays, going backwards the list goes: Seoul, Washington D.C., Los Angeles, Fribourg, Los Angeles, New York, Dublin. Six places in seven years, that's a lot of ground covered and I know that I'm extremely fortunate to have lived and visited so many places and in the process meet such incredible people and have so many wonderful experiences. And yet, I'm tired and perhaps have been so for a while. I came to Korea with the intention of staying for some time and I aim to do just that, I would like to make it at home and so far I feel so welcome here that I don't why I shouldn't.

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Korean Box Office Update (06/29, 07/01, 2012)

An Amazing Start for Spiderman

	Title	Release Date	Market Share	Weekend	Total	Screens
1	The Amazing Spiderman (us)	6/28/12	71.40%	1,417,504	1,694,733	1,114
2	The Emperor's Concubine	6/6/12	5.20%	122,415	2,452,708	318
3	Madascar 3 (us)	6/6/12	4.90%	120,261	1,443,354	396
4	All About My Wife	5/17/12	4.70%	110,905	4,385,425	240
5	Cabin in the Woods (us)	6/28/12	4.30%	99,438	130,929	287
6	Miss GO	6/21/12	3.70%	88,346	551,625	309
7	King of XXX-Kissing	6/21/12	2.80%	68,375	432,192	272
8	Runway Cop	5/30/12	0.80%	21,134	1,325,807	114
9	Lockout (us)	6/14/12	0.30%	6,852	457,060	84
10	Two Weddings and a Funeral	6/21/12	0.20%	5,498	34,608	39

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NYAFF 2012: War of the Arrows (최종병기 활, Choi-jong-byeong-gi Hwal) 2011

Part of MKC's coverage of the 11th New York Asian Film Festival.

It’s about time I threw my hat into the ring and chimed in on War of the Arrows, the top-grossing Korean film of 2011, which has met with positive reactions from all over the globe.  Early in 2011, if you were familiar with the big films that were scheduled to come out throughout the year, you could be forgiven for expecting Sector 7 and The Front Line to dominate the charts during the summer months.  In the end the former was a cataclysmic failure, likely because it was a terrible film, and the latter fell below expectations, it was a decent film but perhaps a little thin to play well given its subject matter.  One film you may not have noticed, I know I didn’t, was War of the Arrows, a straightforward period action film with mid-level stars and no pretense about it.

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Weekly Review Round-up (06/23-06/29, 2012)

Lots of reviews of recent and past films this week including many for Korean doc Planet of Snail which is currently playing in the UK and many films that will be screening at the 11th New York Asian Film Fesitval which is kicking off today and will be covered here on MKC.

RECENT FILMS

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NYAFF 2012: Nameless Gangster (범죄와의 전쟁, Bumchoiwaui Junjaeng) 2012

Part of MKC's coverage of the 11th New York Asian Film Festival.

Korean cinema is filled to the brim with genre offerings and one of its most successful areas is with the gangster film.  These are called ‘jopok’ films, which is a Korean word for gangster and we did a whole series on the genre here on MKC not so long ago called ‘Jopok Week’.  Clearly I’m a big fan of gangster films and like many others I grew up on the likes of the Godfathers (Part II is my favorite if anyone cares to know) and Goodfellas (1990) but it didn’t take me too long to get turned onto more far-flung examples of the genre, ranging from Brazil’s City of God (2002), Italy’s The Conformist (1970), France’s Jean-Pierre Melville (Bob le Flambeur, 1956; Le Samourai, 1967) and Japan’s Kinji Fukasaku (Battles Without Honor and Humanity, 1973-76).

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NYAFF 2012: Vulgaria (低俗喜劇 - Hong Kong, 2012)

Part of MKC's coverage of the 11th New York Asian Film Festival.

It’s generally a good rule of thumb to get things started with a bang, be it a film, a dinner, a concert, etc.  In the case of a film festival, I’m always amazed at some of the drab films that get chosen to open events that are supposedly consecrated to the celebration of the medium.  I recall the Dublin International Film Festivals of years past (I used to go to every year when I was based there), one that comes to mind was 2007 when the event opened with Jindabyne (2006), a handsome and languid arthouse circuit film from down under starring Ireland’s own Gabriel Byrne.  However, despite being a good film, it was hardly the kind of work that was going to get me pumped up about cinema for a full 10-day event.

You should start as you mean to continue and as far as a festival is concerned, good does not always mean right.  Looking at this year’s New York Asian Film Festival  (NYAFF) lineup, a little grin curled up my lips as I saw Pang Ho-cheung’s Vulgaria front and center.  I was lucky to catch it earlier this year at the Udine Far East Film Festival (FEFF) and while it didn’t open that event (that honour went to Sunny, another strong kick-off choice), by all accounts it brought down the house.  I say that because I had to catch in the video library but boy did I wish I could have seen it with a crowd.

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11th New York Asian Film Festival on MKC

Vulgaria (低俗喜劇 - Hong Kong, 2012)

Nameless Gangster (범죄와의 전쟁, Bumchoiwaui Junjaeng) 2012
War of the Arrows (최종병기 활, Choi-jong-byeong-gi Hwal) 2011
Couples (커플즈, Keo-peul-jeu) 2011
Honey PuPu (消失打看 - Taiwan, 2011)
Retrospective: A Legend in the Flesh - The Life and Career of Choi Min-sik
King of Pigs (돼지의 왕, Dwaejiui Wang) 2011
Doomsday Book (인류멸망보고서, In-lyoo-myeol-mang-bo-go-seo) 2012

Sadly I can't make it to this year's New York Asian Film Festival since, as you know, I'm halfway around the world but that doesn't mean that MKC won't be covering it! Peter Gutierrez, our US Correspondent will be chiming in with a few pieces on Korean films while I have a few features and reviews up my sleeve as well!

It's a great year for Korean film at the festival with no less than 12 films and a program of shorts being screened. The most exciting element of the package will be the presence of screen legend Choi Min-sik who will supporting his most recent work Nameless Gangster but will also be the subject of a retrospective, with Failan (2001), Oldboy (2003) and Crying Fist (2005) also playing during the week.

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Korean Cinema News (06/21-06/27, 2012)

Lots of great news pieces this week, chief among them the fantastic lineup for next month's PiFan!

SPECIAL ANNOUNCEMENT

PiFan Unveils Lineup!

Far too much to go through here but upcoming Korean omnibus Horror Stories will be opening the proceedings and the week will close with Takashi Miike's latest, For Love's Sake. Lots of interesting films in competition and plenty of Korean films will be screened over the 11 days. James and Marsh and I will be breaking down the program over the coming days over at Twitch and we will both be onsite, providing the most comprehensive coverage you're likely to find! (Modern Korean Cinema, June 27, 2012)

16th PiFan - Full Schedule

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Café Noir (카페 느와르, Kape Neuwareu) 2009

The burden of expectation can sometimes be a heavy weight to bear and after a little too much of it, many films simply crumble.  In 2009, an indie Korean film clocking in at three and a half hours began to make the rounds of the festival circuit and attracted some very positive attention.  After a full year screening at various events it was finally accorded a domestic release in late December 2010 but, like the vast majority of independent features, it failed to find an audience in Korea.  A number of people (myself included) patiently awaited its DVD release but it never came… until now.  After premiering at the Busan Film Festival in October 2009, Café Noir was finally released on DVD in June 2012.

While I can’t say exactly why the wait for the disc was so long, I can, to some extent, understand it.  Here is a film with an enormous running time, some heavy source texts (Goethe and Dostoyevsky), painfully long takes and a fairly significant dollop of pretension; it is also the debut film of a long-standing film critic.  Just one of these elements is dangerous enough to ward off all but the most adventurous film viewers but taken together it’s true that this film could only ever appeal to a very select crowd.

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Korea Blog: When Does One Find Time to Sleep?

도덕산 (Dodeoksan)

Part of an ongoing series about my trip to and discovery of Seoul...

Just off another very busy week in Seoul and the fatigue is starting to settle in but then again I've probably been pushing myself a little too hard!  After my initial few weeks of discovery here it is time for me to find the right balance between work #1, work #2 and play.

After a long week I made my way into Hongdae on Friday night to meet my friend Matt we were both hungry and looked around for a place to eat. After a while Matt recognized somewhere he had been to before so we went in, were greeted and sat down. Only then, we were told that this particular establishment specialized in the parts of a cow that as a westerner you wouldn't think to eat. Oh well, said I, when in Rome!

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Korean Box Office Update (06/22-06/24, 2012)

Miss Go Goes Straight to the Top

	Title	Release Date	Market Share	Weekend	Total	Screens
1	Miss GO	6/21/12	17.70%	268,277	331,169	439
2	The Emperor's Concubine	6/6/12	14.90%	224,090	2,187,575	427
3	Madascar 3 (us)	6/6/12	14.70%	219,150	1,275,303	449
4	King of XXX-Kissing	6/21/12	13.60%	213,630	270,293	424
5	All About My Wife	5/17/12	12.00%	179,158	4,144,011	325
6	Lockout (us)	6/14/12	5.70%	87,409	411,636	284
7	Runway Cop	5/30/12	5.30%	81,741	1,258,758	226
8	Men in Black 3 (us)	5/24/12	4.00%	60,379	3,346,609	221
9	Prometheus (us)	6/6/12	4.50%	58,567	929,723	211
10	Faces In the Crowd (us)	6/21/12	2.80%	40,950	52,982	173

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Weekly Review Round-up (06/16-06/22, 2012)

Broad section of reviews this week as more and more Korean films see DVD, Blu-ray and theatrical releases in English-language territories, hooray!

CURRENT FILMS

All About My Wife

(8 Asians, June 20, 2012)

(Film Journal, June 21, 2012)

In Another Country

(Modern Korean Cinema, June 21, 2012)

(Twitch, June 21, 2012)

The King of XXX-Kissing

(The Korea Times, June 19, 2012)

Two Weddings and a Funeral

(The Korea Times, June 15, 2012)

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Korean Cinema News (06/14-06/20, 2012)

A few items on PiFan this week and a number of new trailers, which now feature writeups (originally posted on Twitch).

KOREAN CINEMA NEWS

PiFan to Hold Myung Films Retrospective

The lineup for next month's 16th Puchon International Fantastic Film Festival will not be revealed for another week but we now have our first indication of some of the films that will screened at the event. PiFan will be holding a retrospective of the respected Korean production company Myung Films. The sidebar will be titled "Asian Major Studio Special Program: The Sun and the Moon of Korean Films, Myung Films" and will feature a cross section of some of the company's major works.

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Dancing Queen (댄싱퀸, Daensingkwin) 2012

Just when it seemed like star power was starting to fade in Korea, a new vehicle for two of the nation’s most popular performers danced its way into the spotlight, enchanting four million local viewers in the process.  Late last year and earlier this year a host of others (I among them), were calling out Korean stars for their failure to attract audiences to domestic cineplexes.  Song Kang-ho, normally the country’s most reliable star, misfired with Hindsight (2011), the first film in over a decade from Lee Hyeon-sun (Il Mare, 2000) and a short while after Countdown drew even less receipts despite starring what should have been a potent combo with Jeon Do-yeon (Secret Sunshine, 2007; The Housemaid, 2010) and Jeong Jae-yeong (Castaway on the Moon, 2009).  Since the star system has been powerful for so long, arguably too long a time, this shift in what drives a spectator to a theater has been seen as audience’s rejection of the less than-stellar features that the studios marched into the multiplexes, especially hollow blockbusters and these empty star vehicles (though personally I thought the above two films were a little better than what most people made them out to be).

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Settling Into the Fast-Paced Seoul Lifestyle

View from 삼성산  (Samseungsan)

Part of an ongoing series about my trip to and discovery of Seoul...

It's nearly been two weeks since I've arrived and I'm amazed at how much I've done despite my hectic schedule, I guess it just comes down to the city's notorious work hard/play hard culture. I only have a little over 20hrs of teaching hours from Monday to Friday but throw in my writing duties for MKC, Twitch and VCinema, as well as exercise and learning Korea and my day goes from 7am to 11pm, with meals kept very short. After 11 I can finally take some time for myself, which usually means watching a Korean film (or part of one), but that almost falls into the work category as well. Sleep comes over me at around 1am and after 6hrs rest it starts all over again.

Now I am certainly not complaining, I'm busy but I am also focussed and glad that I know exactly what I'm doing. For the first time in a while I feel like the master of my own destiny and the fact that most of my workload is voluntary is a testament to that fact. That said, while I did some work over the weekend, I also took the opportunity to discover Seoul some more, catch my first new Korean film in theaters and, best of all, to meet friends old and new!

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Korean Box Office Update (06/15-06/17, 2012)

Concubine Seduces the Box Office For Second Straight Week

	Title	Release Date	Market Share	Weekend	Total	Screens
1	The Emperor's Concubine	6/6/12	21.60%	379,354	1,720,595	536
2	Madascar 3 (us)	6/6/12	18.00%	311,454	1,000,913	557
3	All About My Wife	5/17/12	13.60%	238,402	3,820,013	370
4	Lockout (us)	6/14/12	11.10%	201,263	237,522	373
5	Runway Cop	5/30/12	7.90%	145,036	1,098,518	282
6	Men in Black 3 (us)	5/24/12	7.50%	135,452	3,231,814	332
7	Prometheus (us)	6/6/12	8.80%	129,265	801,391	322
8	Sadako 3D (jp)	6/14/12	4.90%	71,346	87,953	261
9	Don't Click	5/30/12	3.00%	57,234	837,617	254
10	The Thing (us)	6/14/12	1.50%	27,886	33,462	173

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Weekly Review Round-up (06/09-06/15, 2012)

Lots of reviews for new releases this week, including As One and Arirang which are currently screening in various English-language territories.  Sector 7 was also just released in the US on Blu-ray.

CURRENT FILMS

All About My Wife

(Between Wor(L)ds, June 10, 2012)

(The Korea Times, June 6, 2012)

As One

(allkpop, June 9, 2012)

(Film Smash, June 14, 2012)

(k-pop girl, June 9, 2012)

(The Los Angeles Times, June 8, 2012)

Talking Architect

(The Korea Blog, June 8, 2012)

The Emperor's Concubine

(Seongyong's Private Place, June 14, 2012)

The Taste of Money

(Reuters, June 13, 2012)

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KOFA Treasures: Lee Doo-yong's The Oldest Son (장남, Jangnam) 1984

Ongoing series on classic Korean film recently made available for free and with English subtitles on Youtube courtesy of the Korean Film Archive.

I can find something to like in just about any Korean film, even some that are frankly terrible, such as last year’s Marrying the Mafia IV, but there are some that I simply can’t abide.  For the most part, the culprits tend to originate from the same genre: the family melodrama.  Granted, there are numerous exceptional Korean melodramas but by force of there being so many, the ones that scrape the bottom of the barrel are remarkably turgid and torpid, judging by any standard.  A recent example is The Last Blossom (2011), which I patiently suffered through despite almost boiling over with rage as a result of its manipulative machinations.

While these films generally aren’t big revenue drivers, many of them still go into production and are brought to us by the hands of hackneyed talent.  Sometimes, as I watch these films, I ask myself: why do they exist?  What led us to this point?  While melodrama is typically the main form of entertainment in Korea, it seemed to me that these particular films are leftovers from a derelict sector of production, which ambles on, quietly churning out these hollow and shallow features.  Naturally, the next piece of the puzzle was to identify and seek out what had come before.

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Korean Cinema News (06/07-06/13, 2012)

Some festival news this week, including for PiFan which I am happy to announce that MKC will be covering on site this year!  Also some big summer trailers and a pair of great interviews this week.

KOREAN CINEMA NEWS

PiFan's Network of Asian Fantastic Films Selects Indonesia for Spotlight

Well this is a pretty neat and interesting development, the Puchon International Fantastic Film Festival's (PiFan) Network of Asian Fantastic Films (NAFF) has selected Indonesia as for its spotlight this year.  Following Taiwan, China, Singapore and Japan, this is a major boon for Indonesian cinema and likely has something to do with the added exposure afforded by the phenomenal success of last year's The Raid.  NAFF seeks to promote genre film in Asian cinema and they selected the country based on their belief that it is "a rising Mecca of Asian genre films", hearty praise from the continent's biggest fantastic film festival.  Here is a little more info on the 5 projects that have been chosen from NAFF's own press release:

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Pacemaker (페이스메이커, Peiseumeikeo) 2012

The marathon, the pinnacle of athletic achievement, that most glorious sporting edifice to the strength, tenacity and persistence of mankind, of all popular sports, it is viewed as the grandest testament of endurance and it is only fitting that, following in its subject’s footsteps, Pacemaker should proudly take on that mantle by becoming the year-to-date’s greatest cinematic endurance test.

Sports movies are rarely too fixated on the physical activities they depict, they are merely gateways into their characters, sometimes they can be metaphors and they always hope to add some entertainment value.  Korean cinema is particularly astute in its appropriation of generic tropes and it should come as no surprise that the sports film has become prevalent in the local industry.  Rather than exploit a sport for it aesthetic or escapist potential however, Korean hitmakers have long seized on their melodramatic potential.  So thoroughly has this line been pursued that any sport is fair game, local popularity doesn’t really factor into it.  The results speak for themselves: how else could the country’s most successful sports movie be about South Korea’s ski-jumping team (Take Off, 2008)?

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First Week in Seoul

Downtown Gwangmyeong

Part of an ongoing series about my trip to and discovery of Seoul...

Well it's been nearly a week since I touched down in Seoul and while it is a little strange, I'm thrilled to finally be here.  I don't have much time so I'll give you the basics, I live in Gwangmyeong which is technically in Gyeonggi-do (the neighboring province that encircles metropolitan Seoul, but I am connected to the urban sprawl.  It's an okay neighbourhood, if a little rundown, and I have everything I need.  Job is going well and the school is very nice, food and phone were provided (though I will be upgrading to a better device when I get my Alien Registration Card).  I also get a free apartment but this I don't have too many great things to say about, it's functional and of course a little small but it's not very nice and I look forward to upgrading in the not too distant future but it'll do for the moment.

So what have I done since I've been here?  Quite a bit considering I've worked for 4 days and updated MKC a lot in that time.  On Saturday I had the pleasure of taking my first trip to the Korean Film Archive (KOFA), where I saw Kim Soo-young's wonderful Mist (1967) which was presented by Darcy Paquet (@darcypaquet), who gave a fascinating talk following the screening.  KOFA treated us to dinner afterwards and I also finally got to meet Jason Bechervaise (@koreanjase) who I've been in touch with for some time.  Was a great afternoon/evening and I look forward to more of the same!

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Korean Box Office Update (06/08, 06/10, 2012)

The Emperor's Concubine Beats Aliens and Animals

	Title	Release Date	Market Share	Weekend	Total	Screens
1	The Emperor's Concubine	6/6/12	23.60%	511,462	976,696	613
2	Madagascar 3 (us)	6/6/12	16.60%	354,516	635,636	561
3	All About My Wife	5/17/12	13.70%	298,564	3,424,239	393
4	Prometheus (us)	6/6/12	14.80%	272,774	549,092	515
5	Men in Black 3 (us)	5/24/12	11.40%	254,952	3,016,581	396
6	Runway Cop	5/30/12	8.50%	194,779	860,995	351
7	Don't Click	5/30/12	7.20%	175,819	744,844	343
8	Snow White and the Huntsmen (us)	5/30/12	2.50%	57,104	605,619	235
9	The Avengers (us)	4/26/12	0.70%	16,148	7,040,163	71
10	The Taste of Money	5/17/12	0.30%	5,493	1,156,868	91

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The Shower (소나기, Sonagi) 1979

One thing that I’ve noticed time and again in Korean cinema, especially when I began to discover it many years ago, was the use of rain.  What struck me about it was its prevalence but most of all its impressive depiction on screen.  The first point is mostly due to the climate in Korea, which shares more with the wet climes of my native Ireland than Hollywood’s perpetually clear and balmy days.  The latter comes down to a keen appreciation on my part of the aesthetic and technical brilliance of the nation’s film industry.  Of course there’s also more to it than the above points, which are merely practical.

‘Pathetic fallacy’ is a term used to denote the attribution of human emotions to inanimate objects.  In poetry and literature, as well as in film, it typically references the metaphorical use of nature.  Rain is one of the most frequently used devices for pathetic fallacy used in art or media and in cinema it works particularly well due to its heavy physical presence and its potential to heighten the mise-en-scene through visual and aural means.  But in Korean films it has been brought to a new level as just about every important Korean work of the last 15 years has featured an important scene whose staging and emotional impact have been amplified by rainfall.

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June 2012 Korean Releases

This monthly features previews the coming month's attractions in Korean cinema.  All of these monthly posts are available in an archive on the Upcoming Releases page.

June 6


The Emperor's Concubine

June 7

Superstar

June 21

2 Doors
Miss Conspirator
The Heaven Is Only Open to the Single
The King of XXX-Kissing
Two Weddings and a Funeral

June TBC

A Company Man
Boys, Dreams and Sansevieria

I Am

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