KCN: Korean Films to TIFF, Thieves Still King (08/09-08/15, 2012)

Not an enormous amount of news this week. Toronto has announced some Korean films in its lineup, The Thieves continues its extraordinary box office run and a number of trailers and posters this week.

KOREAN CINEMA NEWS

Three Korean Films Set for Toronto

The Toronto International Film Festival, arguably the world's biggest film event (if not quite as glitzy as Cannes), returns next month and this year a trio of Korean films have been invited. The sophomore effort from Jo Sung-hee (End of Animal; 2010), A Werewolf Boy will screen in the Contemporary World Cinema section along with Juvenile Offender by Kang Ji-kwan and current blockbuster The Thieves from Choi Dong-hun. (Modern Korean Cinema, August 15, 2012)

R2B Presells to 30 Markets

The Rain-starring aviation blockbuster R2B: Return to Base, has presold to 30 territories, including: England, Germany, France, Switzerland, Belgium, Austria, Canada, Thailand, Taiwan, Singapore, Malaysia, Indonesia, Brunei, Monaco, India, Turkey & Mongolia. The film is a remake of the Korean classic Red Scarf (1964) but by all accounts it seems to fall far more in line with Top Gun (1986). (Modern Korean Cinema, August 15, 2012)

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PiFan 2012: The Crucible (시련, Silyeon) 2012

Part of MKC's coverage of the 16th Puchon International Film Festival.

Among the Korean independent fare at this year’s PiFan there were some wonderful works that will likely enjoy healthy festival runs and should find wider audiences but along with the good there is inevitably going to be some bad. One film that will quickly be forgotten is a low-budget take on Arthur Miller’s famed play ‘The Crucible’. However, please don’t confuse this film with last year’s much-ballyhooed and far more worthwhile Silenced, which was originally known as The Crucible In English.

Though not particularly familiar with Miller’s play, it’s easy to see that the filmmakers behind this work got themselves a little too caught up in the mechanics of putting on a theater piece as well as their attempt at forging a meta-narrative around the staging of a play which begins to take on the story and themes of the work in question. The story is as follows: a student theater troupe preparing to perform their rendition of Miller’s play following the mysterious death of one of their cast members. One night during rehearsals things take a turn for the worse and the events that begin to unfold mirror those of the play.

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JIMFF 2012: The Last Elvis (El Ultimo Elvis, Argentina) 2012

Part of MKC's coverage of the Jecheon Intl. Music & Film Festival.

Whether it be gods, sovereigns, athletes or rock stars, idolatry is something that has pervaded human society at the very least since our civilization’s records began. What leads to the fanatical worship that we are almost all guilty of? Among other things, jealousy could be to blame. Be we lacking in riches or power, we often look to others who have acquired them. We may hate these people but just as easily our ire could turn to love, perhaps even devotion. However, this love is akin to self-love as we begin to live vicariously through other people’s achievements.

So where does this jealousy come from? We could throw out a few reasons but I think the main culprits are dissatisfaction and disillusionment. The sad fact is that the majority of us may never feel that we have accomplished what we set out to do in our lives. Even those that have achieved what we desire seem to be dissatisfied with their lot. This is an eternal human predicament: we’re never happy with what we have. The grass is always greener so to speak. A bold generalization to be sure and while I won’t say that it affects us all (though it may very well), the majority of us feel this to some extent.

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KBO: The Thieves Overcomes The Grand Heist's Grand Opening (08/10-08/12, 2012)

The Thieves Overcomes The Grand Heist's Grand Opening

	Title	Release Date	Market Share	Weekend	Total	Screens
1	The Thieves	7/25/12	36.60%	1,138,579	9,237,509	801
2	The Grand Heist	8/8/12	30.10%	961,805	1,343,501	694
3	I Am a King	8/8/12	8.30%	271,095	490,594	471
4	The Dark Knight Rises (us)	7/19/12	8.20%	240,450	6,073,570	367
5	Sammy's Adventures 2 (be)	8/1/12	7.10%	218,639	967,254	370
6	Ice Age 5 (us)	7/25/12	3.80%	118,629	1,453,213	271
7	Animals United (ge)	8/8/12	2.50%	86,564	123,247	241
8	Step Up 4 (us)	8/15/12	0.70%	21,029	22,245	90
9	Detective Conan (jp)	7/19/12	0.50%	18,044	499,974	82
10	Horror Stories	7/25/12	0.50%	13,955	315,775	65

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JIMFF 2012 - Jason Becker: Not Dead Yet (USA, 2012)

Part of MKC's coverage of the Jecheon Intl. Music & Film Festival.

When director Jesse Vile presented his film ahead of its screening he asked how many people were already familiar with legendary guitarist Jason Becker. I was part of the majority that was not and as a longtime axeman myself I am little ashamed of this fact. However, I’m very glad that I now know who he is.

Jason Becker: Not Dead Yet follows the life of a young guitarist, a progeny who took the guitar world by storm in the early 1990s but only for the briefest of times. Following his huge break, when he landed the vacant lead guitar spot on the David Lee Roth band following Steve Vai’s exit, which was the most coveted guitar gig in the world at that time, he was diagnosed with ALS, also known as Lou Gehrig’s Disease. He was forced to pull out of the outfit just before his first tour and moved back in with his parents in Richmond, California as he rapidly lost the use of most of his muscles.

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8th Jecheon International Music & Film Festival Preview

Part of MKC's coverage of the Jecheon Intl. Music & Film Festival.

Following last month’s wonderful PiFan I begin August with what will be the first in of a series of film festivals. I made my way to Jecheon, which is a small town about 2 hours East of Seoul, at the crack of dawn to make the most of my brief weekend at the Jecheon International Music and Film Festival.

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Weekly Review Round-up (08/04-08/10, 2012)

Lots of great big broadsheet writeups for a variety of films this week and still more streaming in from PiFan and other festivals around the world, not least Fantasia where Doomsday Book recently walked away with the top prize.

RECENT FILMS

A Muse

(Hangul Celluloid, August 6, 2012)

Arirang

(Global Comment, August 7, 2012)

Couples

(VCinema, August 9, 2012)

Doomsday Book

(Film Threat, July 31, 2012)

(joblo.com, August 2, 2012)

(Variety, August 5, 2012)

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Korean Cinema News (08/02-08/08, 2012)

Finally settling back into the run of things following PiFan. Korean Cinema News is now back to its weekly status.

Not an enormous amount of news this week but The Thieves is still obliterating records at the local box office and there are few festival tidbits in the news.

KOREAN CINEMA NEWS

Korean American Film Festival Commemorates the L.A. Riots
The Korean American Film Festival Los Angeles launches this week, and while it imports several titles from its New York sister festival (including Magic and Loss, with indie star Kiki Sugino, and the portentous-sounding Ultimate Christian Wrestling), its centerpiece is a program of documentaries that focus on the 20th anniversary of the Los Angeles riots. (L.A. Weekly, August 9, 2012)

Actress Ha Becomes Mentor for Future Filmmakers
Renowned actress Ha Ji-won and director Kim Ji-hoon will serve as mentors for the Korea-China youth cultural exchange program “Beijing Toto Laboratory,” scheduled to be held in Beijing’s Kwanggeomun Middle School, Aug. 13 -17. Forty teenagers from Korea and China will participate in making eight films during the five-day program jointly sponsored by CJ CGV and Boys Vanguard of the Chinese Communist Youth Association. (The Korea Herald, August 8, 2012)

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PiFan 2012: The Suicide Shop 3D (Le Magasin des Suicides, France) 2012

Part of MKC's coverage of the 16th Puchon International Film Festival.

Animation was featured quite prominently at this year’s PiFan, with Japanese works such as Gyo, Rainbow Fireflies, Blood C: The Last Dark, not to mention some retrospectives on the Space Battleship Yamamoto series and Czech animation. Sadly, by the end of the festival the only one I was able to see was The Suicide Shop 3D, a French offering from live-action filmmaker Patrice Leconte.

It looked to be a cross between the stylings of Sylvain Chomet (The Triplets of Belleville, 2003; The Illusionist, 2008) and the playfully macabre storytelling of Tim Burton. In many ways the film was a combination of those aesthetics but what it lacked was what makes those filmmakers so successful in their craft: originality and heart. Burton may have lost his edge in recent years but his style, which itself was a combination of horror, vaudevillian and campy influences was fresh and invigorating when he burst onto the scenes 30 years ago.

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KBO: The Thieves Continues to Smash Records (08/03-08/05, 2012)

The Thieves Continues to Smash Records

	Title	Release Date	Market Share	Weekend	Total	Screens
1	The Thieves	7/25/12	54.50%	2,002,862	6,877,785	1,092
2	The Dark Knight Rises (us)	7/19/12	17.10%	615,196	5,522,967	630
3	Sammy's Asventures 2 (bl)	8/1/12	10.40%	358,903	549,644	486
4	Ice Age 4 (us)	7/25/12	8.50%	301,481	1,194,354	425
5	The Grand Heist	8/8/12	1.60%	58,736	84,095	160
6	Detective Conan (jp)	7/19/12	1.30%	54,623	459,069	146
7	Rock of Ages (us)	8/2/12	1.30%	48,525	67,444	243
8	Horror Stories	7/25/12	1.30%	48,210	267,632	150
9	Piranha 3DD (us)	8/1/12	1.10%	34,938	58,916	266
10	Doraemon (jp)	7/25/12	0.70%	27,769	141,060	109

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Weekly Review Round-up (07/28-08/03, 2012)

It's been a few weeks since the Weekly Review Roundups have been up but I've gone back and added them all now. Lots of PiFan reviews of course and plenty more!

I also wanted to take a moment to say that I will be a little more selective about what appears on WRR from now on. Up until now I've been happy to feature anything on Korean film as long as it was legible but over time I've come across some major outlets that don't always present honest opinions. I'm not here to name and shame but I have removed a few sources from my list that I believe do not respect their audience by giving false opinions for ulterior purposes. Anyway, shouldn't change much going forward!

Thanks for reading and WRR should be back to its weekly status for the foreseeable future.

CURRENT FILMS

Deranged

(allkpop, July 31, 2012)

(The Los Angeles Times, August 3, 2012)

The Thieves

(Seongyong's Private Place, July 28, 2012)

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PiFan 2012: Super Virgin (숫호구, Suthogoo) 2012

Part of MKC's coverage of the 16th Puchon International Film Festival.

What is it that draws us time and again to narratives following socially-awkward men who are trying to lose their virginity? My first thought was that these provide a vicarious thrill for male cinema-goers but actually, these films tend to draw crowds across the gender divide. Judd Apatow recognized this and harnessed the phenomenon into global hits with The 40 Year-Old Virgin (surely one of the most self-explanatory film titles of all time) and Superbad, which were equally successful with men and women when they were released.

Super Virgin, which had it’s world premiere at this year’s PiFan, is a Korean ultra low-budget film about the 30-year-old Won Jun, who is idling away his life in Incheon with his equally directionless friends.  He’s portly, awkward and sports some unbecoming spectacles, in short he’s a virgin and there doesn’t seem to be much hope for him. A cute girl moves to town and he falls for her but what can he do? By chance, he is abducted by a scientist who wants him to test ride his new invention. This scientist has created a sex avatar that he claims has been tweaked to instantly attract every woman who will cross his path. Following a long night of drinking and a bout of despondency, Won Jun agrees to the experiment and it works like a charm. But when he uses his new avatar to woo the girl he likes things become complicated, as ironically he can no longer be a match for himself.

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Korean Cinema News (07/26-08/01, 2012)

Another abbreviated KCN due to PiFan coverage but nonetheless soe important Venice announcements, interviews and box office history in the making!

KOREAN CINEMA NEWS

SICAF 2012: Animation Event in Korea
Local press covering this year's Seoul International Cartoon & Animation Fest (SICAF) frequently touted diversity, among other program elements, as the event's primary commendation. This year marks the sixteenth edition of the annual comics and cartoons showcase, and although animation screened in competition has traditionally come in from all over the globe, the festival's confident mix of emotional, adult films and seasoned children's fare produced a rather unique schedule. SICAF 2012(July 18-22, 2012) concluded last week. (Animation Insider, July 30, 2012)

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PiFan 2012: Over My Dead Body (시체가 돌아왔다, Sichega Dolawassda) 2012

Part of MKC's coverage of the 16th Puchon International Film Festival.

Comedy is a curious beast even at the best of times. Across the world’s national film industries, thrillers, horrors, romances and action films share many common elements, while comedy tends to be fall in line with indigenously codes. I’ve said it before but it bears mentioning again: for foreign viewers, Korean comedies are a tricky proposition. Dialogue-based humor is often lost in translation and societal quirks, idiomatic expressions, customs and cultural references further complicate our relationship with these works.

My knowledge of Korean is steadily rising (and had a big bump during PiFan) so I’m starting to see things that I may have missed out on before and Over My Dead Body, which was presented in the World Fantastic Cinema section is proof of this but still doesn’t convince me that comedy is a forte of Korean cinema. It’s another of the many high-concept, mid-budget and low-brow comedy-thrillers that the industry has been churning out for some time. Having exploited certain generic combos, like the gangster-romance comedies (Marrying the Mafia and My Wife Is a Gangster), to the point of depletion, comedy writers have gotten into a habit of concocting increasingly outrageous premises in the hopes of eliciting laughs through the sheer absurdity of their narratives.

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KBO: The Thieves Steals First Place in Grand Fashion (07/27-07/29, 2012)

The Thieves Steals First Place in Grand Fashion

Apologies for this abbreviated Box Office Report, all updates were suspended while MKC covered the 16th PiFan.

	Title	Release Date	Market Share	Weekend	Total	Screens
1	The Thieves	7/25/12	55.30%	2,004,178	2,866,802	1,073
2	The Dark Knight Rises (us)	7/19/12	25.30%	891,004	4,256,255	807
3	Ice Age 4 (us)	7/25/12	10.60%	359,122	470,762	501
4	Horror Stories	7/25/12	2.60%	91,890	141,071	274
5	Deranged	7/5/12	2.00%	75,898	4,411,340	261
6	Detective Conan (jp)	7/19/12	1.70%	72,203	329,882	211
7	Doraeman (jp)	7/25/12	1.10%	45,187	58,340	180
8	The Amazing Spiderman (us)	6/28/12	0.30%	9,572	4,840,651	45
9	Midnight in Paris (us)	7/5/12	0.20%	8,143	293,979	38
10	SeoTaiji Record of the 8th	7/27/12	0.20%	5,326	5,326	1

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Weekly Review Round-up (07/21-07/27, 2012)

Lots of PiFan reviews this week!

FUTURE FILMS

90 Minutes

(Modern Korean Cinema, July 23, 2012)

(Twitch, July 23, 2012)

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Korean Cinema News (07/19-07/25, 2012)

An abbreviated KCN as I am was away covering this year's PiFan.

KOREAN CINEMA NEWS

Korean Film Invited to Venice’s Independent Section
Director Jeon Kyu-hwan’s feature-length film The Weight has been included in the line-up of the Venice Film Festival’s autonomous sidebar section, the movie’s distributor Fine Cut said. Jeon, whose previous works include Berlinale-featured Varanasi and Dance Town, has become the first Korean director to be invited to the Venice Days competition program. The sidebar is widely considered to be the equivalent of Cannes Director’s Fortnight. (The Korea Herald, July 25, 2012)

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PiFan 2012: Horror Stories (무서운 이야기, Nooseowoon Iyagi) 2012

Part of MKC's coverage of the 16th Puchon International Film Festival.

Omnibus horrors seem to be all the rage at this year's PiFan, with the inclusion of the much-ballyhooed V/H/S and the Indonesian ghost offering Hi5teria (not to be confused with period British vibrator comedy Histeria, which is also in competition). But the one with the highest profile this year was the Korean Horror Stories, which served as the event's opening film.

A group of talented filmmakers, most of whom are prominent genre filmmakers, were assembled for this production which many hoped would breath some life back into Korean horror cinema. Of late, K-horrors have been increasingly disappointing and the consensus is that there hasn't been a good example since the excellent Possessed (2009). Hopes were high for last year's trio of summer Korean horror offerings (the traditional season for the genre) but White: the Melody of the Curse, The Cat and Ghastly all failed to impress despite their potential.

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PiFan 2012: 90 Minutes (90분, 90-boon) 2012

Part of MKC's coverage of the 16th Puchon International Film Festival.

It’s a rare thing to sit down to a film and know just from the opening shot how bad it’s going to be. Sadly this was the case for me at the world premiere of 90 Minutes, a new low-budget Korean revenge thriller. Whether it was the poor framing, choppy editing or thin premise I couldn’t say.

A good-looking commercials director is living in the fast lane and every door seems to open for him until one day when, following a late afternoon tryst with a high-class hooker, he finds himself blackmailed by this femme fatale who has recorded their rendez-vous. He must now follow her commands for 90 minutes if he wants to escape with his life and career intact.

It’s a simple plot that in the right hands and with a bit of creativity might have yielded an interesting, if modest thriller. In director Park Sun-wook ‘s hands however, it becomes an unwieldy and illogical mess. The film’s first mistake is that it takes a full 40 minutes to get things going. The excessive exposition introduces us to a plethora of unlikeable characters, none of whom change throughout the narrative.

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KBO: The Dark Knight Rises to First (07/20-07/22, 2012)

	Title	Release Date	Market Share	Weekend	Total	Screens
1	The Dark Knight Rises (us)	7/19/12	65.30%	1,992,182	2,434,011	1,210
2	Deranged	7/5/12	15.70%	495,156	4,172,904	534
3	Detective Conan (jp)	7/19/12	5.40%	190,413	204,496	350
4	The Amazing Spiderman (us)	6/28/12	6.30%	189,839	4,779,673	357
5	The 5-Million Dollar Man	7/19/12	2.00%	63,943	79,794	328
6	Two Moons	7/12/12	1.80%	59,429	398,617	238
7	A Letter to Momo (jp)	7/5/12	0.90%	30,825	294,196	109
8	Midnight in Paris (us)	7/5/12	0.90%	25,588	268,136	92
9	Madagascar 3 (us)	6/6/12	0.40%	11,434	1,621,890	52
10	Dangerously Excited	7/12/12	0.20%	7,429	214,080	95

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Weekly Review Round-up (07/14-07/20, 2012)

A number of new releases reviewed this week and much more.

CURRENT FILMS

Bloody Fight in Iron-Rock Valley

(Modern Korean Cinema, July 19, 2012)

(Twitch, July 18, 2012)

Dangerously Excited

(Seongyong's Private Place, July 14, 2012)

Deranged

(Seongyong's Private Place, July 15, 2012)

(The Hollywood Reporter, July 17, 2012)

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PiFan 2012: Bloody Fight in Iron-Rock Valley (철암계곡의 혈투, Cheolhamgyegokeui Hyeotoo) 2011

Part of MKC's coverage of the 16th Puchon International Film Festival. Though this film was presented at last year's event (where it picked up two awards), I thought it would be a suitable way to kick off the coverage of this year's event.

Low-budget filmmakers love to dabble in genre fare and, despite inexperience and other shortcomings, they often wind up making more pertinent and exciting works than more established helmers, who may have lost their youthful filmmaking pizzazz. Horror is particularly popular for budding cineastes: it is cheap; relatively simple; and offers many opportunities for experimentation. Sci-fi, though trickier, has also been thoroughly mined by young filmmakers. Westerns on the other hand are among the hardest genre films to realize.

Film lovers are drawn to this genre and it is no surprise. Its sweeping vistas, epic stories and enduring iconoclasm remain popular among directors looking to make their mark. However, this is a difficult feat to accomplish. First of all westerns are visually demanding and feature the type of careful attention to mise-en-scene that requires time, effort and money. Other genres can cut back on this in certain ways, especially horror, but not the western. The next thing and perhaps the hardest, is striking the right balance and tone. Horror and sci-fi films, depending on their angle, may not need to be taken seriously, but a western will sink or swim on its ability to properly engage a viewer and for a neophyte in the director’s chair, this is often too much to ask for.

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PiFan Preview

Bloody Fight in Iron-Rock Valley (철암계곡의 혈투, Cheolhamgyegokeui Hyeotoo)
90 Minutes (90분, 90-boon) 2012
Horror Stories (무서운 이야기, Nooseowoon Iyagi) 2012
Over My Dead Body (시체가 돌아왔다, Sichega Dolawassda) 2012
Super Virgin (숫호구, Suthogoo) 2012
The Suicide Shop 3D (Le Magasin des Suicides, France) 2012
The Crucible (시련, Silyeon) 2012
Interview with Young Gun in the Time's Oh Young-doo
Young Gun in the Time (영건 탐정 사무소, Yeong-geon Tam-jeong Sa-moo-so) 2012
Zombie 108 (城Z-108, Taiwan) 2012
The Heineken Kidnapping (De Heineken ontvoering, Holland) 2011
Osaka Violence (大阪外道, Japan) 2012

Well, PiFan gets underway tomorrow and I've been burning with anticipation for a few weeks now. It'll be my first Korean film festival after landing here 6 weeks ago. The programme looks great and there are many people I'm excited to meet. I'll be at the event for the duration though I won't be able to see as many films as I'd like since I do have a fulltime job that gets in the way of most of the screenings during the weekdays but I've still devised a pretty packed schedule.

Since I won't be able to take in each day from morning to night I won't be publishing daily recaps as I did for this year's Fribourg and Udine Film Festivals but there will still be plenty of reviews, some news and hopefully a few interviews as well. Anything that comes up here will be crossposted on Twitch, where I will be covering the event with James Marsh (@Marshy00) and in addition I will also be participating in daily coverage of the event for Cine21, Korea's no. 1 film magazine.

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Korean Cinema News (07/12-07/18, 2012)

PiFan is upon us and once it gets underway tomorrow I dare say I won't have time for anything else. This means that there will be no Korean Cinema News next week but don't worry I'll double the week after the fest!

PIFAN

Final two previews from James Marsh and I over at Twitch:

PiFan Preview Part 5: Myung Films, 70s Korean Comedites and More!

Twitch Reveals its Top Picks

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KOFA Treasures: Kim Ki-young's Woman of Fire (화녀, Hanyeo) 1971

Ongoing series on classic Korean film recently made available for free and with English subtitles on Youtube courtesy of the Korean Film Archive.

Aside from a few choice selections, remakes have become something of a bane for contemporary cinephiles.  They are borne out of commercial interests and, for the most part and almost by default, they are unoriginal.  They are also omnipresent on today’s marquees, but this wasn’t always the case.  Despite the good examples that do exist, the announcement of a remake almost never inspires much confidence, but what about when a director remakes his own work?

Surprisingly this has happened quite often, mainly when a foreign filmmaker remakes his own successful work for Hollywood.   Among the oldest examples are Hitchcock’s British and US versions of The Man Who Knew Too Much (1934 and 1956) or Yasujiro Ozu’s I Was Born But… (1932) and Good Morning (1959), both Japanese.  Among the most intriguing ones are Michael Haneke’s almost identical versions of Funny Games (Austria, 1997 and US, 2007): the US version was a fascinating meta-narrative experiment that explored our species' fascination with violence, I’m just not sure it’s what the studio had in mind, despite it being a shot-for-shot copy of the original.

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Korean Box Office Update (07/13-07/15, 2012)

Deranged Infects the Charts

	Title	Release Date	Market Share	Weekend	Total	Screens
1	Deranged	7/5/12	43.60%	1,148,211	3,226,499	734
2	The Amazing Spiderman (us)	6/28/12	28.80%	679,675	4,396,250	652
3	Two Moons	7/12/12	7.60%	204,806	238,454	347
4	Dangerously Excited	7/12/12	4.90%	127,816	157,225	278
5	A Letter to Momo (jp)	7/5/12	3.80%	108,895	247,814	248
6	Limitless (us)	7/12/12	2.30%	60,765	76,399	159
7	Midnight in Paris (us)	7/5/12	2.50%	60,051	196,927	144
8	Madagascar 3 (us)	6/6/12	2.00%	54,143	1,606,573	163
9	The Best Exotic Marigold Hotel (uk)	7/12/12	0.90%	22,967	31,650	149
10	Street Dance 2 (us)	7/12/12	0.80%	20,875	26,179	133

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Weekly Review Round-up (07/09-07/13, 2012)

Lots more NYAFF coverage this week and an early review for incoming blockbuster The Thieves. Next week PiFan gets underway so get ready for plenty of new genre release reviews!

UPCOMING FILMS

The Thieves

(The Korea Times, July 11, 2012)

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Pink (핑크, Pingkeu) 2011

The passage of time affects us all in certain ways, our experiences and our memories all take on different forms after we’ve lived them and they leave behind a trace.  This imprint can be faint and slip through our conscious memory just as it can leave an indelible mark, a scar that bears the weight of its genesis.  Most things change with the passage of time but some do not and Jeon Soo-il’s new feature Pink is a dirge to the intransigence of the roots of our defining characteristics.

Jeon, who hails from Korea’s vibrant port city Busan, is a fiercely artistic filmmaker who has quietly been making films for the past 15 years.  While respected within the filmmaking community, Jeon has never attracted anywhere near the same level of international reputation as his arthouse contemporaries, such as Hong Sang-soo (The Day He Arrives, 2011), Kim Ki-duk (Spring, Summer, Autumn, Winter… and Spring, 2003) and Lee Chang-dong (Poetry, 2010).  His films are slow, deliberate and difficult and though they are successful on the festival circuit (he has won awards at Fribourg, Busan and Venice), a larger audience may never gravitate towards his oeuvre.

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Korean Cinema News (07/05-07/11, 2012)

Plenty of news this week so dig in! PiFan is just around the corner by the way, get started next Thursday!

PIFAN

Check out the following previews for this year's PiFan, written by myself and James Marsh over on Twitch:

PiFan 2012 Preview Part 3: Vision Express 
PiFan 2012 Preview Part 4: Strange Homage, Forbidden Zone & More

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NYAFF 2012: Doomsday Book (인류멸망보고서, In-lyoo-myeol-mang-bo-go-seo) 2012

Part of MKC's coverage of the 11th New York Asian Film Festival.

(by Peter Gutiérrez)

No doubt about it: it’s definitely a cliché to remark on how anthology films can be uneven – in fact, it’s probably also a cliché at this point to point out how commonplace such an observation is. Yet although this assessment applies to Doomsday Book, which gets its North American premiere Wednesday evening at NYAFF, the film is also refreshing in that I could see different viewers holding disparate ideas as to which are the stronger and weaker entries in this ambitious, three-part science-fiction extravaganza.

The opening story, “A Brave New World,” takes what seems like a well-worn zombie formula and, in the hands of Antarctic Journal’s Yim Pil-Sung,  fashions one of those optimal mixtures of the audaciously dark and the goofily humorous that can make Korean genre cinema so wonderful. That’s not to say that Yim’s goals are purely pulply, its ironical tone and light intellectualism are evident from the title. Taking its cue less from Shakespeare, or Huxley, and more from the Bible, this segment looks terrific and boasts some solid storytelling, so you’ll be forgiven for not noticing its more highbrow aspirations. Like Steven Soderbergh’s Contagion, which played for both more laughs and more horror, “A Brave New World” is so adept at grabbing and holding your attention that you may be a bit disappointed when it seems satisfied in leading you into romance (!) territory and leaving you there.

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