Friday, June 29, 2018

Review: THE HIMALAYAS Swaps Snowflakes For Tears


By Pierce Conran

For those looking for an expedition drama, be warned that despite its title, The Himalayas is first and foremost a melodrama. One concerning brotherhood, family and, above all, coping with grief. Himalayan expedition films seem to be in vogue at the moment, with 2015 already yielding Baltasar Kormákur's Everest and Japanese drama Everest: The Summit of the Gods due out in a few months, but Lee Suk-hoon's picture is more concerned with relationships than it is with the technicalities of mountaineering.

Thursday, June 28, 2018

Review: THE TIGER, A Gory, Gorgeous Battle To The Death


By Pierce Conran

Following the record-breaking success of Roaring Currents, Choi Min-sik returns to screens in another big-budget period epic, this time hunting down the last Korean tiger (as opposed to the last tiger in Korea, because this feline clearly has a national identity) in Park Hoon-jung's end-of-year release The Tiger.

Wednesday, June 27, 2018

Review: THE BACCHUS LADY Gracefully Explores Bounty of Taboo Subjects


By Pierce Conran

Veteran actress Youn Yuh-jung, star of such classics as Kim Ki-young's Woman of Fire and The Insect Woman, takes on perhaps her boldest role yet in The Bacchus Lady. Directed by E J-yong, appearing in the Berlinale program for the fifth time, this surprising 3D drama was made within the sanctuary of the Korean Academy of Film Arts (KAFA).

Tuesday, June 26, 2018

Review: INSIDE MEN, A Political Thriller That Goes For The Jugular


By Pierce Conran

The year is almost up, the box office has been tallied and the people have spoken. Stories of greedy corporate heirs, crooked clergy, conniving journalists and dirty politicians have risen to the top of the pile, each more acerbic than the last. But 2015 ends with a bang and one of the darkest, most fiercely critical mainstream Korean films of recent memory. Woo Min-ho ably surpasses his previous efforts with third feature Inside Men, which also marks a comeback of sorts for the embattled star Lee Byung-hun, who has spent much of the year in tabloid columns for the wrong reasons.

Monday, June 25, 2018

Busan 2017 Review: HOME Settles in for Pleasant if Predictable Family Drama


By Pierce Conran


Busan-set family melodrama Home doesn't stray from stock themes of Korean dramas yet its endearing young cast and genuine feelings make it a pleasant debut from newcomer Kim Jong-woo.

Friday, June 22, 2018

Busan 2017 Review: BLUEBEARD, Ambitious Chiller Lacks Tension


By Pierce Conran


Much like her debut The Uninvited, Lee Soo-yeon's latest film Bluebeard teases a dark genre storyline before turning off into more psychological territory through several layered images and a protagonist who isn't quite what he seems, played by Cho Jin-woong of A Hard Day. Unlike her impressive 2003 horror film, her second work feels less fresh and a lot more contrived.

Thursday, June 21, 2018

Busan 2017 Review: TAKLAMAKAN, Introspective Drama Dashes Dreams


By Pierce Conran


Ko Eun-ki's sixth film Taklamakan, takes its name from a red desert in China which, as legend maintains, won't let you out once you step inside. In this dark and introspective drama, featuring characters that use the word as a metaphor for their everlasting love, we discover on a dusty hill that sets the stage for an irrevocable life choice that Taklamakan is in actuality a point of no return for the three main characters, played by Cho Seong-ha, Ha Yoon-kyung and Song Eun-ji in committed if dour performances.

Wednesday, June 20, 2018

Review: FORGOTTEN Mislays Its Mystery after Strong Start


By Pierce Conran

Modern thrillers live or die by their twists, and while an unexpected and well-executed surprise can elevate a film from mundane to memorable, many filmmakers forget that it's the journey there that counts. In his latest film Forgotten, director Chang Hang-jun gets it half right, crafting an effortlessly intriguing mystery --- until he starts to lift the curtain. Once that happens around the halfway point, the film offers one expository scene after the next. These scenes manage to both build an extraordinarily convoluted ruse before boiling it down to wearily familiar points, all the while lifting wholesale from the most devilishly twisted Korean thriller of them all.

Tuesday, June 19, 2018

Review: THE CHASE Leads Us Down Familiar Path


By Pierce Conran

An intriguing, if admittedly low-key twist on the Korean serial killer chiller never really comes together in the mediocre The Chase, the third film from The Con Artists helmer Kim Hong-sun. Leading man Baek Yoon-sik (of Save the Green Planet fame) lays on a heavy accent as he shuffles through an incongruous medley of gore and levity that rarely strays from its middle-of-the-road trajectory.

Monday, June 18, 2018

Review: THE SWINDLERS Cons Viewers Out of Their Time


By Pierce Conran

Stars Hyun Bin and Yoo Ji-tae go toe-to-toe in this month's The Swindlers, a loose and jazzy caper thriller that mines Korea's abundant fascination with grifters. Or at least that's what it attempts to do, as this blatant ripoff of the work of director Choi Dong-hoon (Tazza: The High Rollers, The Thieves) is a grating star vehicle that smacks of smug ineptitude and a whole lot of cut corners.

Friday, June 15, 2018

Review: GONJIAM: HAUNTED ASYLUM May Scare You Away from Hospitals for Good


By Pierce Conran

The history of Korean horror was rewritten this year by the most unlikely of contenders, as a low-budget found footage chiller became one of the top-selling K-horrors of all time. Without the benefit of any stars, Epitaph co-director Jung Bum-sik struck box office gold with Gonjiam: Haunted Asylum, which fell shy of only Kim Jee-won's A Tale of Two Sisters on the all-time local horror chart.

Thursday, June 14, 2018

Review: THE RUNNING ACTRESS Dashes to Victory


By Pierce Conran

Ever since picking up a Best New Actor Prize from the Venice International Film Festival for Oasis in 2002, Moon So-ri has been known as one of the top performers in the Korean film industry. Now, after impressing viewers and critics alike over the years, in a range of indie and commercial fare, Moon proves herself to be equally adept behind the camera, following the release of her charming, hilarious and at times poignant feature debut The Running Actress.